Rebels Rubyfruit And Rhinestones

Publisher Fact Sheet. A richly told history of queer Southern life in the 1970s, after the Stonewall uprising.

A history of the government's regulation of sexual behavior traces the historical purposes behind the prohibition against sodomy in early America and continues with a discussion of how the law was referenced in different contexts in later years, covering such topics as the McCarthy era, the sexual revolution of the 1960s, and the 2003 Supreme Court decision to decriminalize private sex between consenting adults. 20,000 first printing.

The Story of the B-52s: Neon Side of Town is the first critical history of one of the most legendary and influential bands in American popular music. Locating The B-52s in the intellectual climate of their hometown of Athens, GA and following the band from New York’s downtown scene in the early 1980s to their upcoming farewell tour, the book argues that The B-52s are much more significant political and musical influences on American society than their reputation as a silly party band suggests, and that their ongoing commitment to values including cooperation, mutual support, and using disruptive fun as a form of social change are an antidote to the neoliberalization sweeping both Athens and the rest of the Western world. For example, the book shows how the band synthesized influences from the modern artists displayed at the University of Georgia art museum, early queer activism on campus in the 1970s, and their experiences as queer people living through the AIDS crisis to create music that continues to be artistically and politically influential today. The authors are active members of the Athens, GA music scene, and the book includes original interviews with a range of number close to the band.

Provides a detailed legal history and examines the motives of all players involved with the landmark Supreme Court gay rights case that protected consenting adults' rights, regardless of sexual preference, in the bedroom.

During only a few months in 1980, 125,000 Cubans entered the United States as part of a massive migration known as the Mariel boatlift. The images of boats of all sizes, in various conditions, filled with Cubans of all colors and ages, triggered a media storm. Fleeing Cuba’s repressive government, many homosexual men and women arrived in the United States only to face further obstacles. Deemed “undesirables” by the U.S. media, the Cuban state, and Cuban Americans already living in Miami, these new entrants marked a turning point in Miami’s Cuban American and gay histories. In Oye Loca, Susana Peña investigates a moment of cultural collision. Drawing from first-person stories of Cuban Americans as well as government documents and cultural texts from both the United States and Cuba, Peña reveals how these discussions both sensationalized and silenced the gay presence, giving way to a Cuban American gay culture. Through an examination of the diverse lives of Cuban and Cuban American gay men, we learn that Miami’s gay culture was far from homogeneous. By way of in-depth interviews, participant observation, and archival analysis, Peña shows that the men who crowded into small apartments together, bleached their hair with peroxide, wore housedresses in the street, and endured ruthless insults challenged what it meant to be Cuban in Miami. Making a critical incision through the study of heteronormativity, homosexualities, and racialization, ultimately Oye Loca illustrates how a single historical event helped shape the formation of an entire ethnic and sexual landscape.

Winner • Edgar Award (Best Fact Crime) Winner • Lambda Literary's Judith A. Markowitz Award for Emerging LGBTQ Writers Finalist • Housatonic Book Award (Nonfiction) Finalist • Randy Shilts Award for Gay Nonfiction A Stonewall Honor Book in Nonfiction (American Library Association) Best Book of the Year: Kirkus Reviews, Library Journal and Shelf Awareness An essential work of American civil rights history, Tinderbox mesmerizingly reconstructs the 1973 fire that devastated New Orleans’ subterranean gay community. Buried for decades, the Up Stairs Lounge tragedy has only recently emerged as a catalyzing event of the gay liberation movement. In revelatory detail, Robert W. Fieseler chronicles the tragic event that claimed the lives of thirty-one men and one woman on June 24, 1973, at a New Orleans bar, the largest mass murder of gays until 2016. Relying on unprecedented access to survivors and archives, Fieseler creates an indelible portrait of a closeted, blue- collar gay world that flourished before an arsonist ignited an inferno that destroyed an entire community. The aftermath was no less traumatic—families ashamed to claim loved ones, the Catholic Church refusing proper burial rights, the city impervious to the survivors’ needs—revealing a world of toxic prejudice that thrived well past Stonewall. Yet the impassioned activism that followed proved essential to the emergence of a fledgling gay movement. Tinderbox restores honor to a forgotten generation of civil-rights martyrs.

