Race Horse Men

Katherine C. Mooney recaptures the sights, sensations, and illusions of America’s first mass spectator sport. Her central characters are not the elite white owners of slaves and thoroughbreds but the black jockeys, grooms, and horse trainers who called themselves race horse men and made the racetrack run—until Jim Crow drove them from their jobs.

Race Horse Men recaptures the vivid sights, sensations, and illusions of nineteenth-century thoroughbred racing, America’s first mass spectator sport. Inviting readers into the pageantry of the racetrack, Katherine C. Mooney conveys the sport’s inherent drama while also revealing the significant intersections between horse racing and another quintessential institution of the antebellum South: slavery. A popular pastime across American society, horse racing was most closely identified with an elite class of southern owners who bred horses and bet large sums of money on these spirited animals. The central characters in this story are not privileged whites, however, but the black jockeys, grooms, and horse trainers who sometimes called themselves race horse men and who made the racetrack run. Mooney describes a world of patriarchal privilege and social prestige where blacks as well as whites could achieve status and recognition and where favored slaves endured an unusual form of bondage. For wealthy white men, the racetrack illustrated their cherished visions of a harmonious, modern society based on human slavery. After emancipation, a number of black horsemen went on to become sports celebrities, their success a potential threat to white supremacy and a source of pride for African Americans. The rise of Jim Crow in the early twentieth century drove many horsemen from their jobs, with devastating consequences for them and their families. Mooney illuminates the role these too often forgotten men played in Americans’ continuing struggle to define the meaning of freedom.

On October 20, 1923, at Belmont Park in New York, Kentucky Derby champion Zev toed the starting line alongside Epsom Derby winner Papyrus, the top colt from England, to compete for a $100,000 purse. Years of Progressive reform efforts had nearly eliminated horse racing in the United States only a decade earlier. But for weeks leading up to the match race that would be officially dubbed the "International," unprecedented levels of newspaper coverage helped accelerate American horse racing's return from the brink of extinction. In this book, James C. Nicholson explores the convergent professional lives of the major players involved in the Horse Race of the Century, including Zev's oil-tycoon owner Harry Sinclair, and exposes the central role of politics, money, and ballyhoo in the Jazz Age resurgence of the sport of kings. Zev was an apt national mascot in an era marked by a humming industrial economy, great coziness between government and business interests, and reliance on national mythology as a bulwark against what seemed to be rapid social, cultural, and economic changes. Reflecting some of the contradiction and incongruity of the Roaring Twenties, Americans rallied around the horse that was, in the words of his owner, "racing for America," even as that owner was reported to have been engaged in a scheme to defraud the United States of millions of barrels of publicly owned oil. Racing for America provides a parabolic account of a nation struggling to reconcile its traditional values with the complexity of a new era in which the US had become a global superpower trending toward oligarchy, and the world's greatest consumer of commercialized spectacle.

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For fans concerned about the future of horse racing, "a well-told cautionary tale about greed and willful inattention" (Kirkus). "An insider's stunning account of the corrupt practices that threaten both the horses and the game . . . an engrossing read." —Minneapolis Star-Tribune Jim Squires was in trouble. He was in the horse business, an enterprise seemingly intent on committing suicide, led over the cliff by visionless leaders. A clannish group called "the Dinnies" had long refused to share power, as vast overproduction and unbridled greed created a subprime-like bubble in the market. Overpriced animals of dubious quality and drug-enhanced performance on the track were undermining the integrity of competition and ultimately the very breed itself. With its economic model broken, its tawdry sales practices under attack, and its public image in tatters, the sport was overdue for a reckoning. Headless Horsemen is Squires's critique of what is happening to the sport and the animals he loves, as he and a small group of unlikely heroes agitate for a return to fair dealing. For anyone who cares about the soul and survival of horse racing, this book is an impassioned call to arms.

Burned out by working the baseball beat for years, in the summer of 1922 Damon Runyon was looking for a new sport to cover for The New York American as a change of pace. Having pilloried golf just a few years before, he went to Saratoga that August to sample horse racing and found that “There, right in front of him, were so many of the characters he so loved from his time covering the comings and goings of the Manhattan night crowd.” This was just the tonic Runyon needed to emerge from his malaise. Runyon didn’t just cover the great races and which horse won: he would get to the track days before and roam along the backstretch, speaking with the trainers, the gamblers, the rich owners, and the wise guys, many of which became model characters in his fiction and in the musical Guys and Dolls. This book collects the best of Runyon’s horse racing columns to 1936, when he moved on to other beats.

More than a century before Jackie Robinson broke the color barrier in major league baseball, black athletes were dominating America's first national sport. The sport was horse racing, and the greatest jockeys of all were slaves and the sons of slaves. Cheered by thousands of Americans in the North and South, they rode to victory in all of the major stakes, including the very first Kentucky Derby. Although their glory days ranged from the early 1700s to the turn of the 20th century, the memory of these great black jockeys was erased from history. Who were these athletes and why have their names vanished without a trace? "This may be the most fascinating untold sports story in American history. We are lucky that it is so well told now by Mr. Hotaling in his wonderfully written book." -- Charles Osgood, anchor, CBS News Sunday Morning "The Great Black Jockeys is the first book about the lives and times of the forgotten men whose extraordinary skills were a wonder to behold, men with names like "Honest Ike" Murphy, Abe Hawkins, Willie Simms, Austin Curtis, Jimmy Winkfield, and dozens more. This is also a story of a young country where whole towns turned out in cleared fields to cheer and place wagers on magnificent horses and the men who rode them, and where the greatest athletes in the land were the property of others. For fleeting moments on the racecourse black riders in colorful silks tasted the glory and freedom that slavery had denied them. In "The Great Black Jockeys, the exploits and courage of America's earliest and best athletes are finally remembered.

Since the eager stallion Messenger trotted off a boat from Europe in 1788, harness racing in America has been a popular sport, and nowhere is this truer than New York State. In the nineteenth century, harness racing attracted spectators from all walks of life. An 1823 race was so popular that businesses adjourned for the day to watch it. The sport reached its peak when the spectacular Roosevelt Raceway opened in 1957. Dean Hoffman offers an in-depth history of the sport's evolution in the Empire State, from the drivers and breeding to betting, legislation and accounts of the most exciting races. Join Hoffman as he sheds light on one of New York's most venerable sports traditions.

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review “Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME “A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily Winner of the Anisfield-Wolf Book Award, the Dayton Literary Peace Prize, and the Dr. Tony Ryan Book Award · Finalist for the Chautauqua Prize · A Massachusetts Book Award Honor Book A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance. Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success. Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.