Postcards From The Bump

Despite the abundance of parenting primers, no single book helped expectant parents focus on a key player in the process—the developing baby itself—until now. Postcards from the Bump teaches parents to recognize the many cues babies give about their burgeoning personalities and what they'll be like once they've entered the world. Here are true stories from moms, helpful tips, and how-to's—from dressing your bump to planning a “babymoon” to learning what those cravings mean—as well as simple, indulgent recipes like “Gingerbread Patty Cakes” and “Dark Cluster Love Bars.” The perfect gift for the mommy-to-be, Postcards from the Bump takes the focus off the hardships, fears, and pounds of pregnancy and places it firmly on the babies.

Every Sunday evening hundreds of thousands of South Australians tune in at five-thirty to watch Channel Nine's Postcards program. The team, led by 'Mr South Australia' Keith Conlon, showcases the state's remarkable places and characters.

One of the most private decisions a woman can make, abortion is also one of the most contentious topics in American civic life. Protested at rallies and politicized in party platforms, terminating pregnancy is often characterized as a selfish decision by women who put their own interests above those of the fetus. This background of stigma and hostility has stifled women’s willingness to talk about abortion, which in turn distorts public and political discussion. To pry open the silence surrounding this public issue, Sanger distinguishes between abortion privacy, a form of nondisclosure based on a woman’s desire to control personal information, and abortion secrecy, a woman’s defense against the many harms of disclosure. Laws regulating abortion patients and providers treat abortion not as an acceptable medical decision—let alone a right—but as something disreputable, immoral, and chosen by mistake. Exploiting the emotional power of fetal imagery, laws require women to undergo ultrasound, a practice welcomed in wanted pregnancies but commandeered for use against women with unwanted pregnancies. Sanger takes these prejudicial views of women’s abortion decisions into the twenty-first century by uncovering new connections between abortion law and American culture and politics. New medical technologies, women’s increasing willingness to talk online and off, and the prospect of tighter judicial reins on state legislatures are shaking up the practice of abortion. As talk becomes more transparent and acceptable, women’s decisions about whether or not to become mothers will be treated more like those of other adults making significant personal choices.

Through the analysis of a variety of favela-based visual cultural productions by young people and contemporary theorists, Postcards from Rio examines the complex relationship between citizenship and urban space in contemporary Rio de Janeiro. By analyzing videos and photographs, Kátia da Costa Bezerra illustrates how citizens of favelas are reshaping their sense of belonging as subjects and as a legitimate part of the city. A groundbreaking study that examines more deeply the relationship between urban space, citizenship, and imagery originating in the favelas, Postcards from Rio sheds crucial light on how contemporary lenses are defining and mediating the meanings of space and citizenship as strategies of empowerment. The city emerges as a political space where multiplicities of perspectives are intertwined with demands for more inclusive forms of governance.

The heartfelt and uplifting story of how a project to scatter 60 Postcards in memory of her mother helped a young girl come to terms with her loss. On 11 February 2012 Rachael Chadwick lost her Mother to cancer, just sixteen days after first being diagnosed, and her world shattered right in front of her. Utterly fed up of the milestones and reminders, in December of that year she decided she would do something different and created a project based around her Mum's approaching 60th Birthday. Desperate to spread the word about the wonderful person she had lost, Rachael had the brainwave of leaving notes around a city in her memory. Deciding she would take it a step further she wondered what would happen if she could ask people to respond to her? Full of hope and energy she hand-wrote sixty postcards, each with her email address at the bottom asking the finder to get in touch. But one question remained, where should she go? Knowing how much she longed to visit Paris, the last gift that Rachael's mum had given her was Eurostar vouchers, and so it seemed fitting that this would be her chosen city. So off she went with a group of friends to celebrate, discover, and to scatter her memories. Filling their time in Paris with sight-seeing, food and drink, laughter, and of course postcards. When Rachael returned to her London home, she desperately tried to switch off, switch off from the wondering (and hoping) whether she might actually hear from a postcard finder. And then, they started flowing in…

