Reading The Early Modern Dream

Dreams have been significant in many different cultures, carrying messages about this world and others, posing problems about knowledge, truth, and what it means to be human. This thought-provoking collection of essays explores dreams and visions in early modern Europe, canvassing the place of the dream and dream-theory in texts and in social movements. In topics ranging from the dreams of animals to the visions of Elizabeth I, and from prophetic dreams to ghosts in political writing, this book asks what meanings early modern people found in dreams.

In this volume, scholars from three continents trace the role of dreams in the cultural transitions of the early modern Atlantic world, illustrating how both indigenous and European methods of understanding dream phenomena became central to contests over religious and political power.

Dreams in Early Modern England shows the variety and complexity of the early modern English discourses on dreams, from the role of dreams and dream theory in framing religious, scientific and philosophical debates, to the way that dreams continued to offer important spiritual and supernatural guidance and lastly how ordinary people exercised agency over their lives through interpreting and using dreams. While today we tend to conceptualize dreams and dreaming as largely psychological, this study shows how early modern people understood dreams and dreaming as many different things, most significantly as political, religious, medical, philosophical and supernatural.

Dreams in Early Modern England offers an in-depth exploration of the variety of different ways in which early modern people understood and interpreted dreams, from medical explanations to political, religious or supernatural associations. Through examining how dreams were discussed and presented in a range of diffrerent texts, including both published works and private notes and diaries, this book highlights the many coexisting strands of thought that surrounded dreams in early modern England. Most significantly, it places early modern perceptions of dreams within the social context of the period through an evaluation of how they were shaped by key events of the time, such as the Reformation and the English Civil Wars. The chapters also explore contemporary experiences and ideas of dreams in relation to dream divination, religious visions, sleep, nightmares and sleep disorders. This book will be of great value to students and academics with an interest in dreams and the understanding of dreams, sleep and nightmares in early modern English society.

Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience. This study analyses how, out of anxiety that unruly audiences would destroy the nascent industry of professional drama in England, playwrights sought to limit the effect that their plays could have on the audience. They tried to construct playgoing through their drama in the hopes of creating a less-reactive, more pensive, and controlled playgoer. The result was the radical experimentation in dramaturgy that, in part, defines Renaissance drama. Written for scholars of Early Modern and Renaissance Drama and Theatre, Theatre History, and Early Modern and Renaissance History, this book calls for a new focus on the local economic concerns of the theatre companies as a way to understand the motivation behind the drama of early modern London.

Engaging with fiction and history-and reading both genres as texts permeated with early modern anxieties, desires, and apprehensions-this collection scrutinizes the historical intersection of early modern European superstitions and English stage literature. Contributors analyze the cultural mechanisms that shape, preserve, and transmit beliefs. They investigate where superstitions come from and how they are sustained and communicated within early modern European society. It has been proposed by scholars that once enacted on stage and thus brought into contact with the literary-dramatic perspective, belief systems that had been preserved and reinforced by historical-literary texts underwent a drastic change. By highlighting the connection between historical-literary and literary-dramatic culture, this volume tests and explores the theory that performance of superstitions opened the way to disbelief.

An in-depth study of early modern women's modesty rhetoric from the English Reformation to the Restoration. This book provides new readings of modesty's gendered deployment in the works of Anne Askew, Katharine Parr, Mary Sidney, Aemilia Lanyer and Anne Bradstreet.

Offers new ways to conceptualize the relationship between early modern travel and drama, and re-assesses how travel drama is defined.

Knowledge Building in Early Modern English Music is a rich, interdisciplinary investigation into the role of music and musical culture in the development of metaphysical thought in late sixteenth-, early seventeenth-century England. The book considers how music presented questions about the relationships between the mind, body, passions, and the soul, drawing out examples of domestic music that explicitly address topics of human consciousness, such as dreams, love, and sensing. Early seventeenth-century metaphysical thought is said to pave the way for the Enlightenment Self. Yet studies of the music’s role in natural philosophy has been primarily limited to symbolic functions in philosophical treatises, virtually ignoring music making’s substantial contribution to this watershed period. Contrary to prevailing narratives, the author shows why music making did not only reflect impending change in philosophical thought but contributed to its formation. The book demonstrates how recreational song such as the English madrigal confronted assumptions about reality and representation and the role of dialogue in cultural production, and other ideas linked to changes in how knowledge was built. Focusing on music by John Dowland, Martin Peerson, Thomas Weelkes, and William Byrd, this study revises historiography by reflecting on the experience of music and how music contributed to the way early modern awareness was shaped.

While pre-modern Europe is often seen as having an 'enchanted' or 'magical' worldview, the full implications of such labels remain inconsistently explored. Witchcraft, demonology, and debates over pious practices have provided the main avenues for treating those themes, but integrating them with other activities and ideas seen as forming an enchanted Europe has proven to be a much more difficult task. This collection offers one method of demystifying this world of everyday magic. Integrating case studies and more theoretical responses to the magical and preternatural, the authors here demonstrate that what we think of as extraordinary was often accepted as legitimate, if unusual, occurrences or practices. In their treatment of and attitudes towards spirit-assisted treasure-hunting, magical recipes, trials for sanctity, and visits by guardian angels, early modern Europeans showed more acceptance of and comfort with the extraordinary than modern scholars frequently acknowledge. Even witchcraft could be more pervasive and less threatening than many modern interpretations suggest. Magic was both mundane and mysterious in early modern Europe, and the witches who practiced it could in many ways be quite ordinary members of their communities. The vivid cases described in this volume should make the reader question how to distinguish the ordinary and extraordinary and the extent to which those terms need to be redefined for an early modern context. They should also make more immediate a world in which magic was an everyday occurrence.