Plunder Squad

“Hearing the click behind him, Parker threw his glass straight back over his right shoulder, and dove off his chair to the left.” When a job looks like amateur hour, Parker walks away. But even a squad of seasoned professionals can’t guarantee against human error in a high-risk scam. Can an art dealer with issues unload a truck of paintings with Parker’s aid? Or will the heist end up too much of a human interest story, as luck runs out before Parker can get in on the score?

A professional thief finds his life threatened when an enemy ruins his plans for a robbery

Each week, the writers of The A.V. Club issue a slightly slanted pop-culture list filled with challenging opinions (Is David Bowie's "Young Americans" nearly ruined by saxophone?) and fascinating facts. Exploring twenty-four great films too painful to watch twice, fourteen tragic movie-masturbation scenes, eighteen songs about crappy cities, and much more, Inventory combines a massive helping of new lists created especially for the book with a few favorites first seen at AVClub.com and in the pages of The A.V. Club’s sister publication, The Onion. But wait! There's more: John Hodgman offers a set of minutely detailed (and probably fictional) character actors. Patton Oswalt waxes ecstatic about the "quiet film revolutions" that changed cinema in small but exciting ways. Amy Sedaris lists fifty things that make her laugh. "Weird Al" Yankovic examines the noises of Mad magazine's Don Martin. Plus lists from Paul Thomas Anderson, Robert Ben Garant, Tom Lennon, Andrew W.K., Tim and Eric, Daniel Handler, and Zach Galifianakis—and an epic foreword from essayist Chuck Klosterman.

The hunter becomes prey, as a heist goes sour and Parker finds himself trapped in a shuttered amusement park, besieged by a bevy of local mobsters, in Slayground. There are no exits from Fun Island. Outnumbered and outgunned, Parker can’t afford a single miscalculation. He’s low on bullets and making it out alive is a long shot—but, as anyone who’s crossed his path knows, no one is better at playing higher stakes with shorter odds.

Collects GUARDIANS OF THE GALAXY (2020) #1-18, ROCKET #1-6 and material from GUARDIANS OF THE GALAXY ANNUAL (2021) #1. Al Ewing brings his cosmic brand of storytelling to the Guardians of the Galaxy! Once, they were a team of misfits. Now they're a family, and they've earned their peace. But the universe is not a peaceful place - and it's only getting worse. Someone has to guard the galaxy. And for their first mission, the Guardians of the Galaxy must grapple with the vengeful gods of Olympus! Then, when the political map of the galaxy is radically redrawn, can the team handle a little peaceful diplomacy? Meanwhile, everyone thinks Peter Quill is dead - but instead, he journeys through a mythic world on the other side of reality! Knull and his symbiote dragons wreak havoc! And an expanded Guardians team faces the mystic threat of the Last Annihilation, but what is Doctor Doom doing with them?! Plus: When an old flame swims back into Rocket's life, it spells big trouble for the little furball.

Deadly Edge bids a brutal adieu to the 1960s as Parker robs a rock concert, and the heist goes south. Soon Parker finds himself—and his woman, Claire—menaced by a pair of sadistic, strung-out killers who want anything but a Summer of Love. Parker has a score to settle while Claire’s armed with her first rifle—and they’re both ready to usher in the end of the Age of Aquarius.

After the publication of Butcher's Moon in 1974, Donald Westlake said, "Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone." And readers waited. But nothing bad is truly gone forever, and Parker's as bad as they come. According to Westlake, one day in 1997, "suddenly, he came back from the dead, with a chalky prison pallor"--and the novels that followed showed that neither Parker nor Stark had lost a step. Backflash finds Parker checking out the scene on a Hudson River gambling boat. Parker's no fan of either relaxation or risk, however, so you can be sure he's playing with house money--and he's willing to do anything to tilt the odds in his favor. Featuring a great cast of heisters, a striking setting, and a new introduction by Westlake's close friend and writing partner, Lawrence Block, this classic Parker adventure deserve a place of honor on any crime fan's bookshelf.

The robbery was a piece of cake. The getaway was clean. The only thing left to do is split the cash—then it all goes wrong. In The Seventh, the heist of a college football game turns sour and the take is stolen from right under Parker’s nose. With the cops on his tail, Parker must figure out who crossed him—and how he can pay the culprit back.

A master thief must build a team to escape a correctional center in this fast-paced, hard-boiled crime novel by the author of Firebreak. With Parker locked up and about to be unmasked, Breakout follows his Houdini-like escape from prison with a team of convicts. But when a new heist and new dangers—con artists, snitches, busybodies, eccentrics, and cops—loom among the dark alleys and old stone buildings of the big city to which they’ve fled, Parker soon learns that not all prisons have bars. Praise for Breakout “Fiercely distracting. . . . Westlake is an expert plotter; and while Parker is a blunt instrument of a human being depicted in rudimentary short grunts of sentences, his take on other characters reveals a writer of great humor and human understanding.” —John Hodgman “Stark . . . applies his great wit and dexterous mental skills to a series of . . . ingenious exits and entrances in (what else?) Breakout. . . . Jampacked. . . . He writes with ruthless efficiency.” —Marilyn Stasio, New York Times “Stark invites readers to project themselves onto the always-assured Parker, making him a frighteningly easy sociopath to root for. And watching knowledgeable bad guys ply their shadowy trade under pressure is always fun. An immensely pleasurable entry in the Parker series. . . . Simply put, Breakout is great escapist fiction.” —Booklist,starred review