Puppet Master 3

Gentleman adventurer Nick Ward has tracked down a third installment of Charlie Small’s incredible life story. The battered journal was found beneath the seat of a bus shelter in Pimlico. Passed into the hands of a collector of dubious repute, it took swift work from Nick to prevent the story from vanishing forever! Having finally escaped from the perfidious pirates, Charlie travels though icy waters and hair-raising mountains and encounters man-eating bats, a wild dog whose bark is worse than his bite, and ultimately finds himself ensnared by the evil Puppet Master, a figure of pure unadulterated evil. Will Charlie manage to escape his clutches, or will he remain a puppet forever, never to adventure again? Charlie Small is a keen amateur explorer. His interests include climbing trees, collecting things, playing computer games, and football. He also enjoys conversing in the secret language of the gorillas. His present whereabouts is unknown, but we understand that he’s hoping to be home in time for tea.

A dreadful calamity has fallen on Grand Fortune City. Betrayal. Desperation. Madness has taken hold of the Puppet Master as he writes his letter of heartbreak to his beloved Emilia. My dearest Emilia, It is with the deepest and most sincere regret that I have chosen to strike a bargain with evil for the restoration of your life. Though I have been able to repair our precious sons to the best of my ability, I have failed at every turn in my efforts to bring you back to us. During these many years, my soul has been consumed with a tempest of hatred for that vile half-breed tunnel troll, even to the fracturing of blood vessels in my body. Even to the fracturing of my mind. My anger for Angus Grand burned within me so strong that I lost myself in the madness of darkness. Many nights I wandered the dreary streets of Gabriel's Harbor searching out the forgotten souls of this dead world that I might enact my vengeance upon them, in pretense they were Angus Grand. It was only by the blood of those poor wretched souls that my lust for vengeance was sated, but fear not my love, I only chose the dregs of this world. Although at times I chose the Black Mist infected souls out of pure pity, the guilt was too heavy for me to bear and it did not satisfy the monster within me. I beg of you not to hate me for what I have done and am about to do. I do not suppose any man with such a broken heart as I, would do any less for the one he loves, but I ask your forgiveness in advance for the deeds I am now blood bound to fulfill. It is for the restoration of your life that I have pledged myself to their dark demands and in doing so, I have betrayed the world for you. For love. Forever yours, even into darkness. Hans - The Puppet Master

“Confessions of a Puppetmaster is a fast, funny, wild ride through some wild times. Plus, Charlie compares me to Harrison Ford, so I’m all in!” —Bill Maher Renowned producer, director, and “B movie” showman Charles Band takes readers on a wild romp through Hollywood’s decidedly un-Oscar-worthy underbelly, where mayhem and zombies reign supreme, and cheap thrills and entertainment are king "This book is a blast. It made me want to stay up all night and watch terrible movies." —Peter Sagal "One of the most entertaining film bios ever." —Larry Karaszewski "Reads like a Tarantino film written by Hunter S. Thompson." —Booklist Zombies, aliens, a little skin, lots of gore—and even more laughs—the cinematic universe of Charles Band is legendary. From the toilet-invading creatures of Ghoulies to the time-travelling bounty hunter in Trancers to the pandemic-crashed Corona Zombies, Band has spent four decades giving B-movie lovers exactly what they love. In Confessions of a Puppetmaster, this congenial master of Grindhouse cinema tells his own story, uncut. Born into a family of artists, Band spent much of his childhood in Rome where his father worked in the film industry. Early visits to movie sets sealed young Charlie’s fate. By his twenties he had plunged into moviemaking himself and found his calling in exploitation movies—quick, low-budget efforts that exploit the zeitgeist and feed people’s desire for clever, low-brow entertainment. His films crossed genres, from vampire flicks to sci fi to erotic musical adaptations of fairy tales. As he came into his own as a director, he was the first to give starring roles to household names like Demi Moore, Helen Hunt, and Bill Maher. Off set, Band’s life has been equally epic. Returning to his beloved Italy, he bought both Dino De Laurentiis’s movie studio and a medieval castle. After Romania’s oppressive communist regime fell, he circumvented the U.S. State Department to shoot films in Dracula’s homeland. He made—and then lost—a moviemaking fortune. A visionary, Band was also at the vanguard of the transition to home video and streaming, making and distributing direct-to-video movies long before the major studios caught on. In this revealing tell-all, Band details the dizzying heights and catastrophic depths of his four decades in showbiz. A candid and engaging glimpse at Hollywood’s wild side, Confessions of a Puppetmaster is as entertaining as the movies that made this consummate schlockmeister famous.

