Red Nation Rising

Red Nation Rising is the first book ever to investigate and explain the violent dynamics of bordertowns. Bordertowns are white-dominated towns and cities that operate according to the same political and spatial logics as all other American towns and cities. The difference is that these settlements get their name from their location at the borders of current-day reservation boundaries, which separates the territory of sovereign Native nations from lands claimed by the United States. Bordertowns came into existence when the first US military forts and trading posts were strategically placed along expanding imperial frontiers to extinguish indigenous resistance and incorporate captured indigenous territories into the burgeoning nation-state. To this day, the US settler state continues to wage violence on Native life and land in these spaces out of desperation to eliminate the threat of Native presence and complete its vision of national consolidation “from sea to shining sea.” This explains why some of the most important Native-led rebellions in US history originated in bordertowns and why they are zones of ongoing confrontation between Native nations and their colonial occupier, the United States. Despite this rich and important history of political and material struggle, little has been written about bordertowns. Red Nation Rising marks the first effort to tell these entangled histories and inspire a new generation of Native freedom fighters to return to bordertowns as key front lines in the long struggle for Native liberation from US colonial control. This book is a manual for navigating the extreme violence that Native people experience in reservation bordertowns and a manifesto for indigenous liberation that builds on long traditions of Native resistance to bordertown violence.

Red Nation Rising is the first book ever to investigate and explain the violent dynamics of border towns. Border towns are white-dominated towns and cities that operate at the borders of current-day reservation boundaries, which separate the territory of sovereign Native nations from lands claimed by the United States. Red Nation Rising marks the first effort to tell these entangled histories and inspire a new generation of Native freedom fighters to return to border towns as key front lines in the long struggle for Native liberation from US colonial control.

Red Nation Rising is the first book ever to investigate and explain the violent dynamics of border towns. Border towns are white-dominated towns and cities that operate at the borders of current-day reservation boundaries, which separate the territory of sovereign Native nations from lands claimed by the United States. Red Nation Rising marks the first effort to tell these entangled histories and inspire a new generation of Native freedom fighters to return to border towns as key front lines in the long struggle for Native liberation from US colonial control.

Uncovers the origins of the Red Power movement During the 1960s, American Indian youth were swept up in a movement called Red Power—a civil rights struggle fueled by intertribal activism. While some define the movement as militant and others see it as peaceful, there is one common assumption about its history: Red Power began with the Indian takeover of Alcatraz in 1969. Or did it? In this groundbreaking book, Bradley G. Shreve sets the record straight by tracing the origins of Red Power further back in time: to the student activism of the National Indian Youth Council (NIYC), founded in Gallup, New Mexico, in 1961. Unlike other 1960s and ’70s activist groups that challenged the fundamental beliefs of their predecessors, the students who established the NIYC were determined to uphold the cultures and ideals of their elders, building on a tradition of pan-Indian organization dating back to the early twentieth century. Their cornerstone principles of tribal sovereignty, self determination, treaty rights, and cultural preservation helped ensure their survival, for in contrast to other activist groups that came and went, the NIYC is still in operation today. But Shreve also shows that the NIYC was very much a product of 1960s idealistic ferment and its leaders learned tactics from other contemporary leftist movements. By uncovering the origins of Red Power, Shreve writes an important new chapter in the history of American Indian activism. And by revealing the ideology and accomplishments of the NIYC, he ties the Red Power Movement to the larger struggle for human rights that continues to this day both in the United States and across the globe.

Introduction --Part 1.Divest : End the occupation --Part 2.Heal our bodies : Reinvest in our common humanity --Part 3 .Heal our planet: Reinvest in our common future --Our words are powerful, our knowledge is inevitable.

The gripping, true-life story of one of the most destructive floods in U.S. history and its effect on one city and its citizens.

