Redemption Kills

Dane Larusio is a wealthy, well-respected businessman in his thirties whos hiding a terrible secret. When he was young, growing up in Genova, Italy, Dane acted as a delivery boy for an odious mob boss. He made good money. What eighteen-year-old could turn down good money? But then, because of Danes actions, his father ended up badly injured, and his uncle ended up dead. A scared kid, Dane did what he had to do: he ran. He never looked back, but he knew something changed in him that day. No longer was he an innocent young man. The older Dane got, the less he fearedand the less he careduntil something finally snapped in him. Danes guilt turned into anger, and his anger became a need for bloody vengeance at any cost. Obsessed with the idea of revenge, Dane plots to assassinate the Kingpins of the now global crime syndicate that corrupted his youth. His main target is a mysterious syndicate overlord known as Krait. Dane suspects Krait might see him coming, but no matter what, Dane is determined to get the job done. How could he guess that the mafia has ties to the Larusio family and that Danes own secret isnt the worst in Genova?

Explains the "No Kill" movement, tracing the history of animal sheltering and describing what can be done for homeless dogs and cats by shelters without the need to kill them.

An award-winning journalist and producer of This American Life traces the stories of five convicted murderers to assess their struggles for redemption, efforts toward parole and first steps in transitioning back to civilian life. 25,000 first printing.

Death and Redemption offers a fundamental reinterpretation of the role of the Gulag--the Soviet Union's vast system of forced-labor camps, internal exile, and prisons--in Soviet society. Soviet authorities undoubtedly had the means to exterminate all the prisoners who passed through the Gulag, but unlike the Nazis they did not conceive of their concentration camps as instruments of genocide. In this provocative book, Steven Barnes argues that the Gulag must be understood primarily as a penal institution where prisoners were given one final chance to reintegrate into Soviet society. Millions whom authorities deemed "reeducated" through brutal forced labor were allowed to leave. Millions more who "failed" never got out alive. Drawing on newly opened archives in Russia and Kazakhstan as well as memoirs by actual prisoners, Barnes shows how the Gulag was integral to the Soviet goal of building a utopian socialist society. He takes readers into the Gulag itself, focusing on one outpost of the Gulag system in the Karaganda region of Kazakhstan, a location that featured the full panoply of Soviet detention institutions. Barnes traces the Gulag experience from its beginnings after the 1917 Russian Revolution to its decline following the 1953 death of Stalin. Death and Redemption reveals how the Gulag defined the border between those who would reenter Soviet society and those who would be excluded through death.

The haunting true story of a triple murder in the Ozarks, two lovers on the lam, and a death-row inmate saved by the pope. On a spring day more than ten years ago, sixty-nine-year-old Lloyd Lawrence was gunned down in rural Missouri. The shooter also turned his twelve-gauge shotgun on Lawrence’s wife and their paraplegic grandson. The crime took place in a region known mostly for Pentecostal fervor, country music, and family-friendly tourism. But soon the murders would expose a dark underbelly in the Ozarks: Lloyd Lawrence was a notoriously violent crystal-meth kingpin, killed by an aspiring drug dealer named Darrell Mease.Capturing the raw circumstances that took Mease from his clean-cut youth to the front lines of Vietnam and an aftermath of drug use, Almost Midnight unites an unforgettable range of characters in some of America’s most peculiar locales. When Mease and his girlfriend fled to the Southwest on a hair-raising road trip, this only brought Mease closer to death row. After his conviction, he claimed to receive a religious revelation guaranteeing that his life would be saved by miraculous intervention, a long-shot prediction that came true. A bizarre twist of fate brought Pope John Paul II to Saint Louis, where he pleaded with Missouri Governor Mel Carnahan to commute the sentence just months before Carnahan’s fatal plane crash. In a triumph of investigative journalism, Michael Cuneo gained unprecedented access to Mease and immersed himself in the culture of the Ozarks, exploring its bucolic farms and seedy strip joints, and the lives of its preachers, cockfighters, and outlaws. By turns chilling and riveting, Almost Midnight brilliantly evokes the life of controversial renegade Mease, and the stranger-than-fiction world he still inhabits.