This book is a comprehensive history of the most successful straight-to-video horror franchise of all time: Puppet Master. It provides an in-depth exploration of all 14 films to date--including a made-for-TV crossover and a theatrical reboot--and the action figures, comics, and other merchandise that have helped to keep the brand alive for the past 30 years. Puppet Master was the first film for independent producer extraordinaire Charles Band's Full Moon Entertainment, launching a franchise and a micro-budget studio that have both continued to this day. What led to the film's success? How did a little movie about killer puppets, designed to cater to the then-booming video market, wind up surviving video stores themselves? How did a series that had never even had a theatrical entry wind up with an unusually successful toy series? All of these questions are answered within these pages. Featuring new interviews with some of the biggest creative minds behind the franchise, as well as dozens of behind-the-scenes photos, this book is the ultimate guide to horror's most murderous marionettes.

First came the news that a flying saucer had landed in Iowa. Then came the announcement that the whole thing was a hoax. End of story. Case closed. Except that two agents of the most secret intelligence agency in the U.S. government were on the scene and disappeared without reporting in. And four more agents who were sent in also disappeared. So the head of the agency and his two top agents went in and managed to get out with their discovery: an invasion is underway by slug-like aliens who can touch a human and completely control his or her mind. What the humans know, they know. What the slugs want, no matter what, the human will do. And most of Iowa is already under their control. Sam Cavanaugh was one of the agents who discovered the truth. Unfortunately, that was just before he was taken over by one of the aliens and began working for the invaders, with no will of his own. And he has just learned that a high official in the Treasury Department is now under control of the aliens. Since the Treasury Department includes the Secret Service, which safeguards the President of the United States, control of the entire nation is near at hand . . .

Charles Band's Full Moon Entertainment was the most remarkable B-movie studio of the 1990s, responsible for a barrage of sci-fi, fantasy, and horror classics during the last true "golden age" of the home video era. From Puppetmaster to Trancers and beyond, Full Moon transformed the VHS experience for fans worldwide, bringing the inner workings of the movie-making process into the living room, and in turn creating a ravenous fan base that remains to this day. This book tracks the history of the company, from its late '80s birth among the ruins of the American drive-in through to its bid to survive in the modern digital world. Featuring rare artwork, behind-the-scenes photos, and over 50 exclusive interviews with the cast and crew who helped to create the legendary B-movie studio, this is an essential read for any cult film fan still lamenting the death of the "mom 'n pop" video store.

The evil puppet Scarface and his wiseguys just pulled off one of the biggest heists in Gotham history. Unfortunately, there's a rat among the thieves, and the loose lips are helping Batman crack the case. Is the Ventriloquist betraying his wooden creation to the Dark Knight?

This filmography covers more than 300 horror films released from 1990 through 1999. The horror genre's trends and cliches are connected to social and cultural phenomena, such as Y2K fears and the Los Angeles riots. Popular films were about serial killers, aliens, conspiracies, and sinister "interlopers," new monsters who shambled their way into havoc. Each of the films is discussed at length with detailed credits and critical commentary. There are six appendices: 1990s cliches and conventions, 1990s hall of fame, memorable ad lines, movie references in Scream, 1990s horrors vs. The X-Files, and the decade's ten best. Fully indexed, 224 photographs.

In one of those rare books that allows us to see the world not as we've never seen it before, but as we see it daily without knowing, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, The Secret Life of Puppets describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and alarming, Nelson shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature, and cyborgs: from the works of Kleist, Poe, Musil, and Lovecraft to Philip K. Dick and virtual reality simulations. At the end of the millennium, discarding a convention of the demonized grotesque that endured three hundred years, a Demiurgic consciousness shaped in Late Antiquity is emerging anew to re-divinize the human as artists like Lars von Trier and Will Self reinvent Expressionism in forms familiar to our pre-Reformation ancestors. Here as never before, we see how pervasively but unwittingly, consuming art forms of the fantastic, we allow ourselves to believe.