Practices Of Abstract Art

Recent decades have seen a renewed interest in the phenomenon of abstract art, particularly regarding its ability to speak to the political, social, and cultural conditions of our times. This collection of essays, which looks at historical examples of artistic practice from the early pioneers of abstraction to late modernism, investigates the ambivalent role that abstraction has played in the visual arts and cultures of the last hundred years. In addition, it explores various theoretical and critical narratives that seek to articulate new perspectives on its legacy in the visual arts. From metaphysical considerations and philosophical reflections to debates on interculturality and global perspectives, the contributors examine and reconsider abstraction in the visual arts from a contemporary point of view that acknowledges the many social, economic, cultural, and political aspects of artistic practice. As such, the volume progressively expands the boundaries of thinking about abstract art by engaging it in its increasingly diverse cultural environment.

Would you love to take your art in a new direction? In Abstract Art Painting, you will enter a realm of tactile, intuitive excitement, combining pastel and acrylic to achieve results as unique as you are. You'll learn how to explore the use of color theory in abstraction and to use underpainting to bring structure and depth to your art. In addition you'll begin to understand how to work in a series and how this can help you develop your own personal style. A sampling of what you'll add to your creative toolbox: • Pastel and acrylic techniques to use to complete your own paintings • The benefits of expressing your ideas abstractly • How to loosen up by using your nondominant hand and drawing to music • Ways to express emotions through mark-making • Using color and symbolism for expression • Working with photos for inspiration • Tips for using color studies Step into your own abstract frame of mind today!

Wherever she is working outside, from the remote coastline of her native Scotland to the mountains of Andalucia and the Arizona desert, this artist responds to what she sees in her sketchbooks. Published here, these studies provide themes and motifs for her paintings and prints, but they also stand alone as sensuous evocations of the landscapes to which she is so attached.

Celebrate your own nonconformist place in the world of art. Going far beyond standard notions of developing an abstract "style" or particular "look," Creating Abstract Art unleashes the numerous possibilities that abound in your creative subconscious. Familiar obstacles such as "I don't know what to paint" or "How do I know if this is good?" are easily set aside as you explore fun exercises such as connecting dots, automatic drawing, shadow hunting, working with haiku poetry paintings and much more. So turn off the noise in your head, follow your own instincts and delight in what emerges! • 40 exercises exploring original ideas and inventive techniques for making abstract art. • Projects can be done in any order and with nearly any materials--start working right away on any project that grabs your attention! • 50 contemporary artists share diverse work and viewpoints on the process of working abstractly. Write your own artistic license and start Creating Abstract Artyour way, today!

Painting and Understanding Abstract Art is a practical book on how to paint abstracts but it also explains how to approach and understand abstract art. It moves the teaching of art from a doing level of painting a certain subject in a particular medium to a thinking level of 'what am I doing when I paint?' and 'what am I trying to say in this painting?' Using practical exercises with explanatory text, John Lowry develops the thinking and doing processes together and leads the reader to a greater understanding and appreciation of this most exciting art genre. Gives advice on moving from figurative painting towards abstraction, and explains the tools to abstraction - simplifying and exaggerating; eliminating curves and straights; changing colours, lines and items ; emphasising positive and negative shapes; and using contrast. Includes practical exercises to help develop your own style and understand the techniques of the masters, and offers an overview of the lives and times of artists involved in the stage-by-stage evolution from realism to abstraction. Aimed at beginners and the more experienced, and illustrated with 229 colour illustrations.

Build on the techniques of the great abstract artists to create their own innovative new work. Clear, comprehensible sections let artists focus quickly on their specific areas of interest. The first section, on Traditional Painterly Abstraction, using brush and easel, looks at pictorial space, brushwork, paint quality, and college. The second section, on Post-Painterly Modern Abstraction, considers options ranging from the pour-and-spatter techniques of Jackson Pollock to the staining, scraping, and abrading of modern acrylic artists. Step-by-step recipes for key approaches show artists how to get the best aesthetic results.

On art in the early 20th century

This book explores the puzzling phenomenon of new veiling practices among lower middle class women in Cairo, Egypt. Although these women are part of a modernizing middle class, they also voluntarily adopt a traditional symbol of female subordination. How can this paradox be explained? An explanation emerges which reconceptualizes what appears to be reactionary behavior as a new style of political struggle--as accommodating protest. These women, most of them clerical workers in the large government bureaucracy, are ambivalent about working outside the home, considering it a change which brings new burdens as well as some important benefits. At the same time they realize that leaving home and family is creating an intolerable situation of the erosion of their social status and the loss of their traditional identity. The new veiling expresses women's protest against this. MacLeod argues that the symbolism of the new veiling emerges from this tense subcultural dilemma, involving elements of both resistance and acquiescence.

A leading authority on the subject presents a radically new approach to the understanding of abstract art, in this richly illustrated and persuasive history. In his fresh take on abstract art, noted art historian Pepe Karmel chronicles the movement from a global perspective, while embedding abstraction in a recognizable reality. Moving beyond the canonical terrain of abstract art, the author demonstrates how artists from around the world have used abstract imagery to express social, cultural, and spiritual experience. Karmel builds this fresh approach to abstract art around five inclusive themes: body, landscape, cosmology, architecture, and man-made signs and patterns. In the process, this history develops a series of narratives that go far beyond the established figures and movements traditionally associated with abstract art. Each narrative is complemented by a number of featured abstract works, arranged in thought-provoking pairings with accompanying extended captions that provide an in-depth analysis. This wide-ranging examination incorporates work from Asia, Australia, Africa, and South America, as well as Europe and North America, through artists ranging from Wu Guanzhong, Joan Miró, Jackson Pollock, to Hilma af Klint, and Odili Donald Odita. Breaking new ground, Karmel has forged a new history of this key art movement.