Ratnavali Or The Necklace

In The Ring of Truth, Wendy Doniger expertly unfolds the cultural and historical significance of rings and other kinds of circular jewelry through timeless stories taken from mythology, religious traditions, and literature. Each chapter, like a separate charm on a charm bracelet, considers a different constellation of stories, linked by a common cluster of meanings: the mutual imitation of real and fake, legal and illegal, marital and extra-marital jewelry; the circular form of rings and bracelets, miming the circle of eternity, which persists in the face of human ephemera

This interdisciplinary collection of essays advances the study of anagnorisis («recognition»), a quintessential concept in Aristotelian poetics. This book explores narrative structure and epistemology by examining how anagnorisis works in narrative fiction, music, and film. Contributors hail from the fields of cinema; opera; religion; medieval and modern English, German, and French literatures; comparative literature; and Indian (Sanskrit) and Islamic (Arabic) literatures, both classical and modern.

The Bhakti Ratnavali is an anthology of verses selected by a medieval ascetic named Vishnu Puri from the Srimad Bhagavata which is the magnum opus on Bhakti and is accepted as authoritative by all schools of Vaishnavism. Vishnu Puri has selected from this vast and amorphous literature four hundred and five verses. In these verses, the reader will get a clear outline of the doctrine of Bhakti both in its theory and practice as conceived by the great devotional text the Bhagavata.

Moving away from orthodox narratives of the Raj and British presence in India, this book examines the significance of the networks and connections that South Asians established on British soil. Looking at the period 1858-1950, it presents readings of cultural history and points to the urgent need to open up the parameters of this field of study.

Reprint of the original, first published in 1871.

This book comprises fifteen research articles primarily based on the discipline of Indian and Buddhist Studies. The collection is designed to propose a Buddhist philosophy of religion--that the insight of Prajna and Sunyata initiates a future religion which is freed both from conflict between reasoning and believing, and from goal-oriented cycles of life. It addresses transformation from the conflict-ridden quest for a supreme being, to the search for a non-theistic nature of spirituality that provides a foundation for universal human happiness and salvation. For the discipline of Buddhist Studies, this collection also demonstrates the productive value of drawing upon cross-cultural and cross-racial literary sources and traditions.

King Harsha, who reigned over the kingdom of Kanauj from 606 to 647 CE, composed two Sanskrit plays about the mythical figures of King Udayana, his queen, Vásava·datta, and two of his co-wives. The plays abound in mistaken identities, both political and erotic. The characters masquerade as one another and, occasionally, as themselves, and each play refers simultaneously to itself and to the other. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org