Possessed Voices

Analyzes audio recordings of interwar Hebrew plays, providing a new model for the use of sound in theater studies. Possessed Voices tells the intriguing story of a largely unknown collection of audio recordings, which preserve performances of modernist interwar Hebrew plays. Ruthie Abeliovich focuses on four recordings: a 1931 recording of The Eternal Jew (1919/1923), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). Abeliovich traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practices, including spoken Hebrew, Jewish liturgical sensibilities supplemented by Yiddish intonation and other vernacular accents, and in relation to prevalent theatrical forms. The book shows how these recorded performances provided Jewish immigrants from Europe with a venue for lamenting the decline of their home communities and for connecting their memories to the present. Analyzing sonic material against the backdrop of its artistic, cultural, and ideological contexts, Abeliovich develops a critical framework for the study of sound as a discipline in its own right in theater scholarship. Ruthie Abeliovich is Lecturer in the Theatre Department at Haifa University, Israel.

Since the release of The Exorcist in 1973, there has been a surge of movies depicting young women becoming possessed by a demonic force that only male religious figures can exorcise, thereby saving the women from eventual damnation. This book considers this history of exorcism cinema by analyzing how the traditional exorcism narrative, established in The Exorcist, recurs across the exorcism subgenre to represent the effects of demonic possession and ritual exorcism. This traditional exorcism narrative often functions as the central plot of the exorcism film, with only the rare film deviating from this structure. The analysis presented in this book considers how exorcism films reflect, reinforce or challenge this traditional exorcism narrative. Using various cultural and critical theories, this book examines how representations of possession and exorcism reflect, reinforce or challenge prevailing social, cultural, and historical views of women, minorities, and homosexuals. In particular, exorcism films appear to explore tensions or fears regarding empowered and sexually active women, and frequently reinforce the belief that such individuals need to be subjugated and disempowered so that they no longer pose a threat to those around them. Even more recent films, produced after the emergence of third wave feminism, typically reflect this concern about women. Very rarely do exorcism films present empowered women and feminine sexuality as non-threatening. In examining this subgenre of horror films, this book looks at films that have not received much critical scrutiny regarding the messages they contain and how they relate to and comment upon the historical periods in which they were produced and initially received. Given the results of this analysis, this book concludes on the necessity to examine how possession and exorcism are portrayed in popular culture.

The cognitive science of religion has made a persuasive case for the view that a number of different psychological systems are involved in the construction and transmission of notions of extranatural agency such as deities and spirits. Until now this work has been based largely on findings in experimental psychology, illustrated mainly with hypothetical or anecdotal examples. In The Mind Possessed, Emma Cohen considers how the psychological systems undergirding spirit concepts are activated in real-world settings. Spirit possession practices have long had a magnetizing effect on academic researchers but there have been few, if any, satisfactory theoretical treatments of spirit possession that attempt to account for its emergence and spread globally. Drawing on ethnographic data collected during eighteen months of fieldwork in Belém, northern Brazil, Cohen combines fine-grained descriptions and analyses of mediumistic activities in an Afro-Brazilian cult house with a scientifically-grounded explanation for the emergence and spread of ideas about spirits, possession and healing. Cohen shows why spirit possession and its associated activities are inherently attention-grabbing. Making a radical departure from traditional anthropological, medicalist and sociological analyses, she argues that a cognitive approach offers more precise and testable hypotheses concerning the spread and appeal of spirit concepts and possession activities. This timely book presents new lines of enquiry for the cognitive science of religion (a rapidly growing field of interdisciplinary scholarship) and challenges the theoretical frameworks within which spirit possession practices have traditionally been understood.

J. D. Stanton investigates the mysterious appearance of a sunken submarine that has returned fifty years after it was presumed lost in the Atlantic.

Have you ever known anyone who was possessed? Possessed by a spirit from beyond the grave? Hans Holzer, world-famous psychic investigator, knows many people who have been possessed—people whose lives have been taken over and controlled by disembodied spirits of the dead. And he has written this book about them. POSSESSED! is Mr. Holzer’s detailed and fascinating account of the mysterious world of possession—what it is, why it happens, how it can be stopped. Here are all the facts and all the answers with actual case histories of reported possessions. Possessions that happened to people in our own time—to people you may even know! If you doubt, read this book. If you are curious, read this book. POSSESSED!