"Within the realm of U.S. culture and its construction of its citizenry, geography, and ideology, who are Southerners and who are queers, and what is the South and what is queerness? Queering the South on Screen addresses these questions by examining "the intersections of queerness, regionalism, and identity" depicted in film, television, and other visual media about the South during the twentieth century. From portrayals of slavery to gothic horror films, the contributors show that queer southerners have always expressed desires for distinctiveness in the making and consumption of visual media. Read together, the introduction and twelve chapters deconstruct premeditated labels of identity such as queer and southern. In doing so, they expose the reflexive nature of these labels to construct fantasies based on southerner's self-identification based on what they were not"--

Celebrated in media and myth, New Orleans's French Quarter (Vieux Carr(r)) was the original settlement of what became the city of New Orleans. In Madame Vieux Carr(r), Scott S. Ellis presents the social and political history of this famous district as it evolved from 1900 through the beginning of the twenty-first century. From the immigrants of the 1910s, to the preservationists of the 1930s, to the nightclub workers and owners of the 1950s and the urban revivalists of the 1990s, Madame Vieux Carr(r) examines the many different people who have called the Quarter home, who have defined its character, and who have fought to keep it from being overwhelmed by tourism's neon and kitsch. The old French village took on different roles--bastion of the French Creoles, Italian immigrant slum, honky-tonk enclave, literary incubator, working-class community, and tourist playground. The Quarter has been a place of refuge for various groups before they became mainstream Americans. Although the Vieux Carr(r) has been marketed as a free-wheeling, boozy tourist concept, it exists on many levels for many groups, some with competing agendas. Madame Vieux Carr(r) looks, with unromanticized frankness, at these groups, their intentions, and the future of the South's most historic and famous neighborhood. The author, a former Quarter resident, combines five years of research, personal experience, and unique interviews to weave an eminently readable history of one of America's favorite neig

In Edwin and John, award-winning author James T. Sears interweaves diaries, letters and poems to craft an innovative first-person narrative history that details the hard realities of growing up gay in the South during the early decades of the 20th century. Set against the backdrop of World War II and the post-war South, Edwin and John, provides a unique and intimate approach to queer history by following the 50 year relationship between John Zeigler and Edwin Peacocke that carried them both from their roots in the conservative South, through service in World War II, and into a placid and loving literary life where they opened a bookshop in what was then the small town of Charleston, South Carolina. Edwin and John is a revealing look at queer history, detailing how these two men and their remarkable circle of close friends--which included some of the greatest writers and artists of their era including Prentiss Taylor, Carson McCullers, and John Bennett--endured war, intolerance, and jealousies, while living proud and public lives in far more conservative times.

Take a revealing look at gay sex and gay history - and the man who helped kick-start gay activism in today's society. The Mattachine is the origin of the contemporary American gay movement. One of the major players in this movement was Hal Call, America’s first openly gay journalist and the man most responsible for the end of government censorship of frontal male nude photography through the mail. Behind the Mask of the Mattachine: The Early Movement for Homosexual Emancipation, the Hal Call Chronicles travels back to the times before Stonewall and its aftermath, to the beginnings of the modern homosexual movement and the lesser-known individuals who started it. This stunning chronicle boldly goes beyond the standard whitewashed/desexualized history usually provided by other gay historians, to give the unexpurgated - and sexually charged - history of the activists who organized homosexuals, using the biography of the controversial Hal Call as its springboard. Behind the Mask of the Mattachine provides a revealing illustration of gay life and gay sex in the past through an intergenerational history of the early gay men’s movement. Noted author James T. Sears generously weaves oral history, seldom seen historical documents, and rare photographs to provide a rich behind-the-scenes look at the first wave of Mattachine activists and the emerging gay pornography industry. This historical chronicle of a previously neglected era is packed with details of Call’s personal struggles, his celebration of the phallus, and his assertion linking homophobia and heteronormativity to our culture’s sex-negative tradition. The reader is transported to the sexual underworld of youthful hustlers, porno kingpins, spurned lovers, sex clubs, cruising grounds, secretive societies, and personal in-fighting over the direction of gay activism. This enthralling narrative is impeccably referenced. Behind the Mask of the Mattachine examines: the origins of the Mattachine Society the Mattachine Foundation of Harry Hay and others of the “Fifth Order” the Weimar Republic in Germany—the roots of the modern homosexual movement networking of homosexuals through correspondence clubs and speakeasies in Depression-era America the intense rivalries between San Francisco and New York City Mattachine groups censorship of books, magazines, and films much more! The book explores the lives of three generations of pre-Stonewall gay activists: Magnus Hirschfeld and Benedikt Friedländer Henry Gerber and Manual boyFrank Harry Hay and Hal Call Behind the Mask of the Mattachine is not only candid about gay sex and its impact on society but also puts a needed spotlight on a time in lesser-known gay history. This is important, illuminating reading for historians and gay persons interested in the undeniably sexually charged history of the early gay men’s movement. Take a look at these other James T. Sears books on LGBT issues: Growing Up Gay in the South online at http://www.haworthpress.com/store/product.asp?sku=0502 and Gay, Lesbian, and Transgender Issues in Education online at http://www.haworthpress.com/store/product.asp?sku=5180