The Art of Musical Phrasing in the Eighteenth Century

The Art of Musical Phrasing in the Eighteenth Century
Author: Stephanie Vial
Publisher: University Rochester Press
Total Pages: 382
Release: 2008
Genre: History
ISBN: 9781580460347


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This book is the collection of papers that came out of an interdisciplinary symposium held in the spring of 1991 in the Republic of San Marino. The conference "Effects of War on Society" was planned as the first in a series aimed ultimately at placing in perspective the sociocultural variables that make outbreaks of war probable, and delineating for researchers and policy makers alike some important steps that can be taken to control these variables. This is Volume 1 of a series entitled "Studies on the Nature of War", which the University of Rochester Press has been publishing from Volume 2 (War and Ethnicity: Global Connections and Local Violence (1997)). after much demand, we are now distributing this book on behalf of the conference organizers, The Center for Interdisciplinary Research on Social Stress, in San Marino.

Practical Guide to the Art of Phrasing

Practical Guide to the Art of Phrasing
Author: Hugo Riemann
Publisher: Literary Licensing, LLC
Total Pages: 148
Release: 2014-08-07
Genre:
ISBN: 9781498155731


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This Is A New Release Of The Original 1890 Edition.

Practical Guide to the Art of Phrasing

Practical Guide to the Art of Phrasing
Author: Hugo Riemann
Publisher: Andesite Press
Total Pages: 160
Release: 2015-08-09
Genre:
ISBN: 9781298617439


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Harvard University Bulletin

Harvard University Bulletin
Author: Harvard University
Publisher:
Total Pages: 472
Release: 1892
Genre: Cambridge (Mass.)
ISBN:


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Max Reger and Karl Straube

Max Reger and Karl Straube
Author: Christopher Anderson
Publisher: Routledge
Total Pages: 451
Release: 2017-07-05
Genre: Music
ISBN: 1351558765


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Max Reger (1873-1916) is perhaps best-known for his organ music. This quickly assumed a prominent place in the repertory of German organists due in large measure to the efforts of Reger‘s contemporary Karl Straube (1873-1950). The personal and collegial relationship between the composer and performer began in 1898 and developed until Reger‘s death. By that time, Straube had established himself as an important artist and teacher in Leipzig and the central authority for the interpretation of Reger‘s organ music. The Reger-Straube relationship functioned on a number of levels with decisive consequences both for the composition of the music and its interpretation over a period fraught with upheaval on sociopolitical, religious and aesthetic fronts. This book evaluates the significance of the relationship between the composer and organist using primary source materials such as autograph performing manuscripts, reviews, programmes, letters and archival sources from contemporary organ building. The result is a much enhanced understanding of Reger in terms of performance practice and reception history, and a re-examination of Straube and, more broadly, of Leipzig as a musical centre during this period.