The truth about demons is far stranger—and even more fascinating—than what's commonly believed. Are demons real? Are they red creatures with goatees holding pitchforks and sitting on people's shoulders while whispering bad things? Did a third of the angels really rebel with Satan? Are demons and "principalities and powers" just terms for the same entities, or are they different members of the kingdom of darkness? Is the world a chaotic mess because of what happened in Eden, or is there more to the story of evil? What people believed about evil spiritual forces in ancient biblical times is often very different than what people have been led to believe about them today. And this ancient worldview is missing from most attempts to treat the topic. In Demons, Michael Heiser debunks popular presuppositions about the very real powers of darkness. Rather than traditions, stories, speculations, or myths, Demons is grounded in what ancient people of both the Old and New Testament eras believed about evil spiritual forces and in what the Bible actually says. You'll come away with a sound, biblical understanding of demons, supernatural rebellion, evil spirits, and spiritual warfare.

The Open Access version of this book, available at www.taylorfrancis.com/books/9781472453983, has been made available under a Creative Commons Attribution-Non Commercial-No Derivative 4.0 license. Experiences of hearing the voice of God (or angels, demons, or other spiritual beings) have generally been understood either as religious experiences or else as a feature of mental illness. Some critics of traditional religious faith have dismissed the visions and voices attributed to biblical characters and saints as evidence of mental disorder. However, it is now known that many ordinary people, with no other evidence of mental disorder, also hear voices and that these voices not infrequently include spiritual or religious content. Psychological and interdisciplinary research has shed a revealing light on these experiences in recent years, so that we now know much more about the phenomenon of "hearing voices" than ever before. The present work considers biblical, historical, and scientific accounts of spiritual and mystical experiences of voice hearing in the Christian tradition in order to explore how some voices may be understood theologically as revelatory. It is proposed that in the incarnation, Christian faith finds both an understanding of what it is to be fully human (a theological anthropology), and God’s perfect self-disclosure (revelation). Within such an understanding, revelatory voices represent a key point of interpersonal encounter between human beings and God.

Who do you trust when you can no longer trust your own mind? Emma's life has always been a struggle, and now she's been accepted at a prestigious music school, she is determined to excel. But when the impossibly chic twins, confident Sophie and quieter Matilde, come crashing into her life - surrounding her with champagne and parties - they demand Emma's full attention. Then shy Matilde commits suicide and shockingly, her identical twin Sophie flourishes. Now odd things are happening to Emma: blackouts, waking up in strange places, bizarre dreams. Something, or someone, is consuming Emma's mind. Terrified, Emma begins to doubt everything and everyone around her, especially the beautiful Sophie...

"Wonderful. . . . Spectacular. . . . You feel the pulse of life, what poetry can bring to us if we let it." —The Philadelphia Inquirer "This audacious personal odyssey offers readers a cosmos of possibilities when contemplating what happens once we 'shuffle off this mortal coil.'" —The Christian Science Monitor "An elegiac meditation on a life lived through books." —O, The Oprah Magazine "The great critic revisits the literature that has meant most to him." —The New York Times Book Review Here is the daringly original literary critic's most personal book: a four-part spiritual autobiography in the form of brief, luminous readings of poetry, drama, and prose—much of which he has known by heart since childhood. As one of his own mentors, M. H. Abrams, has said, to read Bloom's commentaries is like "reading classic authors by flashes of lightning." Gone are the polemics; here Bloom argues elegiacally with nobody but himself. In "A Voice she Heard Before the World Was Made," he offers startling meditations on foundational concerns of Biblical study. "In the Elegy Season" finds him coming to terms movingly, from a new vantage, with writers on whom he has brooded for much of his life. And with brio and bravura in "The Imperfect Is Our Paradise," Bloom ranges dazzlingly through twentieth-century American poetry, from Wallace Stevens to Amy Clampitt. Possessed by Memory, in short, is essential Bloom.