Red Rag Blues

It's 1953, and Luis Cabrillo has burned through the small fortune he earned from both British and German Intelligence in WW2. Now he has only his wits, his confidence, and his dazzling skills at lying and cheating. Teaming up again with Julie Conroy (a corker of a New Yorker), he follows his wartime instincts and goes where arrogance breeds wealth: to Washington D.C. and Senator Joe McCarthy, high priest of America's holy war on Red treachery. Joe's problem is a sudden shortage of treachery. Luis can help him out, but for dollars. Big dollars. And when the C.I.A. gets into the act, followed by the K.G.B., F.B.I., M.I.6. and the Mafia, it makes for an explosive mixture ripe for a spark. In Red Rag Blues Derek Robinson lends his signature wit to the hysteria and paranoia of the McCarthy years, toying with the notion that the world's most powerful nation is sometimes the world's most stupid.

Jazz, Rags & Blues, Books 1-5 contain original solos for late elementary to early advanced-level pianists that reflect the various styles of the jazz idiom. An excellent way to introduce your students to this distinctive American contribution to 20th century music. The CD includes dynamic recordings of each song in the book.

Jazz, Rags & Blues, Book 1 contains original solos for late elementary to early intermediate-level pianists that reflect the various styles of the jazz idiom. An excellent way to introduce your students to this distinctive American contribution to 20th century music.

Jazz, Rags & Blues, Book 3 contains original solos for intermediate to late intermediate-level pianists that reflect the various styles of the jazz idiom. An excellent way to introduce your students to this distinctive American contribution to 20th century music. The online audio includes dynamic recordings of each song in the book.

Continuing the reissue of the classic Phillips Collection of Traditional American Fiddle Tunes - Volume 2, Favorite American Waltzes for Fiddle presents over 110 classic and lesser-known country waltzes from all parts of the United States, some with multiple versions. All the pieces are transcribed from performances of the greatest traditional fiddlers of the past and present including Benny Thomasson, Howdy Forrester, J. T. Perkins, Lloyd Wanzer, Jay Ungar, Vivian Williams, Skip Gorman, Texas Shorty, Kenny Baker, and dozens more. Bowings and chord accompaniment are included. This book will also be of value to students of classical music and Suzuki trained children. Teachers, are you looking for short pieces that will solidify scales yet won't bore your students? Tired of the same old classical etudes? Waltzes are played slowly enough to not be intimidating but also serve as effective and fun exercises for all violin students, not just fiddlers. the arrangements range from easy (single notes, first position) to advanced (double stops and upper positions). and they illustrate America's great tradition of fiddling.

This story of the origins and evolution of the American blues tradition draws on oral history interviews and research into neglected primary sources. Book jacket.

Rock Springs, Kentucky. A backwater miles from civilisation, but so far upstream that the riverboats can go no further, and with plenty of farmland there for the taking. Among the pioneers who choose to build their homes here are the Hudds and the Killicks, two families destined to spend the next century despising one another. Kentucky Blues is a powerful, unsentimental depiction of life through several generations, widely considered to be Robinson's most ambitious work. Told with his trademark dark humour, it is an epic tale of one small community's journey from its foundation in the 1820s, through the Civil War and the abolition of slavery, to the dawn of the modern age.

The Blues Bag is both a songbook and an instruction book. It is, first of all, an anthology of blues songs, some of which are very well known; others have (as far as I know) never been in print before. As such, it can be used simply as a vehicle for learning new songs, and providing the words and guitar chords for songs you already know. In addition, it provides for the learning guitarist fills, introductions, and turnarounds for the songs, as well as complete instrumental breaks for the majority of the blues presented in this collection. These breaks are written out both in standard music notation and guitar tablature.

In Why 1914?, Derek Robinson--trained as a historian, shortlisted for the Booker Prize--applies his novelist's skills to asking how and why Europe hurried into such a massive disaster. He captures a world of kings and Kaisers, generals and infantrymen. None of them knew what a big European war meant. All the combatant nations assumed it would be short, and each expected to win. The roots of such folly began in the nineteenth century. Robinson traces the earliest warning signs, leading to a sudden crisis and an impulsive war that went massively wrong from the start. This book is the ideal introduction to the key question of the Great War: why did Europe explode?