Prison Nation

Prison Nation is a distant dispatch from a foreign and forbidden place--the world of America's prisons. Written by prisoners, social critics and luminaries of investigative reporting, Prison Nation testifies to the current state of America's prisoners' living conditions and political concerns. These concerns are not normally the concerns of most Americans, but they should be. From substandard medical care the inadequacy of resources for public defenders to the death penalty, the issues covered in this volume grow more urgent every day. Articles by outstanding writers such as Mumia Abu-Jamal, Noam Chomsky, Mark Dow, Judy Green, Tracy Huling and Christian Parenti chronicle the injustices of prison privatization, class and race in the justice system, our quixotic drug war, the rarely discussed prison AIDS crisis and a judicial system that rewards mostly those with significant resources or the desire to name names. Correctional facilities have become a profitable growth industry, for companies like Wackenhut that run them and companies like Boeing that use cheap prison labor. With fascinating narratives, shocking tales and small stories of hope, Prison Nation paints a picture of a world many Americans know little or nothing about.

Captive Nation: Black Prison Organizing in the Civil Rights Era

Illuminates the threats Black women face and the lack of substantive public policy towards gendered violence Black women in marginalized communities are uniquely at risk of battering, rape, sexual harassment, stalking and incest. Through the compelling stories of Black women who have been most affected by racism, persistent poverty, class inequality, limited access to support resources or institutions, Beth E. Richie shows that the threat of violence to Black women has never been more serious, demonstrating how conservative legal, social, political and economic policies have impacted activism in the U.S.-based movement to end violence against women. Richie argues that Black women face particular peril because of the ways that race and culture have not figured centrally enough in the analysis of the causes and consequences of gender violence. As a result, the extent of physical, sexual and other forms of violence in the lives of Black women, the various forms it takes, and the contexts within which it occurs are minimized—at best—and frequently ignored. Arrested Justice brings issues of sexuality, class, age, and criminalization into focus right alongside of questions of public policy and gender violence, resulting in a compelling critique, a passionate re-framing of stories, and a call to action for change.

The American prison system has grown tenfold in thirty years, while crime rates have been relatively flat: 2 million people are behind bars on any given day, more prisoners than in any other country in the world — half a million more than in Communist China, and the largest prison expansion the world has ever known. In Going Up The River, Joseph Hallinan gets to the heart of America’s biggest growth industry, a self-perpetuating prison-industrial complex that has become entrenched without public awareness, much less voter consent. He answers, in an extraordinary way, the essential question: What, in human terms, is the price we pay? He has looked for answers to that question in every corner of the “prison nation,” a world far off the media grid — the America of struggling towns and cities left behind by the information age and desperate for jobs and money. Hallinan shows why the more prisons we build, the more prisoners we create, placating everyone at the expense of the voiceless prisoners, who together make up one of the largest migrations in our nation’s history.

Baz Dreisinger travels behind bars in nine countries to rethink the state of justice in a global context Beginning in Africa and ending in Europe, Incarceration Nations is a first-person odyssey through the prison systems of the world. Professor, journalist, and founder of the Prison-to-College-Pipeline, Dreisinger looks into the human stories of incarcerated men and women and those who imprison them, creating a jarring, poignant view of a world to which most are denied access, and a rethinking of one of America’s most far-reaching global exports: the modern prison complex. From serving as a restorative justice facilitator in a notorious South African prison and working with genocide survivors in Rwanda, to launching a creative writing class in an overcrowded Ugandan prison and coordinating a drama workshop for women prisoners in Thailand, Dreisinger examines the world behind bars with equal parts empathy and intellect. She journeys to Jamaica to visit a prison music program, to Singapore to learn about approaches to prisoner reentry, to Australia to grapple with the bottom line of private prisons, to a federal supermax in Brazil to confront the horrors of solitary confinement, and finally to the so-called model prisons of Norway. Incarceration Nations concludes with climactic lessons about the past, present, and future of justice.

