Rebel Private

The recent rediscovery of Rebel Private: Front and Rear, effectively lost for decades, marks an authentic publishing event in the literature of the Civil War. A rare insight into the conflict from the point of view of a Confederate army enlisted man, this compelling memoir has been hailed by historians as a classic and indispensible key to understanding the Southern perspective. Margaret Mitchell even described it as her single most valuable source of research for Gone With the Wind. This stunning document is the work of a common foot soldier blessed with extraordinary perception and articulateness. After joining the famed Texas Brigade under Stonewall Jackson. Private William A. Fletcher saw action at Second Manassas, Fredericksburg, Gettysburg, Channcellorsville, and Chickamauga. He was wounded several times and escaped from a moving Union prison train before the South's surrender. In 1907, he published this powerfully evocative account of his exploits, a volume of frank, detailed recollections that spares none of the horror, courage, or absurdity of war. But a fire destroyed all but a few copies before they could be distributed. One copy, however, did make its way to the Library of Congress, where it was eventually discovered. Today, this colorful work has become the voice of the Civil War front-line grunt, speaking to the modern reader with the intensity of personal experience and a vividness of detail that gives it a riveting you-are-there quality.

Rebel Private Front and Rear is a line soldier’s account of the Civil War without heroics. Private Fletcher tells how at Gettysburg he was overcome by a “bad case of cowardly horror” when an order came on the third day to get ready to charge. “I tried to force manhood to the front, but fright would drive it back with a shudder,” he confessed. The attack of jitters lasted about fifteen minutes, and then he fell asleep while awaiting the order to advance. But Fletcher could be brave to a fault. He was restless and venturesome and during the lulls between fighting would sometimes ask for permission to go on dangerous scouts into enemy territory. Once, just before Fredericksburg, he slipped out to a haystack in the no-man’s-land near the Rappahannock so that he could watch the Yankees build a bridge. And in his last fight at Bentonville he risked his life on a rash and futile impulse to capture a whole squad of Federals. At Second Manassas, Fletcher was struck by a bullet that grazed his bowels and lodged in his hip. His detailed description of his subsequent sensations and experiences is one of the most interesting portions of his narrative. He begged the surgeons to operate, but when they started cutting he howled so profanely that they threatened to abandon him. His reply was: “It don’t hurt as badly when I am cursing.” Wounded again at Chickamauga, Fletcher was incapacitated for further infantry service and was transferred to Company E, Eighth Texas Cavalry, and served with Terry’s Rangers until the end of the war. In north Georgia he participated in a number of thrilling skirmishes with mounted forces of Sherman’s command, and in one of these encounters he lost his horse. A short time later, in a daring effort to capture a mount from the Yankees, he was taken prisoner. The story of the forming and execution of his plan to escape by jumping from a moving boxcar is full of suspense and excitement. Rebel Private also reveals Fletcher as something of a philosopher. The narrative is sprinkled with dissertations on unexpected subjects, such as God, justice, and war. He reflects on the rightness and the necessity of “foraging,” in home as well as enemy territory, but he tells with evident relish how he and his “pard” of the occasion “pressed” whiskey, honey, and chickens. Fletcher set down his experiences some forty years after the close of the Civil War. His story is told with the artlessness of the natural raconteur. Though the style is unpolished, the memoir makes lively reading because of the author’s eye for detail, his straightforward language, and his sense of humor. One of the most frequently cited narratives written by soldiers of Lee’s army, it derives its value as a historical source mainly from Fletcher’s honesty, his close observations, the richness and variety of his experiences, and the sharpness of his memory.

Triple-crown winner of mystery’s most coveted awards—the Edgar, the Anthony, and the Shamus—Rick Riordan and his Texas-style take on the crime novel have never been bigger or darker than in this latest Tres Navarre thriller. This time Navarre faces a killer as unstoppable as a force of nature. Tres Navarre had given up private investigation—and with it a violent past that had buried too many friends. Newly married, with a baby on the way, it was time to find a safer line of work. He and Maia had come to Rebel Island to celebrate their honeymoon and a new future. But no sooner had they arrived than a reminder of the past showed up in the form of a corpse shot dead in room 12. Just like that Tres finds himself flashing back on the memory of a grim childhood summer spent on the island—a summer that changed everything in his life. A summer he could never forget but never entirely remember either. And when a second corpse turns up, it’s clear to Tres that the past is not dead and buried after all, but is stalking Rebel Island with unfinished business of its own. What really happened that long-ago summer, what dark secrets were kept, and who has come back to avenge them…these are the questions Tres, his brother Garrett, and the very pregnant Maia must answer—and time is running out. For a monster hurricane is about to hit Rebel Island, cutting them off from the mainland and leaving them trapped on a flooding island with the hotel’s remaining guests brutally dying one by one. Tres knows better than anyone that the bloodlines of South Texas are as twisted as barbed wire. This time they’re guarding a revelation that can turn his dreams of happily ever after into the ultimate nightmare.

“The recent rediscovery of Rebel Private: Front and Rear, effectively lost for decades, marks an authentic publishing event in the literature of the Civil War. A rare insight into the conflict from the point of view of a Confederate army enlisted man, this compelling memoir has been hailed by historians as a classic and indispensible key to understanding the Southern perspective. Margaret Mitchell even described it as her single most valuable source of research for Gone With the Wind. “This stunning document is the work of a common foot soldier blessed with extraordinary perception and articulateness. After joining the famed Texas Brigade under Stonewall Jackson. Private William A. Fletcher saw action at Second Manassas, Fredericksburg, Gettysburg, Chancellorsville, and Chickamauga. He was wounded several times and escaped from a moving Union prison train before the South’s surrender. In 1907, he published this powerfully evocative account of his exploits, a volume of frank, detailed recollections that spares none of the horror, courage, or absurdity of war. But a fire destroyed all but a few copies before they could be distributed. One copy, however, did make its way to the Library of Congress, where it was eventually discovered. Today, this colorful work has become the voice of the Civil War front-line grunt, speaking to the modern reader with the intensity of personal experience and a vividness of detail that gives it a riveting you-are-there quality.”- Print ed. “Get this riveting book. Fletcher’s description of Gettysburg surpasses almost everything I’ve read anywhere about that battle, including—gasps!—Michael Shaara’s The Killer Angels.”—Jeff Guinn, Fort Worth Star-Telegram “Epitomizes unsung, unintentional greatness.... Readers find themselves in the trenches.... May become seminal reading for Civil War scholars and history buffs.” —St. Louis Post-Dispatch

"Published in conjunction with the exhibition 'Katharine Hepburn: Dressed for Stage and Screen, ' held at Kent State University Museum, OH (October 2, 2010-September 4, 2011) and the Lincoln Center Library for the Performing Arts, NY (October 18, 2012-January 20, 2013)."

The author brings significant new insights to the study of dissent, rebellion, and revolution

Assesses the layered meanings and persistent global legacy of an American film classic.

One day, out of the blue, when not even they themselves are expecting it, somewhere a high-profile middle manager will reach breaking-point, and rebel. This protest needs to be taken seriously