Quills A Daring Proposition Lord Havelocks List The Debutantes Daring Proposal

Lord Havelock’s List Lord Havelock is in need of a wife. But with no time for a society wedding and no stomach for girlish fripperies, his options are limited. So with help from his friends, he draws up a list of qualities he does desire in a wife... When orphaned Mary Carpenter discovers her handsome new husband’s list, she’s hurt – and incensed. If he thinks she’ll sit meekly by, be ‘compliant’ and ‘a mouse’, he’s got another think coming! Is it perhaps time for Mary to make a list of her own, and change the rules of their relationship forever? The Debutante’s Daring Proposal Miss Georgiana Wickford has a plan to avoid the marriage mart – she’ll propose a marriage of convenience! She hasn’t spoken to the Earl of Ashenden since their childhood friendship was torn apart, but now Edmund is her only hope. Edmund refuses to take any bride, especially the unsuitable country miss who abandoned him years ago. But when he sees beautiful Georgie at the mercy of society’s rakes it arouses his protective instincts. And soon the Earl is tempted to claim the daring debutante for himself!

A witty recounting of a house party, wherein Huxley satirises the fads and fashions of the time--we hear the history of the house 'Crome' from Henry Wimbush, its owner and self-appointed historian; apocalypse is prophesied, virginity is lost, and inspirational aphorisms are gained in a trance. The protagonist, Denis Stone, tries to capture it all in poetry and is disappointed in love.

A gripping biography by the author of Brave New World In 1634 Urbain Grandier, a handsome and dissolute priest of the parish of Loudun was tried, tortured and burnt at the stake. He had been found guilty of conspiring with the devil to seduce an entire convent of nuns. Grandier maintained his innocence to the end but four years after his death the nuns were still being subjected to exorcisms to free them from their demonic bondage. Huxley's vivid account of this bizarre tale of religious and sexual obsession transforms our understanding of the medieval world.

An easy-to-use dictionary of over 80,000 rhyming words.

Surreal Friends brings together for the first time the work of three women Surrealist artists, brought together in exile in Mexico in the 1940s: British painter Leonora Carrington, Spanish painter Remedios Varo and Hungarian photographer Kati Horna. For all three women, Mexico offered freedom to explore their art in ways that had not been possible in Europe. Surreal Friends tells the fascinating story of their artistic friendship.

"This new edition of Merriam-Webster's Rhyming Dictionary contains over 71,000 rhyming words, about 16,000 more than the first edition. The additions naturally include words that have come into common use since the earlier book's publication -- words such as busk, blog, out-there, dreadlocked, fearmonger, and jaw-dropper. But most of the book's additions are not actually new to the language. For the first time, most of the two-, three-, four-, and five-word entries found in Merriam-Webster's Collegiate Dictionary have been given their own place in this volume's lists of rhyming words."--Preface.

This book is an in-depth analysis of three of the most crucial years in twentieth-century Italian history, the years 1943-46. After more than two decades of a Fascist regime and a disastrous war experience during which Italy changed sides, these years saw the laying of the political and cultural foundations for what has since become known as Italy's First Republic. Drawing on texts from the literature, film, journalism, and political debate of the period, Antifascisms offers a thorough survey of the personalities and positions that informed the decisions taken in this crucial phase of modern Italian history.

Motion pictures have been one of the forces that have both shaped and reproduced adolescent femininity. Films not only reflect culture—they help to create it. So it is worth looking at films to see what messages they gave girls—and adults—about what girls were and should be like. Scheiner uses film as a window into the cultural meanings of female adolescence, and explores how those meanings changed over time. She looks at how female adolescence has been constructed in film, focusing on the period from 1920 to 1950. She contextualizes representations of female adolescence by looking at the actual experience of adolescence in each period and by examining the material conditions and film industry processes that contributed to these portrayals. As Scheiner makes clear, historical interpretations of film messages must be expanded to determine what conclusions girls themselves reached from film images. Girls are hardly passive consumers of film. Rather, they choose how to respond to the films they see. This is perhaps best illustrated by fan activities, where girls actively define what is important about films and film stars, and create their own understandings of female adolescence. Scheiner also looks specifically at adolescent girls as fans to decode their responses to filmic representations of adolescence. She uses some nontraditional sources such as fan columns in fan magazines, fan publications of various stars, reviews in young women's literature, fan mail, and letters to film companies to find evidence of audience reception. Scheiner opens up a world often at odds with the actual experience of female adolescents, and she makes clear that films about adolescent girls are not only a formative part of the nation's history in the early 20th century, but a formative part of becoming a girl. Scholars, students, and other researchers of American film and women's studies, popular culture, and 20th-century history will find this study of particular interest.