Pottery

A 'state of the art' guide to pottery analysis providing information on recent scientific developments and the latest statistical techniques.

North Carolina's eighteenth and nineteenth-century Moravian potters were remarkable artisans whose products included coarse earthenware, slip-trailed decorated ware, Leeds-type fine pottery, press-molded stove tiles, figural bottles, toys, and salt-glazed stoneware. Silesian-born and German-trained potter Gottfried Aust was the first to arrive in Bethabara in 1755. After that, numerous apprentices of his carried on the trade in the state and beyond. Some apprentices rose to the rank of master potter. Aust's most successful protégé, Rudolph Christ, excelled in the creation of Queensware, faience, and tortoiseshell-glazed pottery. Swiss-born Heinrich Schaffner, one of several more Moravian master potters, is famously known for his "Salem smoking pipes." Today, museums and private collectors vigorously compete for scarce examples of North Carolina-made Moravian pottery. Every piece found and preserved is like a new paragraph added to the story of the art and mystery of pottery-making in one of the South's earliest settlements.

Discover how to develop your pottery design skills and bring your ideas to life from start to finish. Covering every technique from throwing pottery to firing, glazing to sgraffito, this pottery book is perfect for both hand-building beginners and potting pros. Step-by-step photographs - some from the potter's perspective - show you exactly where to place your hands when throwing so you can master every technique you need to know. Plus, expert tips help you rescue your pots when things go wrong. The next in the popular Artist's Techniques series, Complete Pottery is the ideal companion for pottery classes of any level, or a go-to guide and inspiration for the more experienced potter looking to expand their repertoire and perfect new skills. With contemporary design and ideas, Complete Pottery Techniques enables the modern maker to unleash their creativity.

When this book first appeared in 1996, it was “Pottery 101,” a basic introduction to the subject. It served as an art book, a history book, and a reference book, but also fun to read, beautiful to look at, and filled with good humor and good sense. After twenty years of faithful service, it’s been expanded and brought up-to-date with photographs of more than 1,600 pots from more than 1,600 years. It shows every pottery-producing group in the Southwest, complete with maps that show where each group lives. Now updated, rewritten, and re-photographed, it's a comprehensive study as well as a basic introduction to the art.

A study of fine pottery made by the Etruscans from the seventh to the fourth century BC.

East Greek Pottery provides a comprehensive survey of the pottery made by the Greek settlers along the western coast of Turkey. The various styles of decoration described cover the period from the eleventh century to the beginning of the fifth century B.C. Subsequently, competition from Athens pressed local potters into using very simple ornament. Chapters include analysis of Grey ware, relief ware and archaic East Greek containers (or trade) amphorae, a class of pottery which is now attracting attention for its contribution to the study of ancient economic history. East Greek pottery is a field that has been neglected, and much remains uncertain. Conjecture and fact have been clearly distinguished in this volume, and detailed references allow the evidence to be viewed and judged by the reader.

In A Potter's Workbook, renowned studio potter and teacher Clary Illian presents a textbook for the hand and the mind. Her aim is to provide a way to see, to make, and to think about the forms of wheel-thrown vessels; her information and inspiration explain both the mechanics of throwing and finishing pots made simply on the wheel and the principles of truth and beauty arising from that traditional method. Each chapter begins with a series of exercises that introduce the principles of good form and good forming for pitchers, bowls, cylinders, lids, handles, and every other conceivable functional shape. Focusing on utilitarian pottery created on the wheel, Illian explores sound, lively, and economically produced pottery forms that combine an invitation to mindful appreciation with ease of use. Charles Metzger's striking photographs, taken under ideal studio conditions, perfectly complement her vigorous text.

Raised in Clay: The Southern Pottery Tradition

A history of the pottery industry in Alberta, which began around the turn of the century in Medicine Hat, where clay deposits and natural gas were abundant. This is a dramatic story of temperamental entrepreneurs who were fierce rivals and who had fires, world wars, a depression, high freight rates and cheap imports to contend with.

When he went to West Africa in the 1940s, Michael Cardew found himself in a land where the potter's art had been flourishing for centuries without the use of wheels, or kilns, or glazes. This book grew out of his desire to share all that he had learned from the African pioneers of pottery.