Re Thinking Dionysius The Areopagite

Dionysius the Areopagite, the early sixth-century Christian writer, bridged Christianity and neo-Platonist philosophy. Bringing together a team of international scholars, this volume surveys how Dionysius’s thought and work has been interpreted, in both East and West, up to the present day. One of the first volumes in English to survey the reception history of Dionysian thought, both East and West Provides a clear account of both modern and post-modern debates about Dionysius’s standing as philosopher and Christian theologian Examines the contrasts between Dionysius’s own pre-modern concerns and those of the post-modern philosophical tradition Highlights the great variety of historic readings of Dionysius, and also considers new theories and interpretations Analyzes the main points of hermeneutical contrast between East and West

Dionysius the Areopagite (or Pseudo-Dionysius the Areopagite) remains one of the most enigmatic figures of the early Christianity. He was a Greek author, Christian theologian and Neoplatonic philosopher of the late 5th to early 6th century, who wrote a set of works known as the Corpus Areopagiticum or Corpus Dionysiacum. The author pseudonymously identifies himself in the corpus as "Dionysios", portraying himself as Dionysius the Areopagite, the Athenian convert of Paul the Apostle mentioned in Acts 17:34. This attribution to the earliest decades of Christianity resulted in the work being given great authority in subsequent theological writing in both the East and the West. The Dionysian writings and their mystical teaching were universally accepted throughout the East, amongst both Chalcedonians and non-Chalcedonians, and also had a strong impact in later medieval western mysticism, most notably Meister Eckhart. Its influence decreased in the West with the fifteenth-century demonstration of its later dating, but in recent decades, interest has increased again in the Corpus Areopagiticum.

This book brings together selected papers from scientists, theologians and philosophers who took part in the 2021 conference of the European Society for the Study of Science and Theology based in Madrid, Spain. The contributions constitute a cutting-edge resource for considering questions from interdisciplinary perspectives, covering both the crucial role played by images and models in our thinking and also the limitations which are inherent in these linguistic devices. Questions addressed include: Can this use of images and models generate a creative pluralism, enabling us to think outside the disciplinary silos which are a feature of academic discourse? Can they enable fruitful, synergistic, interdisciplinary conversations? This book will appeal to students and academics alike, particularly those working in the fields of philosophy, theology, ethics and the history of science.

This volume brings together an international range of world-class scholars to engage with Andrew Louth's work and its influence on modern Theology. Andrew Louth is well known and influential in the English-speaking circles but also in the non-English Orthodox world, especially across Eastern Europe. The interaction between these theological groups remains sparse and intermittent. By drawing together scholars from the three main branches of Christianity and from around the world, this volume helps to increase our knowledge and exposure between these different spheres. This volume comprises of articles on Patristics, Byzantine Fathers, Latin Fathers, Modern Christianity, Theology as Life and the reception of Louth's work outside the English-speaking world. The papers are written by the leading scholars, such as Lewis Ayres, John Milbank, Kallistos Ware and Thomas Graumann.

The study of Maximus the Confessor’s thought has flourished in recent years: international conferences, publications and articles, new critical editions and translations mark a torrent of interest in the work and influence of perhaps the most sublime of the Byzantine Church Fathers. It has been repeatedly stated that the Confessor’s thought is of eminently philosophical interest. However, no dedicated collective scholarly engagement with Maximus the Confessor as a philosopher has taken place—and this volume attempts to start such a discussion. Apart from Maximus’ relevance and importance for philosophy in general, a second question arises: should towering figures of Byzantine philosophy like Maximus the Confessor be included in an overview of the European history of philosophy, or rather excluded from it—as is the case today with most histories of European philosophy? Maximus’ philosophy challenges our understanding of what European philosophy is. In this volume, we begin to address these issues and examine numerous aspects of Maximus’ philosophy—thereby also stressing the interdisciplinary character of Maximian studies. Contributors include: Fr. Maximos Constas, Justin Shaun Coyle, Vladimir Cvetković, Natalie Depraz, Demetrios Harper, Michael Harrington, Georgi Kapriev, Karolina Kochańczyk-Bonińska, Nicholas Loudovikos, Andrew Louth, John Panteleimon Manoussakis, Michail Mantzanas, Smilen Markov, Sotiris Mitralexis, Marcin Podbielski, Dionysios Skliris, Georgios Steiris, Stoyan Tanev, Torstein Theodor Tollefsen, Jordan Daniel Wood

