Rattlebone

Interconnected tales set in a black Kansas City community. “Strong, melodic, and honest . . . We need stories like these to replenish us.” —Terry McMillan In Rattlebone, a “fictional” black community north of Kansas City, the smell of manure and bacon from Armour’s Packing House is everywhere; Shady Maurice’s roadhouse plays the latest jazz; the best eggs are sold by the Red Quanders; and gospel rules at the Strangers Rest Baptist Church. This is the black Midwest of the 1950s, when towns could count their white folks on one hand—the years before the Civil Rights movement came along and changed everything. In perfectly cadenced vernacular, Maxine Clair speaks to us through the voices of Rattlebone’s citizens: October Brown, the new schoolteacher with a camel’s walk and shoulder-padded, to-the-nines dresses; Irene Wilson, naive and wise, who must grapple with her parent’s failing marriage as she steps eagerly into adulthood; and Thomas Pemberton, owner of the local rooming house, an old man with a young heart. Sparkling with lyricism, Clair’s interconnected stories celebrate the natural beauty of the Midwest and the dignity and vitality of these most ordinary lives. Rattlebone, winner of the Heartland Prize for fiction, is a tremendous work by a supremely talented writer. “Extraordinary . . . Each skillful plot twist, each new wonderful character has the effect of a sip of literary love potion.” —The New York Times Book Review “Told in a style that is memorable for its ability to shift tones and to capture, in rich and controlled language, new levels of consciousness.” —The Washington Post

The debut novel by the author of Rattlebone. “Told in a melody all its own, this story touches many lovely and unexpected notes.” —Elizabeth Strout, #1 New York Times bestselling author It is 1950 and October Brown is a twenty-three-year-old first-year teacher thanking her lucky stars that she found a room in the best boardinghouse for Negro women teachers in Wyandotte County, Kansas. During an affair with an unhappily married handyman, October becomes pregnant. With job in jeopardy and her reputation in tatters, October goes back to Ohio to be with her family: her older sister, Vergie, and her aunts who raised the sisters after their mother was killed by their father. After giving birth, she gives the child to Vergie and her husband to raise as their own, then returns to Kansas City to rebuild her life. But something is missing—and, apparently too late, October realizes what she has done . . . The Midwest, the flourishing of modern jazz, and the culture of segregation form a compelling historical backdrop for this timeless and universal tale of one person’s battle to understand and master her own desires, and to embrace the responsibilities and promise of mature adulthood. In October Suite, Clair “has skillfully brought lyricism and word-play to her first novel, a family saga filled with secrets, redemption, and rivalry, as two sisters try to reclaim bonds forged in early childhood tragedy” (Library Journal). “Maxine Clair deserves our admiration for this beautifully written and humane novel.” —The Washington Post “A beautifully imagined novel that pulses with all the colors and sounds of the lives we live.” —Marita Golden, author of The Wide Circumference of Love

Black North Dakotans were indeed something of a rarity in 1914, when young Erabelle Thompson and her family moved to a farm near the small community of Driscoll. In fact, when the Thompsons traveled thrity miles to join two other black families for Christmas dinner, "there were fifteen of us, four percent of the state's entire Negro population." In this lively autobiography, Thompson describes the experiences of her North Dakota girlhood: busting broncos with her brothers; making friends with Norwegian and German neighbors; meeting Governor Lynn J. Frazier, for whom her father worked as a personal messenger; running footraces at picnics (and knowing that people were betting on her to win); selling used furniture in Mandan; working her way through college in Grand Forks; and facing prejudice without the support of a large black community. She also discusses the impact of her North Dakota background on her later adventures in St. Paul and Chicago.

White Out

In this spare and mesmerizing debut, Christine Lincoln takes us inside the hearts and minds of African Americans whose lives unfold against a vividly evoked rural community. As they navigate between old and new, between youth and responsibility, they find themselves choosing between the comforts of what they trust without question and the fearsome excitements of what they might come to know. One young man’s world is both expanded and contracted by stories he hears from a beautiful stranger. Another stumbles across his mother having an affair with his uncle. An intense friendship forms between one woman afraid she will turn out like everyone else and one afraid she won’t. Lincoln’s down-to-earth voice, saturated with the manner and details of the South, brings her characters to life with a remarkably light touch and an extraordinary depth of emotion. In Sap Rising, she proves herself one of those writers whose work transcends its own rich particularity to speak with clarity to the most fundamental elements of the human experience.

A toddler and kitten explore the simple joys of unwrapping a gift through playful, rhyming text in an adorable board book by the author of Pots and Pans.

Too long unavailable, this luminous classic of small-town life in the segregated 1950s has "magic dust sprinkled over each and every page" (Veronica Chambers, New York Times Book Review). Irene Wilson knows that a “no-name invisible something” has settled over her parents’ marriage and suspects her glamorous new teacher is to blame. Irene is not alone in her suspicions. In the town of Rattlebone, a small Black neighborhood of Kansas City, secrets are hard to keep and growing up is a community affair. As Irene is initiated into adult passion and loss, her family story takes its place in a tightly woven tapestry of neighbors whose griefs and joys are as vivid as her own. Capturing an entire world through the eyes of its unforgettable heroine, Rattlebone is a one-of-a-kind triumph of American fiction.

First published in 1971, The Goodby People is perhaps the greatest novel ever written about post-Manson, pre-Disney Los Angeles. "His elegant, stripped-down prose caught the last gasp of Old Hollywood in a way that has yet to be rivalled." (Armistead Maupin) "The bisexual draft dodger living on the skids, the glamorous young widow in search of enlightenment, the skinny gamine from out of town who wants to make it in the movies . . ."* These are the people who inhabit Gavin Lambert's mordant portrait of Southern California at the end of the 1960s: forever swapping addresses, lovers, and dreams. They live in extraordinary, suffocating wealth; or else flirting with a Mansonesque cult; or else in a fantasy where golden-age actresses make ghostly visitations to comment on their daily life. All that binds them together is their common sense of aimlessness--and the clear, judgment-free eye of a British author trying his best to be a friend to each. Cool, incisive, yet essentially kind, and very much ahead of its time, The Goodby People unfolds "in the yawning chasm between real life in Los Angeles and the fantasies manufactured by its dominant business" (*Gary Indiana), and stands as Gavin Lambert's masterpiece.