Poetry Pizzazz Plus

Presents fifteen activities designed to help students in grades three through six write and publish their poems.

Poetry Plus provides the tools you need to turn reluctant writers into poets with pizzazz! Each lesson uses the writing process and includes activity pages that provide an avenue for students to share, display, or publish their poetry. Students will learn auditory techniques, visual techniques, forms of poetry, and figures of speech.

Teachers can help transform reluctant writers into poets with these lessons that use the writing process. Activity pages provide an avenue for students to share, display, or publish their poetry. Auditory techniques, forms of poetry, and figures of speech are also addressed. Includes reproducibles.

Want to teach to the K-2 writing standards, get ideas galore, and have fun with your primary writing workshop, too? Of course. You want it all. And now you can have it! Primary Pizzazz Writing really helps you do it all!: Create a successful craft-centered writing workshop classroom; Directly address all of the nationally recognized primary writing standards with 30 Skill Units for every teaching setting--large and small groups, independent writing centers, and at-home writing; Engage the littlest writers and appeal to every learning style with make-and-takes, songs, poems, readers' theatre, games, and recipes; Add an interactive, performance dimension to writing workshop with a high-energy audio CD with 13 songs and 5 readers' theatre plays created and performed by Melissa Forney; and Link writing and reading with targeted literature selections and vocabulary for each skill unit. Melissa Forney also is the author of Dynamite Writing Ideas, Razzle Dazzle Writing, The Writing Menu, and Oonawassee Summer.

As an Iranian American poet, Roger Sedarat fuses Western and Eastern traditions to reinvent the classical Persian form of the ghazal. For its humor as well as its spirituality, the poems in this collection can perhaps best be described as “Wallace Stevens meets Rumi.” Perhaps most striking is the poet’s use of the ancient ghazal form in the tradition of the classical masters like Hafez and Rumi to politically challenge the Islamic Republic of Iran’s continual crackdown on protesters. Not since the late Agha Shahid Ali has a poet translated the letter as well as the spirit of this form into English, using musicality and inventive rhyme to extend the reach of the ghazal in a new language and tradition.

A wonderfully rich, varied, funny and clever collection. Humour at its best from one of America's funniest poets. Please remove seal before using this product, the sign on the box clearly read. I don't have a seal, but I'm taking no chances - I'll toss out my walrus instead. Find out why there are zebras on the ceiling, pizza down your pants, why Dan's the invisible man and wrestling with an octopus is not a good idea, why gerbils are bedraggled and emus are definitely not for approaching... Join the wacky world of Jack Prelutsky.

Take a wild ride with poet Sara Holbrook as she guides young writers in performing their poetry with style and pizzazz. With enthusiasm and a touch of irreverence, Ms. Holbrook, a performance poet herself, explains how to use voice, rhythm, attitude, movement, and other techniques to perform poetry in a group, duo, or solo. More than thirty poems are included for young readers to practice, as well as instructions for putting on a poetry jam at school or in the community.

John Ashbery’s wild, deliriously inventive book-length poem, inspired by the adventures of Henry Darger’s Vivian Girls Henry Darger, the prolific American outsider artist who died in 1973, leaving behind over twenty thousand pages of manuscripts and hundreds of artworks, is famous for the elaborate alternate universe he both constructed and inhabited, a “realm of the unreal” where a plucky band of young girls, the Vivians, helps lead an epic rebellion against dark forces of chaos. Darger’s work is now renowned for its brilliant appropriation of cultural ephemera, its dense and otherworldly prose, and its utterly unique high-low juxtaposition of popular culture and the divine—some of the very same traits that decades of critics and readers have responded to in John Ashbery’s many groundbreaking works of poetry. In Girls on the Run, Ashbery’s unmatched poetic inventiveness travels to new territory, inspired by the characters and cataclysms of Darger’s imagined universe. Girls on the Run is a disquieting, gorgeous, and often hilarious mash-up that finds two radical American artists engaged in an unlikely conversation, a dialogue of reinvention and strange beauty.