Pugin

Augustus Welby Northmore Pugin was the most influential designer in nineteenth-century Britain. This is the first book to offer a complete appraisal of Pugin's life and achievements; it contains twenty-one essays by international scholars and specialists; and superb photography has been specially commissioned, and includes numerous objects and buildings never before reproduced.

A.W.N. Pugin transformed the Gothic Revival from an architectural style into an international movement. He decorated and furnished the Houses of Parliament, creating one of the icons of modern British identity in the process. His church designs were vastly influential, and although he was staunchly Roman Catholic, he did much to set the aesthetic tone of modern Anglicanism. The house he designed for himself at Ramsgate transformed the Victorian Gothic villa, demonstrating the ways a thoroughly modern house could draw integral lessons from the Middle Ages. And although his whole ideal was woven around a conception of English identity, his influence was international. Architects in the United States, northern Europe, and across the British Empire followed his lead, drawing from elements of his aesthetic and ideals, and in doing so, altered the look and feel of the nineteenth-century city. Despite the popularity of Pugin’s work, this is the first single-volume overview of his architecture to be published since 1971. It summarises much new scholarship and provides a good introduction to his career as well as new insight for those who might already be familiar with it.

Pub. for Bard Grad. Ctr. for Studies in Decorative Arts, NY, Exhibition catalog.

God's Architect is the first modern biography of Augustus Welby Northmore Pugin (1812-1852), one of Britain's greatest architects. The author draws on thousands of unpublished letters and drawings to recreate Pugin's life and work as architect, propagandist, and Gothic designer, as well as the turbulent story of his three marriages, the bitterness of his last years, and his sudden death at forty. -- Inside cover.

This classic sourcebook of decorative motifs contains 100 plates of royalty-free Gothic designs, meticulously reproduced from rare 19th-century engravings. Many are floral and foliate designs rendered from panels, capitals, borders, brackets, friezes, grotesques, and other decorative elements from such architectural landmarks as New College Chapel at Oxford and Rouen Cathedral.

True Principles of Pointed or Christian Architecture was first published in 1841, when Pugin was 29 years old. Here he presents coherent arguments for the revival of the Gothic style, the case for which he had made pictorally in his sensational book Contrasts (1836). For Pugin, the Gothic Revival was 'not a style, but a principle' and this he laid down in his most influential architectural treatise, True Principles, which introduced functionalist and rationalist as well as moral criteria into architectural discourse, much of it still resonant in the twentieth-century Modern Movement. It is reprinted together with his Apology for the Revival of Christian Architecture, first printed in 1843. Much of his thought here is on architectural education, and in shuffling off the straitjacket of neoclassical architectural principles Pugin exercised a great influence in mid-Victorian architecture and the applied arts, and in a wider design reform movement. These two seminal books, presented in one volume, are introduced by the architectural historian and Pugin authority Dr Roderick O'Donnell

The importance of A. W. N. Pugin (1812-52) in the history of the Gothic Revival, in the development of ecclesiology, in the origins of the Arts and Crafts movement, and in architectural theory is incontestable. A leading British architect who was also a designer of furniture, silver,textiles, stained glass, and jewellery, he is one of the most significant figures of the mid-nineteenth century and one of the greatest designers.His correspondence is important because it provides more insight into the man and more information about his work than any other source. It cuts a cross-section through early Victorian society: his correspondents range from earls and bishops to painters and tradesmen. The letters illuminate majorpublic events like the Oxford Movement, the (Roman) Catholic revival, and the Great Exhibition of 1851. They are vigorous, direct, often witty and provide an invaluable source for architectural and religio-historical research. Dr Belcher's very thorough research generally transforms what has oftenbeen a blank area, drawing together many sources. By 1842, when this volume ends, Pugin is established in his career. He has written books, designed buildings, found his faith, and made himself known.

The Arts and Crafts Movement: From Pugin to Pasadena examines the Arts and crafts movement through its Gothic Revival origins in England and its separate naturalist beginnings in California. I have focused on the different designs born of similar theories. Specifically, I examine the writings and art of A.W. Pugin, William Morris, Rev. Joseph Worcester, Charles Keeler and Charles and Henry Greene.