Punks In Peoria

Punk rock culture in a preeminently average town Synonymous with American mediocrity, Peoria was fertile ground for the boredom- and anger-fueled fury of punk rock. Jonathan Wright and Dawson Barrett explore the do-it-yourself scene built by Peoria punks, performers, and scenesters in the 1980s and 1990s. From fanzines to indie record shops to renting the VFW hall for an all-ages show, Peoria's punk culture reflected the movement elsewhere, but the city's conservatism and industrial decline offered a richer-than-usual target environment for rebellion. Eyewitness accounts take readers into hangouts and long-lost venues, while interviews with the people who were there trace the ever-changing scene and varied fortunes of local legends like Caustic Defiance, Dollface, and Planes Mistaken for Stars. What emerges is a sympathetic portrait of a youth culture in search of entertainment but just as hungry for community—the shared sense of otherness that, even for one night only, could unite outsiders and discontents under the banner of music. A raucous look at a small-city underground, Punks in Peoria takes readers off the beaten track to reveal the punk rock life as lived in Anytown, U.S.A.

From tent revivals to radio and records with a gospel music innovator Homer Rodeheaver merged evangelical hymns and African American spirituals with popular music to create a potent gospel style. Kevin Mungons and Douglas Yeo examine his enormous influence on gospel music against the backdrop of Christian music history and Rodeheaver's impact as a cultural and business figure. Rodeheaver rose to fame as the trombone-playing song leader for evangelist Billy Sunday. As revivalism declined after World War I, Rodeheaver leveraged his place in America's newborn celebrity culture to start the first gospel record label and launch a nationwide radio program. His groundbreaking combination of hymnal publishing and recording technology helped define the early Christian music industry. In his later years, he influenced figures like Billy Graham and witnessed the music's split into southern gospel and black gospel. Clear-eyed and revealing, Homer Rodeheaver and the Rise of the Gospel Music Industry is an overdue consideration of a pioneering figure in American music.

"The history of the United States is a history of oppression and inequality, as well as raucous opposition to the status quo. It is a history of slavery and child labor, but also the protest movements that helped end those institutions ... In this ... book, Dawson Barrett calls our attention to the post-1960s period, in which [he posits that] US economic, cultural, and political elites turned the tide against the protest movement gains of the previous forty years and reshaped the ability of activists to influence the political process"--Amazon.com.

The "breathtakingly brilliant" novel by the author of Infinite Jest (New York Times) is a deeply compelling and satisfying story, as hilarious and fearless and original as anything Wallace ever wrote. The agents at the IRS Regional Examination Center in Peoria, Illinois, appear ordinary enough to newly arrived trainee David Foster Wallace. But as he immerses himself in a routine so tedious and repetitive that new employees receive boredom-survival training, he learns of the extraordinary variety of personalities drawn to this strange calling. And he has arrived at a moment when forces within the IRS are plotting to eliminate even what little humanity and dignity the work still has. The Pale King remained unfinished at the time of David Foster Wallace's death, but it is a deeply compelling and satisfying novel, hilarious and fearless and as original as anything Wallace ever undertook. It grapples directly with ultimate questions -- questions of life's meaning and of the value of work and society -- through characters imagined with the interior force and generosity that were Wallace's unique gifts. Along the way it suggests a new idea of heroism and commands infinite respect for one of the most daring writers of our time. "The Pale King is by turns funny, shrewd, suspenseful, piercing, smart, terrifying, and rousing." --Laura Miller, Salon

"A pennant-winning look at baseball at its purest." —Atlanta Journal & Constitution On the field with baseball classics like Men at Work and The Boys of Summer, David Lamb travels the backroads of America to draw a stirring portrait of minor league baseball that will enchant every fan who has ever sat in the bleachers and waited for the crack of the bat. A sixteen-thousand mile journey across America…. A travelogue of minor league teams and the towns that support them… A chronicle of hopes and dreams… Correspondent David Lamb embarks on a trek that captures the triumphs and defeats as thousands of players do all they can to reach the big leagues. In watching the games and riding the roads, Lamb also discovers a nation that breathes baseball, and towns that wrap their own dreams around their teams. Stolen Season is full of unforgettable characters, none more so than Lamb himself, a journalist who has written about and lived baseball his entire life, telling tales with humor and with warmth of a sport that reveals as much about Americans as it does about long summer days and nine glorious innings. "Part love letter, part snapshot, part history, and all-American...this book should be read by anyone who has yet to savor the sounds and delights of a minor-league baseball game." —New York Times Book Review "Thoroughly engaging." —Sporting News "An absorbing, delightful chronicle...at once nostaglic, sharp-eyed, and beautifully crafted." —San Francisco Chronicle

The original architects of rock 'n roll were black musicians, but by the 1980s, rock music produced by African Americans was no longer "authentically black." Mahon offers an in-depth account of how, since 1985, members of the Black Rock Coalition have broadened understandings of black identity and culture through rock music.

Read the story behind the award-winning film Judas and the Black Messiah On December 4, 1969, attorney Jeff Haas was in a police lockup in Chicago, interviewing Fred Hampton's fiancÉe. Deborah Johnson described how the police pulled her from the room as Fred lay unconscious on their bed. She heard one officer say, "He's still alive." She then heard two shots. A second officer said, "He's good and dead now." She looked at Jeff and asked, "What can you do?" The Assassination of Fred Hampton remains Haas's personal account of how he and People's Law Office partner Flint Taylor pursued Hampton's assassins, ultimately prevailing over unlimited government resources and FBI conspiracy. Fifty years later, Haas writes that there is still an urgent need for the revolutionary systemic changes Hampton was organizing to accomplish. Not only a story of justice delivered, this book spotlights Hampton as a dynamic community leader and an inspiration for those in the ongoing fight against injustice and police brutality.

The best of the cult-favorite music magazine Roctobers conversations with overlooked or forgotten artists, from the Outlaw Country singer David Allan Coe to the frustrated interstellar glam act Zolar X.

During its heyday, the Chelsea Hotel in New York City was a home and safe haven for Bohemian artists, poets, and musicians such as Bob Dylan, Gregory Corso, Alan Ginsberg, Janis Joplin, and Dee Dee Ramone. This oral history of the famed hotel peers behind the iconic façade and delves into the mayhem, madness, and brilliance that stemmed from the hotel in the 1980s and 1990s. Providing a window into the late Bohemia of New York during that time, countless interviews and firsthand accounts adorn this social history of one of the most celebrated and culturally significant landmarks in New York City.

American Skinheads is the first criminological analysis of organized hate crime violence. Mark Hamm presents historical specificity for a modern theory of hate crime, then rigorously tests the theory with interview data derived from skinheads who have committed an array of violent acts against persons because of their race, religion, or sexual preference--people who are members of the classic outgroups of American society. Part One traces the roots of the Skinhead Nation through the Beats, Mods, Hippies, and Punks in London, and then examines the rise of the Neo-Nazi Skinheads in the United States, including a look at Neo-Nazi offshoots (Romantic Violence, The Aryan Youth Movement), recruiters (Tom Metzger), and recruitment tools (W.A.R. Magazine and Hotline, electronic mail, Race and Reason), and appearances on the Oprah Winfrey and Geraldo Rivera shows. In Part Two, Hamm discusses the accepted sociological perspectives on terrorist youth subcultures (not gangs), then presents findings of his own study of 36 skinheads, including social and economic characteristics, psychological profiles, the role of skinhead girls, use of drugs and weapons, satanism, and neo-fascism. Part Three assesses the future for American Neo-Nazism and recommends steps for preventing skinhead terrorism.