"Most prisons and jails across the United States do not allow prisoners to have access to cameras. At a moment when 2.2 million people are incarcerated in the US, 3.8 million people are on probation, and 870,000 former prisoners are on parole, how can images tell the story of mass incarceration when the imprisoned don't have control over their own representation? Organized with the scholar Nicole R. Fleetwood, an expert on art's relation to incarceration, the Spring issue of Aperture magazine addresses the unique role photography plays in creating a visual record of a national crisis."--publisher website

Prison Nation is a distant dispatch from a foreign and forbidden place--the world of America's prisons. Written by prisoners, social critics and luminaries of investigative reporting, Prison Nation testifies to the current state of America's prisoners' living conditions and political concerns. These concerns are not normally the concerns of most Americans, but they should be. From substandard medical care the inadequacy of resources for public defenders to the death penalty, the issues covered in this volume grow more urgent every day. Articles by outstanding writers such as Mumia Abu-Jamal, Noam Chomsky, Mark Dow, Judy Green, Tracy Huling and Christian Parenti chronicle the injustices of prison privatization, class and race in the justice system, our quixotic drug war, the rarely discussed prison AIDS crisis and a judicial system that rewards mostly those with significant resources or the desire to name names. Correctional facilities have become a profitable growth industry, for companies like Wackenhut that run them and companies like Boeing that use cheap prison labor. With fascinating narratives, shocking tales and small stories of hope, Prison Nation paints a picture of a world many Americans know little or nothing about.

In Prison Profiteers, co-editors Tara Herivel and Paul Wright "follow the money to an astonishing constellation of prison administrators and politicians working in collusion with private parties to maximize profits" (Publishers Weekly). From investment banks, guard unions, and the makers of Taser stun guns to health care providers, telephone companies, and the U.S. military (which relies heavily on prison labor), this network of perversely motivated interests has turned the imprisonment of one out of every 135 Americans into a lucrative business. Called "an essential read for anyone who wants to understand what's gone wrong with criminal justice in the United States" by ACLU National Prison Project director Elizabeth Alexander, this incisive and deftly researched volume shows how billions of tax dollars designated for the public good end up lining the pockets of those private enterprises dedicated to keeping prisons packed. "An important analysis of a troubling social trend" (Booklist) that is sure to inform and outrage any concerned citizen, Prison Profiteers reframes the conversation by exposing those who stand to profit from the imprisonment of millions of Americans.

In September 1996, fifty-three year old heroin addict Billy Ochoa was sentenced to 326 years in prison. His crime: committing $2100 worth of welfare fraud. Ochoa was sent to New Folsom supermax prison, joining thousands of other men who will spend the rest of their lives in California's teeming correctional facilities as a result of that state's tough Three Strikes law. His incarceration will cost over $20,000 a year until he dies. Hard Time Blues weaves together the story of the growth of the American prison system over the past quarter century primarily through the story of Ochoa, a career criminal who grew up in the barrios of post-World War II L.A. Ochoa, who had a long history of non-violent crimes committed to fund his drug habit, who cycled in and out of prison since the late 1960's, is a perfect example of how perennial misfits, rather than blood-soaked violent criminals, make up the majority of America's prisoners. This is also the story of the burgeoning careers of politicians such as former California Governor Pete Wilson, who rose to power on the "crime issue." Wilson, whose grandfather was a cop murdered by drug-runners in early twentieth century Chicago, scored a stunning come-from-behind re-election victory in 1994. In so doing, he came to epitomize the 1990s tough-on-crime politician. Award-winning journalist Sasha Abramsky uses immersion reportage to bring alive the political forces that have led America's prison and jail population to increase more than four fold in the past twenty years. Through the stories of Ochoa, Wilson, and others, he explores in devastating detail how the public has been manipulated into supporting mass incarceration during a period when crime rates have been steadily falling. Hard Time Blues deftly explores the War on Drugs, the Rockefeller Laws, the growth of the SuperMax Prisons, the climate of fear that led to laws such as Truth-in-Sentencing, and how the stunning repercussions of imprisoning two million citizens affect all of America. In the tradition of J. Anthony Lukas's Common Ground and Melissa Fay Greene's The Temple Bombing, Abramsky explores this new and dangerous fault-line in American society in a dramatic and compelling manner. From the opening courtroom scene through the final images behind the electrified fences of the nation's toughest, meanest prisons, Abramsky paints a grimly intimate portrait of the players and personalities behind this societal earthquake. Hard Time Blues combines a sense of history with a powerful narrative, to tell a story about issues and people that leads us to understand how The Land of the Free has become the world's largest prison nation.

Weaving together sociological and psychological principles, theories of political reform, and real-life stories from experiences working in prison and with at-risk families, Looman and Carl form a foundation of understanding to demonstrate that prison is a culture, not purely an institution made up of fences, building, and policies.