Precocious Charms

In Precocious Charms, Gaylyn Studlar examines how Hollywood presented female stars as young girls or girls on the verge of becoming women. Child stars are part of this study but so too are adult actresses who created motion picture masquerades of youthfulness. Studlar details how Mary Pickford, Shirley Temple, Deanna Durbin, Elizabeth Taylor, Jennifer Jones, and Audrey Hepburn performed girlhood in their films. She charts the multifaceted processes that linked their juvenated star personas to a wide variety of cultural influences, ranging from Victorian sentimental art to New Look fashion, from nineteenth-century children’s literature to post-World War II sexology, and from grand opera to 1930s radio comedy. By moving beyond the general category of "woman," Precocious Charms leads to a new understanding of the complex pleasures Hollywood created for its audience during the half century when film stars were a major influence on America’s cultural imagination.

With this fourth edition of the classic that launched his career, Parker strives to maintain his unprecedented independence, objectivity, clarity, and enthusiasm in reporting on the vintages of Bordeaux. Parker has not only added tastings for the vintages in the intervening years since the last edition, but he has also retasted and reevaluated a majority of the earlier vintages. His accessible and direct style welcomes both the seasoned wine collector and the eager beginner to the pleasures of fine wine and France's most illustrious chateau. Organized by appellation, Bordeaux moves alphabetically from one producer to the next, providing essential information and an overview of the property and its owners. Parker then lists each vintage, and includes numerical ratings and detailed tasting notes for most of that chateau's wines. At the end of each tasting note, Parker estimates the "anticipated maturity"—the range of time when the wine should peak in flavor and balance—and each entry concludes with a summary of the chateau's earlier vintages. Hailed by The New York Times as “the critic who matters most,” Robert Parker's Bordeaux is the most complete consumer's guide to the wines of Bordeaux ever written.

What is virtuosity? Is it an innate gift or can it be taught? How does it manifest in music, dance, or drama, and by what criteria? What does it take to become a virtuoso/a; what are the odds of success? And ultimately, at what price? Examining the concept of virtuosity in multiple perspectives, this book helps to answer those questions and many more. V. A. Howard traces virtuosity from its historical roots to philosophical and psychological learning theory to the rigours of professional training and shows how high level performers are made, marketed, and sold by those who broker talent as a commodity. Critics and theorists will find this book comprehensive and illuminating. And for that vast group of budding aspirants (and their mentors) who desire to «make it», to figure out where they are going, how far and why, the insights contained herein are key to survival. No dance or drama studio, regional theatre, music school, or conservatory can afford to ignore this hard look at the realities of classical performance art and training. For those whose vocation is performance, this is required reading.

В настоящем издании собраны доклады, предоставленные для международной научной конференции «Заговорные тексты в структурном и сравнительном освещении».Время и место проведения конференции: 27–29 октября 2011, Российский государственный гуманитарный университет (Москва).Организаторы конференции: Комиссия по заговорам Международного общества по изучению фольклорных нарративов (ISFNR), Российскофранцузский центр исторической антропологии им. М. Блока РГГУ, Институт языкознания РАН, Институт славяноведения РАН.Комиссия по заговорам Международного общества по изучению фольклорных нарративов (ISFNR) ставит своей целью координацию изучения магического фольклора в разных странах, разработку методов системного описания и изучения заговорной традиции, подготовку региональных и международных указателей заговоров. С этой целью Комиссия ежегодно проводит конференции и готовит к изданию их материалы. Предыдущие конференции состоялись в Лондоне (2003, 2005), Пече (2007), Тарту (2008), Афинах (2009), Бухаресте (2010). С деятельностью Комиссии можно познакомиться на ее сайте: http://www.isfnr.org/files/committee charms.html.

Winner of the 2015 Bonnie Ritter Book Award from the National Communication Association As an omnipresent figure of the media landscape, girls are spectacles. They are ubiquitous visual objects on display at which we are incessantly invited to look. Investigating our cultural obsession with both everyday and high-profile celebrity girls, Sarah Projanskyuses a queer, anti-racist feminist approach to explore the diversity of girlhoods in contemporary popular culture.The book addresses two key themes: simultaneous adoration and disdain for girls and the pervasiveness of whiteness and heteronormativity. While acknowledging this context, Projansky pushes past the dichotomy of the “can-do” girl who has the world at her feet and the troubled girl who needs protection and regulation to focus on the variety of alternative figures who appear in media culture, including queer girls, girls of color, feminist girls, active girls, and sexual girls, all of whom are present if we choose to look for them. Drawing on examples across film, television, mass-market magazines and newspapers, live sports TV, and the Internet, Projansky combines empirical analysis with careful, creative, feminist analysis intent on centering alternative girls. She undermines the pervasive “moral panic” argument that blames media itself for putting girls at risk by engaging multiple methodologies, including, for example, an ethnographic study of young girls who themselves critique media. Arguing that feminist media studies needs to understand the spectacularization of girlhood more fully, she places active, alternative girlhoods right in the heart of popular media culture.

Among early Hollywood’s most renowned filmmakers, Lois Weber was considered one of the era’s "three great minds" alongside D. W. Griffith and Cecil B. DeMille. Despite her accomplishments, Weber has been marginalized in relation to her contemporaries, who have long been recognized as fathers of American cinema. Drawing on a range of materials untapped by previous historians, Shelley Stamp offers the first comprehensive study of Weber’s remarkable career as director, screenwriter, and actress. Lois Weber in Early Hollywood provides compelling evidence of the extraordinary role that women played in shaping American movie culture. Weber made films on capital punishment, contraception, poverty, and addiction, establishing cinema’s power to engage topical issues for popular audiences. Her work grappled with the profound changes in women’s lives that unsettled Americans at the beginning of the twentieth century, and her later films include sharp critiques of heterosexual marriage and consumer capitalism. Mentor to many women in the industry, Weber demanded a place at the table in early professional guilds, decrying the limited roles available for women on-screen and in the 1920s protesting the growing climate of hostility toward female directors. Stamp demonstrates how female filmmakers who had played a part in early Hollywood’s bid for respectability were in the end written out of that industry’s history. Lois Weber in Early Hollywood is an essential addition to histories of silent cinema, early filmmaking in Los Angeles, and women’s contributions to American culture.

"A large part of the material used in this book was sent to the authors as representatives of the Society for Psychical Research; and the book is published with the sanction of the council of that Society ... Mr. Myers is solely responsible for the Introduction, and for the Note on a suggested mode of psychical interaction ... Mr. Gurney is solely responsible for the remainder of the book ... the collection, examination, and appraisal of the evidence--has been a joint labour, of which Mr. Podmore has borne ... a share ..."--Preface.

The Complete Works of F. Scott Fitzgerald is a collection of the influential author's literary masterpieces, showcasing his signature writing style characterized by rich prose, vivid imagery, and deep exploration of the decadence and disillusionment of the Jazz Age. Fitzgerald's works often delve into themes of love, ambition, class struggle, and the American Dream, making them timeless classics that continue to resonate with readers today. This comprehensive anthology includes iconic novels such as 'The Great Gatsby,' 'Tender is the Night,' and 'This Side of Paradise,' as well as his acclaimed short stories and essays, offering a complete portrait of his literary genius. As a prominent figure of the Lost Generation, Fitzgerald's writing reflects the societal upheavals of his time while capturing the essence of human desires and aspirations. His evocative storytelling and profound insights into the complexities of human nature make his works essential reading for lovers of literature and fans of American fiction.