Liberty Press announces the release of Danger Road: A true crime story of murder and redemption, by criminal defense lawyer and author John P. Contini. Contini was the trial lawyer who defended Gilbert Fernandez, Jr., the former Miami-Dade police officer once named, Miamis Meanest Cop. Danger Road is the riveting courtroom drama that recreates the true crime story of three drug dealers who were brutally murdered in 1983 on a lonely stretch of dirt road - ironically named Danger Road, in the Florida Everglades. Each victim had hoped this final drug deal in Hollywood, Florida would be their big retirement score. Instead, the drug dealers allegedly found themselves at the end of a gun wielded by Metro Dade officer Gilbert Fernandez, Jr., and eventually along Danger Road in Miamis Everglades. Fernandez, formerly known as a Mr. Florida bodybuilding champion, kick boxing champion and black-belt karate instructor, was also alleged to be the muscle for the mob in South Florida. He and his crew were not there to arrest the drug dealers that night, according to police - they were there to kill them and steal their nine kilos of cocaine.

During the height of the crack epidemic that decimated the streets of D.C., Ruben Castaneda covered the crime beat for the Washington Post. The first in his family to graduate from college, he had landed a job at one of the country's premier newspapers. But his apparent success masked a devastating secret: he was a crack addict. Even as he covered the drug-fueled violence that was destroying the city, he was prowling S Street, a 24/7 open-air crack market, during his off hours, looking for his next fix. Castaneda's remarkable book, S Street Rising, is more than a memoir; it's a portrait of a city in crisis. It's the adrenalin-infused story of the street where Castaneda quickly became a regular, and where a fledgling church led by a charismatic and streetwise pastorwas protected by the local drug kingpin, a dangerous man who followed an old-school code of honor. It's the story of Castaneda's friendship with an exceptional police homicide commander whose career was derailed when he ran afoul of Mayor Marion Barry and his political cronies. And it's a study of the city itself as it tried to rise above the bloody crack epidemic and the corrosive politics of the Barry era. S Street Rising is The Wire meets the Oscar-winning movie Crash. And it's all true.

When Caryl Chessman appeared on the cover of Time's March 21, 1960 issue, he was the most famous prisoner in America and arguably the best-known in the world. He not only put a face on the issue of capital punishment, he made one of the most remarkable transformations by any American writer. Through access to the papers and letters of his attorneys, George T. Davis and Rosalie Asher, the unpublished manuscripts and papers held by Joseph Longstreth; reminiscences with those who knew him, like Mr. Davis, Mr. Longstreth, his agent and executor; and country music legend Merle Haggard, the first definitive portrait of the enigmatic Caryl Chessman emerges.

The goal of this book is to define and explain the archetypal pattern of redemption that underlies our whole notion of resolution in literature and to demonstrate, through multiple examples, that successful literature--poems and stories that have shown endurance or popularity--uses this pattern in specific ways. This theory should help readers to interpret both particular works of literature and the general notion of literature. The pattern of redemption employed here, in its ideal form, involves the sacrifice of an innocent redeemer to save something that has been lost. Because this pattern of redemption is typically associated with Christianity, this book can be taken as proposing a Christian theory of criticism. Current textbooks on literary criticism and theory cover a range of perspectives, such as Marxism, feminism, multiculturalism, reader response, and queer theory, but they invariably ignore the field of Christian criticism. Therefore, this book may be most useful as a supplementary text for courses in literary criticism that might include a Christian perspective. At the same time, however, the terms and methodology proposed here are not exclusive to or dependant on Christian beliefs, so readers of all types may find this approach useful. The greatest strength of this book is its application of the theory to numerous examples from a wide range of genres and periods of literature, testing the theory on classical and Shakespearean works such as the Iliad and Odyssey, Hamlet and Coriolanus; best sellers such as The Lord of the Rings, Le Petit Prince, Valley of the Dolls, and Harry Potter and the Deathly Hallows; horror stories such as Frankenstein; postcolonial novels such as Things Fall Apart and The Kite Runner; and lyric poems. Consequently, even readers who are skeptical of the assumptions used here should find the many concrete examples thought-provoking.