Priyas Mirror

Priya joins forces with a group of acid attack survivors as they fight against the demon-king, Ahankar, and his tyrannical hold on them.

A new superhero has arisen in India in the wake of the brutal gang rape on a Delhi bus two years ago: Priya, a mortal woman who is raped herself, but who fights back against sexual violence with the help of the goddess Parvati – and a tiger. – THE GUARDIAN “Priya’s Shakti is the first Indian comic book of its kind — not only confronting teenagers with the sensitive issue of sexual violence, but also engaging young people through its innovative use of augmented reality technology.” — REUTERS

Priya continues her adventures with her flying tiger, Sahas. She returns home and discovers all the young women have disappeared in her rural village including her sister, Laxmi. She discovers they were taken to an underground brothel city called Rahu, which is ruled by a demon who gets his power through fear and entrapment of women.

PRIYA — India’s first female superhero, embarks on a mission to stop the spread of Covid-19. She befriends a little girl named Meena to show her the sacrifices made by frontline healthcare workers and instill the power of courage and compassion during this difficult time. She teams up with Pakistan’s female superhero, Burka Avenger, to foil her arch enemy from infecting her city with the potent virus.

Hi introverts! I am imagining you as someone who is making excuses to leave the party and struggling to get some alone time. The unspoken life will be a better company to have a glimpse of your unsaid emotions which are so difficult to express. Let ‘The Unspoken Life’ throw some light on those hidden emotions so that you will know that we are all the same, having same issues, same dilemmas and misconceptions. But these are just emotions which whether good or bad must be felt in order to relieve the burden and gain experience in life. “We all begin as broken” - you know it.

"Hosts of all kinds, this is a must-read!" --Chris Anderson, owner and curator of TED From the host of the New York Times podcast Together Apart, an exciting new approach to how we gather that will transform the ways we spend our time together—at home, at work, in our communities, and beyond. In The Art of Gathering, Priya Parker argues that the gatherings in our lives are lackluster and unproductive--which they don't have to be. We rely too much on routine and the conventions of gatherings when we should focus on distinctiveness and the people involved. At a time when coming together is more important than ever, Parker sets forth a human-centered approach to gathering that will help everyone create meaningful, memorable experiences, large and small, for work and for play. Drawing on her expertise as a facilitator of high-powered gatherings around the world, Parker takes us inside events of all kinds to show what works, what doesn't, and why. She investigates a wide array of gatherings--conferences, meetings, a courtroom, a flash-mob party, an Arab-Israeli summer camp--and explains how simple, specific changes can invigorate any group experience. The result is a book that's both journey and guide, full of exciting ideas with real-world applications. The Art of Gathering will forever alter the way you look at your next meeting, industry conference, dinner party, and backyard barbecue--and how you host and attend them.

Following the Bombay Communal Riots of 1992 which saw neighbour pitched against neighbour in fierce bouts of internecine violence, came the retaliatory bomb blasts of 1993 and the name change to Mumbai in 1995. Mumbai Noir captures the essence of a city dominated by wealth and the lack of it, where the shadowy aspects of life are never far from the ordinary person. Psychopath Romeos stalk ordinary women, men flirt with death in dance bars and families fall through the cracks of communal living in this phenomenal collection of noir literature.

"Priya Rana Kapoor takes you on The Permission JourneyTM, a step-by-step guide that will equip you with the strength and courage to: have newfound self-confidence, realise your dreams, and know you are not alone on your journey. Give Yourself Permission to Live Your Life is complemented with candid anecdotes from Priya's personal experience. She leads by example as she tells her story of illness, self-doubt, and a chronic need-to-please, how she got through it all, and how you can do the same." -- Page 4 of cover.

Awards: How to Write a Book in 8 Days is the winner of 3 International Awards. Synopsis: Imagine what it would be like if you had a fully completed manuscript of a book you have been thinking of writing for years, in about eight days, without having to quit your job, wait for retirement or to take a sabbatical. A lot of people are under the impression that it takes years to write a good book; and to go years without any income or a future prospect of remuneration, scares them and puts them off right from the start. Whether you publish that book or not, in applying the strategies that I outline here, you will be able to have in your hands a full and complete manuscript, bringing you to the status of being an author, one of the most creative professions in the world, a profession that holds the power of evolution and revolution in any area you choose to direct your interests. How to Write a Book in Eight Days demystifies and simplifies the phenomenon of writing a book and writing it in such a way that it will bring you and the reader the success you desire. About the Author Priya Kumar is an Internationally Acclaimed Motivational Speaker and Bestselling Author of 12 Inspirational Books. In her 25 years journey with Motivational Speaking, she has worked with over 2000 Multi-National Corporates across 47 countries and has touched over 3 million people through her workshops and books, and is the only Woman Speaker in India to have done so. She is the only Indian Author who has won 37 International Awards for her books.

In Domestic Contradictions, Priya Kandaswamy analyzes how race, class, gender, and sexuality shaped welfare practices in the United States alongside the conflicting demands that this system imposed upon Black women. She turns to an often-neglected moment in welfare history, the advent of the Freedmen's Bureau during Reconstruction, and highlights important parallels with welfare reform in the late twentieth century. Kandaswamy demonstrates continuity between the figures of the “vagrant” and “welfare queen” in these time periods, both of which targeted Black women. These constructs upheld gendered constructions of domesticity while defining Black women's citizenship in terms of an obligation to work rather than a right to public resources. Pushing back against this history, Kandaswamy illustrates how the Black female body came to represent a series of interconnected dangers—to white citizenship, heteropatriarchy, and capitalist ideals of productivity —and how a desire to curb these threats drove state policy. In challenging dominant feminist historiographies, Kandaswamy builds on Black feminist and queer of color critiques to situate the gendered afterlife of slavery as central to the historical development of the welfare state.