Pontius Pilate

A NEW YORK TIMES NOTABLE BOOK • “Sublime . . . The definitive study of Pilate.”—The Washington Post Book World “A masterwork . . . one of the most interesting and creative books I’ve read in a very long time.”—Ryan Holiday, #1 New York Times bestselling author of The Obstacle Is the Way “Compelling, eloquent and vivid . . . In a superb blend of scholarship and creativity, Wroe brings this elusive yet pivotal figure to life.”—The Boston Globe One of Esquire’s Best Biographies of All Time • Finalist for the Samuel Johnson Prize The foil to Jesus, the defiant antihero of the Easter story, mocking, skeptical Pilate is a historical figure who haunts our imagination. For some he is a saint, for others the embodiment of human weakness, an archetypal politician willing to sacrifice one man for the sake of stability. In this dazzlingly conceived biography, Ann Wroe brings man and myth to life. Working from classical sources, she reconstructs his origins and upbringing, his career in the military and life in Rome, his confrontation with Christ, and his long journey home. We catch glimpses of him pacing the marble floors in Caesarea, sharpening his stylus, getting dressed shortly before sunrise on the day that would seal his place in history. What were the pressures on Pilate that day? What did he really think of Jesus? Pontius Pilate lets us see Christ's trial for the first time, in all its confusion, from the point of view of his executioner.

The gospels and ancient historians agree: Jesus was sentenced to death by Pontius Pilate, the Roman imperial prefect in Jerusalem. To this day, Christians of all churches confess that Jesus died 'under Pontius Pilate'. But what exactly does that mean? Within decades of Jesus' death, Christians began suggesting that it was the Judaean authorities who had crucified Jesus--a notion later echoed in the Qur'an. In the third century, one philosopher raised the notion that, although Pilate had condemned Jesus, he'd done so justly; this idea survives in one of the main strands of modern New Testament criticism. So what is the truth of the matter? And what is the history of that truth? David Lloyd Dusenbury reveals Pilate's 'innocence' as not only a neglected theological question, but a recurring theme in the history of European political thought. He argues that Jesus' interrogation by Pilate, and Augustine of Hippo's North African sermon on that trial, led to the concept of secularity and the logic of tolerance emerging in early modern Europe. Without the Roman trial of Jesus, and the arguments over Pilate's innocence, the history of empire--from the first century to the twenty-first--would have been radically different.

Roger Caillois, 1913-1978, philosopher, writer, and Académie française laureate, was the author of numerous works of anthropology, sociology, psychoanalysis, art, and literary criticism, and the cofounder, with Georges Bataille, of France's College of Sociology for the Study of the Sacred. Ivan Strenski is Professor and Holstein Endowed Chairholder in the Department of Religious Studies at the University of California, Riverside, and the author or editor of several works, including Contesting Sacrifice and Thinking about Religion.

This dramatic historical fiction offers a behind-the-scenes story of an ambitious Roman politician whose fateful decision changed the course of history. Guaranteed fiction!

A world-renowned classicist presents a groundbreaking biography of the man who sent Jesus of Nazareth to the Cross. The Roman prefect Pontius Pilate has been cloaked in rumor and myth since the first century, but what do we actually know of the man who condemned Jesus of Nazareth to the Cross? In this breakthrough, revisionist biography of one of the Bible’s most controversial figures, Italian classicist Aldo Schiavone explains what might have happened in that brief meeting between the governor and Jesus, and why the Gospels—and history itself—have made Pilate a figure of immense ambiguity. Pontius Pilate lived during a turning point in both religious and Roman history. Though little is known of the his life before the Passion, two first-century intellectuals—Flavius Josephus and Philo of Alexandria—chronicled significant moments in Pilate’s rule in Judaea, which shaped the principal elements that have come to define him. By carefully dissecting the complex politics of the Roman governor’s Jewish critics, Schiavone suggests concerns and sensitivities among the people that may have informed their widely influential claims, especially as the beginnings of Christianity neared. Against this historical backdrop, Schiavone offers a dramatic reexamination of Pilate and Jesus’s moment of contact, indicating what was likely said between them and identifying lines of dialogue in the Gospels that are arguably fictive. Teasing out subtle but significant contradictions in details, Schiavone shows how certain gestures and utterances have had inestimable consequences over the years. What emerges is a humanizing portrait of Pilate that reveals how he reacted in the face of an almost impossible dilemma: on one hand wishing to spare Jesus’s life and on the other hoping to satisfy the Jewish priests who demanded his execution. Simultaneously exploring Jesus’s own thought process, the author reaches a stunning conclusion—one that has never previously been argued—about Pilate’s intuitions regarding Jesus. While we know almost nothing about what came before or after, for a few hours on the eve of the Passover Pilate deliberated over a fate that would spark an entirely new religion and lift up a weary prisoner forever as the Son of God. Groundbreaking in its analysis and evocative in its narrative exposition, Pontius Pilate is an absorbing portrait of a man who has been relegated to the borders of history and legend for over two thousand years.

This study reconstructs the historical Pontius Pilate and looks at the way in which he is used as a literary character in the works of six first century authors: Philo, Josephus and the four evangelists. The first chapter provides an introduction to the history and formation of the imperial Roman province of Judaea. The following two chapters examine the references to Pilate in Philo and Josephus, looking at each author's biases before going on to assess the historicity of their accounts. The next four chapters look at the portrayal of Pilate in each gospel, asking how a first century reader would have interpreted his actions. Each chapter asks what this portrayal shows about the author's attitude towards the Roman state, and what kind of community found this useful. The conclusion distinguishes between the 'historical Pilate' and the different 'Pilate of interpretation' preserved in our first century literary sources.

Pontius Pilate is one of the Bible's best-known villains--but up until the tenth century, artistic imagery appears to have consistently portrayed him as a benevolent Christian and holy symbol of baptism. For the first time, Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art provides a complete look at the shifting visual and textual representations of Pilate throughout early Christian and medieval art. Colum Hourihane examines neglected and sometimes sympathetic portrayals, and shows how negative characterizations of Pilate, which were developed for political and religious purposes, reveal the anti-Semitism of the medieval period. Hourihane indicates that in some artistic renderings, Pilate may have been a symbol of good, and in many, a figure of jurisprudence. Eastern traditions treated Pilate as a saint with his own feast day, but Western accounts from the tenth century changed him from a Roman to a Jew. Pilate became a vessel for anti-Semitism--his image acquired grotesque facial and physical characteristics, and his role in Christ's Passion grew to mythic proportions. By the fifteenth century, however, representations of Pilate came full circle to depict an aged and empathetic administrator. Combining a wealth of previously unpublished sources with explorations of art historical developments, Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art puts forth for the first time an encyclopedic portrait of a complex legend.

This book explores the diverse portraits of Pontius PIlate in the Gospels. Pontius Pilate focuses on reading the Gospels not only as personal religious text but also as narratives shaped by their sociopolitical contexts. It identifies aspects of Roman imperial power that is assumed by each Gospel's presentation of Pilate, the Roman governor. It analyzes each Gospel's critical attitude to the empire and outlines how that Gospel shapes Christian discipleship in a world dominated by Roman power.