NEW YORK TIMES BESTSELLER • Pierce Brown’s relentlessly entertaining debut channels the excitement of The Hunger Games by Suzanne Collins and Ender’s Game by Orson Scott Card. “Red Rising ascends above a crowded dys­topian field.”—USA Today ONE OF THE BEST BOOKS OF THE YEAR—Entertainment Weekly, BuzzFeed, Shelf Awareness “I live for the dream that my children will be born free,” she says. “That they will be what they like. That they will own the land their father gave them.” “I live for you,” I say sadly. Eo kisses my cheek. “Then you must live for more.” Darrow is a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he works all day, believing that he and his people are making the surface of Mars livable for future generations. Yet he toils willingly, trusting that his blood and sweat will one day result in a better world for his children. But Darrow and his kind have been betrayed. Soon he discovers that humanity reached the surface generations ago. Vast cities and lush wilds spread across the planet. Darrow—and Reds like him—are nothing more than slaves to a decadent ruling class. Inspired by a longing for justice, and driven by the memory of lost love, Darrow sacrifices everything to infiltrate the legendary Institute, a proving ground for the dominant Gold caste, where the next generation of humanity’s overlords struggle for power. He will be forced to compete for his life and the very future of civilization against the best and most brutal of Society’s ruling class. There, he will stop at nothing to bring down his enemies . . . even if it means he has to become one of them to do so. Praise for Red Rising “[A] spectacular adventure . . . one heart-pounding ride . . . Pierce Brown’s dizzyingly good debut novel evokes The Hunger Games, Lord of the Flies, and Ender’s Game. . . . [Red Rising] has everything it needs to become meteoric.”—Entertainment Weekly “Ender, Katniss, and now Darrow.”—Scott Sigler “Red Rising is a sophisticated vision. . . . Brown will find a devoted audience.”—Richmond Times-Dispatch Don’t miss any of Pierce Brown’s Red Rising Saga: RED RISING • GOLDEN SON • MORNING STAR • IRON GOLD • DARK AGE • LIGHT BRINGER

The gripping conclusion to the Beyond the Red trilogy.A new world ruler is crowned. Plunged into a crumbling world of foreign politics that is desperate for a leader, Eros chooses a loyal prince to help him navigate the hostile sands of Safara. But not everyone is happy to see a half-blood become the most powerful person on the planet. A queen must restore her nation. In power once more, Kora faces new challenges and a difficult decision that puts someone close to her in mortal danger. The wrong choice could destroy her relationships, her right to rule, and her life. A rebellion is brewing. With their world collapsing around them, new threats spreading across the globe, and their loved ones at risk, the people of Safara—Sepharon and human alike—depend on Eros and Kora to fix their bleeding world. But with generations of hate stacked against them, the two young monarchs may be doomed to fail.

Under the current cartographies of globalism, where frontiers mutate, vacillate, and mark the contiguity of discourse, questioning the Spanish border seems a particularly urgent task. The volume engages a wide spectrum of ambivalent regions—subjects that currently are, or have been seen in the past, as spaces of negotiation and contestation. However, they converge in their perception of the “Spanish” nation-space as a historical and ideological construct that is perpetually going through transformations and reformations. This volume advocates the position that intellectual responsibility must lead us to engage openly in the issues underlying current social and political tensions.

The final book in the Queer Film Classics series is R.L. Cagle’s take on Scorpio Rising (1963), Kenneth Anger’s avant-garde short film that about gay Nazi bikers preparing for a race. The film marked Anger's spectacular return to the US underground cinema scene after an absence of nearly ten years. Scorpio Rising represents the culmination of nearly twenty years' worth of Anger’s work on unfinished, lost, or destroyed projects; it resonates with the thrill and energy Anger discovered as he mingled with young Americans on the beaches and under the boardwalk at Coney Island. He stuffs his film—one of the first to feature an all rock’n’roll soundtrack—with the symbols of their generation—motorcycles, transistor radios, comic books, matinee idols—until it literally explodes onscreen. Cagle reads Anger's film intertextually, bringing together a corpus of materials that includes Anger's pre-1963 works, feature films, pop music, and popular cultural icons. The aim of this book is not so much to establish Anger's role as an auteur, but rather to place the film in the larger social context of articulating gay identity in ways that reflected both "gay" sensibility (camp) and contemporary popular media theories. Launched in 2009, Queer Film Classics has been a critically acclaimed film book series, publishing books on 19 of the most important and influential films about and by LGBTQ people, made in eight different countries between 1950 and 2005, and written by leading LGBTQ film scholars and critics.