Q.R.S. Player Roll Catalog

Q.R.S. Player Roll Catalog
Author: QRS Music Rolls, Inc
Publisher:
Total Pages: 22
Release: 1980
Genre: Player piano rolls
ISBN:


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Q.R.S. Player Rolls are Better

Q.R.S. Player Rolls are Better
Author: Q.R.S. Music Co
Publisher:
Total Pages: 206
Release: 1925
Genre: Piano
ISBN:


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Record Research

Record Research
Author:
Publisher:
Total Pages: 238
Release: 1979
Genre: Sound recordings
ISBN:


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PTM.

PTM.
Author:
Publisher:
Total Pages: 600
Release: 1978
Genre: Music trade
ISBN:


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Goldmine Standard Catalog of American Records

Goldmine Standard Catalog of American Records
Author: Tim Neely
Publisher: Antique Trader
Total Pages: 1390
Release: 2006-08-31
Genre: Antiques & Collectibles
ISBN:


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Record expert Neely shows what to look for when collecting vinyl records by some of today's hottest recording artists, including Madonna, Prince, U2, REM, and Garth Brooks. 200 photos.

Music Trades

Music Trades
Author:
Publisher:
Total Pages: 760
Release: 1979
Genre: Music trade
ISBN:


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The Player Piano and Musical Labor

The Player Piano and Musical Labor
Author: Allison Rebecca Wente
Publisher: Taylor & Francis
Total Pages: 165
Release: 2022-06-14
Genre: Music
ISBN: 1000553124


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By the early 20th century the machine aesthetic was a well-established and dominant interest that fundamentally transformed musical performance and listening practices. While numerous scholars have examined this aesthetic in art and literature, musical compositions representing industrialized labor practices and the role of the machine in music remain largely unexplored. Moreover, in recounting the history of machines in musical recording and reproduction, scholars often tend to emphasize the phonograph, rather than player piano, despite the latter’s prominence within the newly established musical marketplace. Machines and their music influenced multiple areas of early 20th-century musical culture, from film scores to popular music and even the concert hall. But the opposite was also true: industrialized labor practices changed the musical marketplace and musical culture as a whole. As consumers accepted mechanical replacements for what previously required an active human laborer, ghostly, mechanical performers labored tirelessly in parlors, businesses, and even concert halls. Although the player piano failed to maintain a stronghold in the recorded music marketplace after 1930, the widespread acceptance of recording technologies as media for storing and enjoying music indicates a much more fundamental societal shift. This book explores that shift, examining the rise and fall of the player piano in early 20th-century society and connecting it to the digital technologies of today.