Poetic Critique

Poetic critique – is that not an oxymoron? Do these two forms of behavior, the poetic and the critical, not pull in different, even opposite, directions? For many scholars working in the humanities today, they largely do, but that has not always been the case. Friedrich Schlegel, for one, believed that critique worthy of its name must itself be poetic. Only then would it stand a chance of responding adequately to the work of art. Taking Schlegel’s idea of poetische Kritik as a starting point, this volume reflects on the possibility of drawing these alleged opposites closer together. In light of current debates about the legacy of critique, it investigates whether a concept such as poetic critique (or poetic criticism) lends itself to enriching our intellectual practice by engaging with the poetic potential of criticism and the critical value of art and literature.

"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--

Poetic critique – is that not an oxymoron? Do these two forms of behavior, the poetic and the critical, not pull in different, even opposite, directions? For many scholars working in the humanities today, they largely do, but that has not always been the case. Friedrich Schlegel, for one, believed that critique worthy of its name must itself be poetic. Only then would it stand a chance of responding adequately to the work of art. Taking Schlegel’s idea of poetische Kritik as a starting point, this volume reflects on the possibility of drawing these alleged opposites closer together. In light of current debates about the legacy of critique, it investigates whether a concept such as poetic critique (or poetic criticism) lends itself to enriching our intellectual practice by engaging with the poetic potential of criticism and the critical value of art and literature.

The discussion of each poem attends to the complexity of the poem's utterance, its historical contexts, and its broader implications for cultural meaning.Victorian Literature and Culture Series

In Between Biblical Criticism and Poetic Rewriting, Samuel Tongue offers an account of the aesthetic and critical tensions inherent in the development of the Higher Criticism of the Bible. Different ‘types’ of Bible are created through the intellectual and literary pressures of Enlightenment and Romanticism and, as Tongue suggests, it is this legacy that continues to orientate the approaches deemed legitimate in biblical scholarship. Using a number of ancient and contemporary critical and poetic rewritings of Jacob’s struggle with the ‘angel’ (Gen 32:22-32), Tongue makes use of postmodern theories of textual production to argue that it is the ‘paragesis’, a parasitical form of writing between disciplines, that best foregrounds the complex performativity of biblical interpretation.

"Exquisite . . . A powerful example of how to carry the things that define us without being broken by them." --WASHINGTON POST

Poetry And Poetics Are Integrally Related. The Former Is An Art Based On Emotions, Whereas The Latter Is A Science Evaluating Poetry. So Long Their Common Mode Of Treatment Has Been To Excite In The Mind The Emotions Appropriate To The Subject-Matter. But Science And Art Are Not Identical. The Former Uses The Discursive Mode; And The Latter The Presentational Mode. While Science Is Truth, The Art Is Adjectively True , I.E. It Does Not Conflict With The Truth.The Book Critique Of Poetics Is An Extremely Bold And Far Reaching Attempt At A Comprehensive Theory Of Poetry. It Starts With A Sound-Sense Continuum And Ends With Quantum Poetics. The Path Of Evolution Is Marked By The Poetic Process, The Flow Of Rasa, The Flight Of Pegasus, The Dance Of Resonons, The Doctrine Of Suggestion, Rx For Rhetoric, The Logic Of Signs And Symbols, The Poetic Imagery, The Miracle Of Communication, The Concept Of Criticism, Style And Stylistics, The Law Of Inspiration And Catharsis, The Limits Of Art, The Philosophy Of Beauty, East And West In Poetics, And The Theory Of Literature. And This Has Been Treated In A Global Perspective, Which Harmonizes Both East And West In Poetics. A Balance Has Also Been Struck Between The Two Approaches To The Study Of Literature Extrinsic And Intrinsic. The Former Is Characterized By Psychology-Society And Other Arts Whereas The Latter By Style And Stylistics, Image And Metaphor, Rhetoric And Suggestion, Beauty And The Like. A New Theory Of Literature Has Been Derived From These. This Is Born In A Continuum Of Sound And Sense, Of Space And Time. It Provides An Organ Of Evaluating The Past, Present And Future Works Of Literature. In This Context Quantum Poetics Marks The End Of The Evolutionary Process.

Poetic Inquiry: Craft, Method and Practice examines the use of poetry as a form of qualitative research, representation, and method used by researchers, practitioners, and students from across the social sciences and humanities. It serves as a practical manual for using poetry in qualitative research through the presentation of varied examples of Poetic Inquiry. It provides how-to exercises for developing and using poetry as a qualitative research method. The book begins by mapping out what doing and critiquing Poetic Inquiry entails via a discussion of the power of poetry, poets’, and researchers’ goals for the use of poetry, and the kinds of projects that are best suited for Poetic Inquiry. It also provides descriptions of the process and craft of creating Poetic Inquiry, and suggestions for how to evaluate and engage with Poetic Inquiry. The book further contends with questions of method, process, and craft from poets’ and researchers’ perspectives. It shows the implications for the aesthetic and epistemic concerns in poetry, and furthers transdisciplinary dialogues between the humanities and social sciences. Faulkner shows the importance of considering the form and function of Poetic Inquiry in qualitative research through discussions of poetry as research method, poetry as qualitative analysis and representation, and Poetic Inquiry as a powerful research tool.

Poetic critique - is that not an oxymoron? Do these two forms of behavior - the poetic and the critical - not pull in different, even opposite, directions? For many scholars working in the humanities today, they do, but that has not always been the case. Friedrich Schlegel, for one, believed that critique worthy of its name must itself be poetic - only then would it stand a chance of responding adequately to the work of art. This volume seeks to breathe new life into the idea of poetic critique, but also asks about its limitations. What forms might critique take when practiced poetically? Can this practice be rigorous enough to maintain a right of citizenship in the academy? And how can the notion of poetic critique intervene in current debates on critique and post-critique? Most of the contributions to this volume were first presented at the international conference 'Poetic Critique' held in the summer of 2019 in Berlin. Together with a few articles that have been written for this publication, they offer a variety of novel perspectives on the promises and pitfalls of critique, investigating whether a concept such as poetic critique (or poetic criticism) lends itself to enriching our intellectual practice.

One of the most respected artists in popular music today, Jewel is much more than a music industry success with her debut album selling more than 10 million copies. Before her gifted songwriting comes an even more individual art: Poetry. Now available in paperback, A Night without Armor highlights the poetry of Jewel taken from her journals which are both intimate and inspiring, to be embraced and enjoyed. Writing poems and keeping journals since childhood, Jewel has been searching for truth and meaning, turning to her words to record, to discover, and to reflect. In A Night Without Armor, her first collection of poetry, Jewel explores the fire of first love, the lessons of betrayal, and the healing of intimacy. She delves into matters of the home, the comfort of family, the beauty of Alaska, and the dislocation of divorce. Frank and honest, serious and suddenly playful, A Night Without Armor is a talented artist's intimate portrait of what makes us uniquely human.