Race And The Obama Administration

The election of Barack Obama marked a critical point in American political and social history. Did the historic election of a black president actually change the status of blacks in the United States? Did these changes (or lack thereof) inform blacks' perceptions of the President? This book explores these questions by comparing Obama's promotion of substantive and symbolic initiatives for blacks to efforts by the two previous presidential administrations. By employing a comparative analysis, the reader can judge whether Obama did more or less to promote black interests than his predecessors. Taking a more empirical approach to judging Barack Obama, this book hopes to contribute to current debates about the significance of the first African American presidency. It takes care to make distinctions between Obama's substantive and symbolic accomplishments and to explore the significance of both.

When Barack Obama won the presidency, many posited that we were entering into a post-racial period in American politics. Regrettably, the reality hasn’t lived up to that expectation. Instead, Americans’ political beliefs have become significantly more polarized by racial considerations than they had been before Obama’s presidency—in spite of his administration’s considerable efforts to neutralize the political impact of race. Michael Tesler shows how, in the years that followed the 2008 election—a presidential election more polarized by racial attitudes than any other in modern times—racial considerations have come increasingly to influence many aspects of political decision making. These range from people’s evaluations of prominent politicians and the parties to issues seemingly unrelated to race like assessments of public policy or objective economic conditions. Some people even displayed more positive feelings toward Obama’s dog, Bo, when they were told he belonged to Ted Kennedy. More broadly, Tesler argues that the rapidly intensifying influence of race in American politics is driving the polarizing partisan divide and the vitriolic atmosphere that has come to characterize American politics. One of the most important books on American racial politics in recent years, Post-Racial or Most-Racial? is required reading for anyone wishing to understand what has happened in the United States during Obama’s presidency and how it might shape the country long after he leaves office.

The 2008 presidential election was celebrated around the world as a seminal moment in U.S. political and racial history. White liberals and other progressives framed the election through the prism of change, while previously acknowledged demographic changes were hastily heralded as the dawn of a "post-racial" America. However, by 2011, much of the post-election idealism had dissipated in the wake of an on-going economic and financial crisis, escalating wars in Afghanistan and Libya, and the rise of the right-wing Tea Party movement. By placing Obama in the historical context of U.S. race relations, this volume interrogates the idealized and progressive view of American society advanced by much of the mainstream literature on Obama. Barack Obama and the Myth of a Post-Racial America takes a careful look at the historical, cultural and political dimensions of race in the United States, using an interdisciplinary analysis that incorporates approaches from history, political science, and sociology. Each chapter addresses controversial issues such as whether Obama can be considered an African-American president, whether his presidency actually delivered the kind of deep-rooted changes that were initially prophesised, and whether Obama has abandoned his core African-American constituency in favour of projecting a race-neutral approach designed to maintain centrist support. Through cutting edge, critically informed, and cross-disciplinary analyses, this collection directly addresses the dimensions of race in American society through the lens of Obama’s election and presidency.

Looks at the impact of the key sociological issues faced by the new Obama Administration and explores conventional topics on race and ethnic relations as well as delving into fresh areas of intellectual inquiry regarding the changing scope of race relations in a global context. This title examines the 2008 Presidential Election.

Examines the coded language of the Republican Party In The Wrongs of the Right, Matthew W. Hughey and Gregory S. Parks set postracial claims into relief against a background of pre- and post-election racial animus directed at President Obama, his administration, and African Americans. They show how the political Right deploys racial fears, coded language and implicit bias to express and build opposition to the Obama administration. Racial meanings are reservoirs rich in political currency, and the race card remains a potent resource for othering the first black president in a context rife with Nativism, xenophobia, white racial fatigue, and serious racial inequality.

This volume is the second part of a two volume examination of the sociological and cultural impact derivative of Barack Hussein Obama's initial election and re-election as President of the United States.

Using the cultural prism of race, this book critically examines the image of African Americans in media of the twenty-first century. Further, the authors assess the ways in which media focused on gender, religion, and politics in framing perceptions of the President and First Lady of the United States during the Obama administration.

Considers the impact of neo-racism during the Obama presidency. Neo-race Realities in the Obama Era expands the discourse about Barack Obama’s two terms as president by reflecting upon the impact of neo-racism during his tenure. Continually in conversation with Étienne Balibar’s conceptualization of neo-racism as being racism without race, the contributors examine how identities become the target of neo-racist discriminatory practices and policies in the United States. Individual chapters explore how President Obama’s multiple and intersecting identities beyond the racial binaries of Black and White were perceived, as well as how his presence impacted certain marginalized groups in our society as a result of his administration’s policies. Evidencing the hegemonic complexity of neo-racism in the United States, the contributors illustrate how the mythic post-race society that many wished for on election night in 2008 was deferred, in order to return to the uncomfortable comfort zone of the way America used to be. “Well organized and compelling, this book covers everything from perspectives on the AIDS epidemic to racial authenticity, yet the reader never forgets that he/she is on a journey through the Age of Obama and its many contested nuances.” — Ricky L. Jones, author of What’s Wrong with Obamamania? Black America, Black Leadership, and the Death of Political Imagination

A provocative, lively deep-dive into the meaning of America's first black president and first black presidency, from "one of the most graceful and lucid intellectuals writing on race and politics today" (Vanity Fair)

Barack Obama's election as the first black president in American history forced a reconsideration of racial reality and possibility. It also incited an outpouring of discussion and analysis of Obama's personal and political exploits. Paint the White House Black fills a significant void in Obama-themed debate, shifting the emphasis from the details of Obama's political career to an understanding of how race works in America. In this groundbreaking book, race, rather than Obama, is the central focus. Michael P. Jeffries approaches Obama's election and administration as common cultural ground for thinking about race. He uncovers contemporary stereotypes and anxieties by examining historically rooted conceptions of race and nationhood, discourses of "biracialism" and Obama's mixed heritage, the purported emergence of a "post-racial society," and popular symbols of Michelle Obama as a modern black woman. In so doing, Jeffries casts new light on how we think about race and enables us to see how race, in turn, operates within our daily lives. Race is a difficult concept to grasp, with outbursts and silences that disguise its relationships with a host of other phenomena. Using Barack Obama as its point of departure, Paint the White House Black boldly aims to understand race by tracing the web of interactions that bind it to other social and historical forces.