The Notebook meets Love & Gelato in this heart-wrenching novel “full of deep romance and searing tragedy” (Kirkus Reviews) about a teen girl who travels to her late mother’s majestic summertime home to learn of the romance—and the tragedy—that changed her life forever. Seventeen-year-old Lexi has always wanted to know more about the mother who passed away when she was only a child. But her dad will barely talk about her. He says he’d rather live in the present with Lexi, her stepmom, and her half-brother. Lexi loves her family, too, but is it so wrong to want to learn about the mom she never got to know? When Lexi’s grandma dies and secretly leaves her a worn blue chest that belonged to Lexi’s mother, Lexi is ecstatic to find a treasure trove of keepsakes. Her mom held onto letters, pamphlets, flyers, and news articles all from the same beautiful summertime getaway: Mackinac Island—plus a cryptic postcard that hints at a forbidden romance. If Lexi wants answers, this island is where she needs to go. Without telling her dad, Lexi goes to the gorgeous Mackinac Island in Lake Huron, reachable only by ferry. Cars are forbidden and bikes are the number one mode of transportation along the quaint cobblestone streets, and the magical hotel that rests alongside cozy cafés and bookshops. While following her mother’s footsteps, Lexi befriends an elderly former Broadway star and a charming young hotel worker while quickly falling in love with her surroundings. But though the island may be beautiful, it’s hiding unfortunate secrets—some with her mother at the center. Could some questions be best left buried beneath the blue waters?

Postcards From a Rock& Roll Tour is drummer Gordy Marshall's witty and wry take on life on the road touring with legendary rock band The Moody Blues. Part memoir, part travelogue, it's a candid, unexpected and often hilarious account of just what it's like to travel around the world playing to sell-out audiences, living out of a suitcase and spending days and days on a tour bus. If you thought being in a rock band was all sex, drugs and rock and roll, then think again. Postcards From a Rock & RollTour gives a rare insight into the reality of life as a travelling musician. Includes a foreword by the legendary Graeme Edge of The Moody Blues.

A bewitching memoir about the lures, torments, and rewards of making and performing music in the indie rock world Dean Wareham's seminal bands Galaxie 500 and Luna have long been adored by a devoted cult following and extolled by rock critics. Now he brings us the blunt, heartbreaking, and wickedly charismatic account of his personal journey through the music world-the artistry and the hustle, the effortless success and the high living, as well as the bitter pills and self-inflicted wounds. It captures, unsparingly, what has happened to the entire ecosystem of popular music over a time of radical change, when categories such as "indie" and "alternative" meant nothing to those creating the music, but everything to the major labels willing to pay for it. Black Postcards is a must-have for Wareham's many fans, anyone who has ever been in a band, or the listeners who have taken an interest in the indie rock scene over the last twenty years.

"When we were rich, we had no real use for the Easter Bunny." With trademark elegance and wit, Boyce Parkman, the young narrator of Terry Reed's smart, sexy novel, The Full Cleveland, begins the story that follows a privileged Shaker Heights family's dramatic reversal of fortune -- and an American girl's unforgettable coming-of-age. Bright, athletic, charming, the five Parkman children appear to be living the American dream in a beautiful house in a beautiful neighborhood. But as Boyce is transformed from a precocious ten-year-old into a passionate, idealistic young woman, she comes to see the dream as an illusion. Part of the problem is her parents. Dad, the Protestant, seems intent on nurturing his children with the noble ideals of an obsolete generation. He wants them to see great works of art and to witness the realities of life on the other side of the tracks, in the slums of inner-city Cleveland. Mother, the Catholic, is hell-bent on having her kids achieve something in life, and her method is to make them pray for it. Add the confusing influences of teenage life in a charmed world -- the gorgeous girls, the beautiful boys, the sudden friend: school genius, scholarship student, and bus driver's daughter. Finally Boyce has to find her own philosophical path through the turmoil of her adolescence and the unraveling of her family's fortunes. Her first real love, her first defiant act, her first glimpse of a universe outside her own all mark her as she navigates her way through comic detours and unexpected turns of fate. Here is an original voice that dazzles and delights, a heroine both fierce- hearted and funny, who sets out to find the true meaning of success. In the end, the fortune lost is seamlessly linked with childhood's passing, becoming a deft metaphor for the journey of everyman, and every girl. The Full Cleveland takes its place on the short shelf of great coming-of-age fiction.