Everyone agrees that theology has failed; but the question of how to understand and respond to this failure is complex and contested. Against both the radical orthodox attempt to return to a time before the theology’s failure and the deconstructive theological attempt to open theology up to the hope of a future beyond failure, Rose proposes an account of Christian identity as constituted by, not despite, failure. Understanding failure as central to theology opens up new possibilities for confronting Christianity’s violent and kyriarchal history and abandoning the attempt to discover a pure Christ outside of the grotesque materiality of the church. The Christian mystical tradition begins with Dionysius the Areopagite’s uncomfortable but productive conjunction of Christian theology and Neoplatonism. The tensions generated by this are central to Dionysius’s legacy, visible not only in subsequent theological thought but also in much twentieth century continental philosophy as it seeks to disentangle itself from its Christian ancestry. A Theology of Failure shows how the work of Slavoj Žižek represents an attempt to repeat the original move of Christian mystical theology, bringing together the themes of language, desire, and transcendence not with Neoplatonism but with a materialist account of the world. Tracing these themes through the work of Dionysius and Derrida and through contemporary debates about the gift, violence, and revolution, this book offers a critical theological engagement with Žižek's account of social and political transformation, showing how Žižek's work makes possible a materialist reading of apophatic theology and Christian identity.

This book examines scholastic conceptions of final causality through the methods and concerns of historical theology. It argues the history of final causality is most profitably understood according to the interplay of regularity, order, and intentionality as interpretive categories. Within this analytic framework, the author explores the history and theological implications of final causality from Aristotle to Nicole Oresme, utilizing shifts in the dominant interpretive category to clarify how final causality could change from one of four co-equal explanatory strategies in Aristotle to the cause of causes in Avicenna to a merely metaphorical cause in Walter Chatton. Theological debates – ranging from questions of creation, the relationship of primary and secondary causality and of the ultimate good to secondary goods, the autonomy or instrumentality of nature, and the compatibility of chance with providence – motivated many of these changes. The chapters examine final causality in Aristotle and the commentorial tradition from late antiquity to medieval Arabic sources and then consider in detail various scholastic understandings and uses of final causality. The book will be of particular interest to scholars of historical theology, systematic theology, scholastic thought, and medieval philosophy.

In Rethinking Philosophy with Borges, Zambrano, Paz, and Plato, Hugo Moreno argues that in Ficciones, Claros del bosque, and El mono gramático, Jorge Luis Borges, María Zambrano, and Octavio Paz practice a literary way of philosophizing—a way of seeking and communicating knowledge of reality that takes up analogical procedures. They deploy analogy as an indispensable and irreplaceable heuristic tool and literary device to convey their insight and perplexities on the nature of existence. Borges’ ironic approach involves reading and writing philosophy as fiction. Zambrano’s poetic reason is a mode of writing and thinking based on an imaginative sort of recollection that is ultimately a visionary’s poetizing technique. Paz’s poetic thinking relies on analogy to correlate and harmonize an array of worldviews, ideas, and discourses. In the appendix, Moreno shows that Plato's Republic is a forerunner of this way of philosophizing in literature. Moreno suggests that in the Republic, Plato reconciles philosophy and poetry and creates a rational prose poetry that fuses argumentation and narration, dialectical and analogical reasoning, and abstract concepts and poetic images.

This collection of essays on Russian religious thought focuses on the extent to which Russian culture and ideology has been informed by the nation's roots in Orthodox Christianity.

Recovers a 15th-century thinker s original insights for theology and philosophy today Societies today, says Johannes Hoff, are characterized by their inability to reconcile seemingly black-and-white scientific rationality with the ambiguity of postmodern pop culture. In the face of this crisis, his book The Analogical Turn recovers the fifteenth-century thinker Nicholas of Cusa s alternative vision of modernity to develop a fresh perspective on the challenges of our time. In contrast to his mainstream contemporaries, Cusa s appreciation of individuality, creativity, and scientific precision was deeply rooted in the analogical rationality of the Middle Ages. He revived and transformed the tradition of scientific realism in a manner that now, retrospectively, offers new insights into the completely ordinary chaos of postmodern everyday life. Hoff s original study offers a new vision of the history of modernity and the related secularization narrative, a deconstruction of the basic assumptions of postmodernism, and an unfolding of a liturgically grounded concept of common-sense realism.