Playing With The Devil

Can you literally sell your soul for rock 'n' roll? In the summer of 1982, the five young musicians of the rock band Entropy came close to finding out when an otherworldly entity beyond their understanding contacted them. This dangerous, terrifying being brought Entropy to the edge of fame, but ultimately tore them apart. Join Marcus F. Griffin as he reveals the true, first-hand story of his band's encounters with the Gray Man - a dark entity so powerful it could punch a hole between worlds and materialize at will. This demonic creature takes them on one of the greatest paranormal journeys anyone has ever experienced. For the members of Entropy, these real-life adventures with the Devil have never truly ended.

Thirteen-year-old Boli and his friends are deep in the middle of a game of marbles. An older boy named Mosca has won the prized Devil's Fire marble. His pals are jealous and want to win it away from him. This is Izayoc, the place of tears, a small pueblo in a tiny valley west of Mexico City where nothing much happens. It's a typical hot Sunday morning except that on the way to church someone discovers the severed head of Enrique Quintanilla propped on the ledge of one of the cement planters in the plaza and everything changes. Not apocalyptic changes, like phalanxes of men riding on horses with stingers for tails, but subtle ones: poor neighbors turning up with brand-new SUVs, pimpled teens with fancy girls hanging off them. Boli's parents leave for Toluca and don't arrive at their destination. No one will talk about it. A washed out masked wrestler turns up one day, a man only interested in finding his next meal. Boli hopes to inspire the luchador to set out with him to find his parents. Phillippe Diederich was born in the Dominican Republic and raised in Mexico City and Miami. His parents were forced out of Haiti by the dictatorship of Papa Doc Duvalier in 1963. As a photojournalist, Diederich has traveled extensively through Mexico and witnessed the terrible tragedies of the Drug Wars.

In the days before his fortieth birthday, London-based journalist Jasper Rees trades his pen for a French horn that has been gathering dust in the attic for more than twenty-two years, and, on a lark, plays it at the annual festival of the British Horn Society. Despite an embarrassingly poor performance, the experience inspires Rees to embark on a daunting, bizarre, and ultimately winning journey: to return to the festival in one year's time and play a Mozart concerto—solo—to a large paying audience. A Devil to Play is the true story of an unlikely midlife crisis spent conquering sixteen feet of wrapped brass tubing widely regarded as the most difficult instrument to master, as well as the most treacherous to play in public. It is the history of man's first musical instrument, a compelling journey that moves from the walls of Jericho to Sgt. Pepper's Lonely Hearts Club Band, from the hunting fields of France to the heart of Hollywood. And it is the account of one man's mounting musical obsession, told with pitch-perfect wit and an undeniable charm—an endearing, inspiring tale of perseverance and achievement, relayed masterfully, one side-splittingly off-key note at a time.

“Provocative, insightful, and enlightening—a foray into an often-neglected topic that merits more attention than it typically receives.” --Lee Strobel, New York Times bestselling author of The Case for Christ What is Our Fascination with the Other Side? Join investigative reporter Billy Hallowell as he delves into the strange phenomena of supernatural activity. Themes of demonic possession, exorcism, and ghosts have overtaken Hollywood, with countless films and TV shows delving into the age-old struggle against evil. But the question is why? Even with so much focus on the topic, there seems to be very little public knowledge and discussion about the theology and real-life claims surrounding demons. Quite often, many people remain silent about their experiences or resort to quietly whispering about what they’ve seen, heard, or felt for fear of being labeled as crazy. The truth is, even pastors, priests, and clergy who have observed firsthand accounts of possession and deliverance can succumb to the strange and terrifying effects of intense spiritual warfare. For people of faith, Playing with Fire addresses these core questions: Are demons active today? If they do indeed exist, what are they? Fallen angels? Nephilim? Can demons inhabit human beings? According to the Bible, can people die and remain behind as “ghosts”? Playing with Fire explores the theological underpinnings surrounding the supernatural. Relying on firsthand accounts, newspaper reports, and Christian experts, Hallowell takes readers through the various views and perspectives surrounding supernatural activity.

Although written as a fiction this is a true account of actual events, it is a misfortune that names have been changed to protect the guilty.

In this elegantly written book, Jerome Kagan melds the history of the field of psychology during the past 50 years with the story of his own research efforts of the same period and an analysis of what he terms 'the currently rocky romance between psychology and biology'. As Kagan unwinds his own history, he reveals the seminal events that have shaped his career and discusses how his assumptions have changed. With full appreciation for the contributions to psychology of history, philosophy, literature and neuroscience, he approaches a wide range of fascinating topics, including: the abandonment of orthodox forms of behaviourism and psychoanalysis; the forces that inspired later-twentieth-century curiosity about young children; why B. F. Skinner chose to study psychology; why the study of science less often ignites imaginations today; our society's obsession with erotic love; and, the resurgence of religious fanaticism and the religious Right. Embedded in Kagan's discussions is a rejection of the current notion that a mature neuroscience will eventually replace psychology. He argues that a complete understanding of brain is not synonymous with a full explanation of mind, and he concludes with a brief prediction of the next five decades in the field of psychology.

A charismatic young soldier meets a tragic end in this moving and mesmerizing account of murder and suicide in New Orleans. Brown discovers that this tragedy--like so many others--could have been avoided.

"I'll talk to anybody, a priest, a bank manager, a gangster, the devil himself, if I can get the information I need. This is a war." -- Lt. Commander Charles Radcliffe Haffenden, Naval Intelligence Unit, B-3 In late 1982, a spike in terrorism has the Reagan Administration considering covert action to neutralize the menace before it reaches the United States. There are big risks to waging a secret war against America's enemies---but there is one little-known precedent. Forty years earlier, German U-boats had been prowling the Atlantic, sinking hundreds of U.S. ships along the east coast, including the largest cruise ship in the world, Normandie, destroyed at a Manhattan pier after Pearl Harbor. Nazi agents even landed on Long Island with explosives and maps of railways, bridges, and defense plants. Desperate to secure the coast, the Navy turned to Meyer Lansky, the Jewish Mob boss. A newly naturalized American whose fellow Eastern European Jews were being annihilated by Hitler, Lansky headed an unlikely fellowship of mobsters Lucky Luciano, Bugsy Siegel, Frank Costello, and naval intelligence officers. Young Reagan White House aide Jonah Eastman, grandson of Atlantic City gangster Mickey Price, is approached by the president's top advisor with an assignment: Discreetly interview his grandfather's old friend Lansky about his wartime activities. There just might be something to learn from that secret operation. The notoriously tight-lipped gangster, dying of cancer, is finally ready to talk. Jonah gets a riveting---and darkly comic---history lesson. The Mob caught Nazi agents, planted propaganda with the help of columnist Walter Winchell, and found Mafia spies to plot the invasion of Sicily, where General Patton was poised to strike at the soft underbelly of the Axis. Lansky's men stopped at nothing to sabotage Hitler's push toward American shores. Based on real events, The Devil Himself is a high-energy novel of military espionage and Mafia justice.

Originally published in 1900, this book was the first investigation of the devil and the Vice as dramatic figures, and a study of these figures led to a new view of the subject: it is, in brief, that the appearance of the devil in the non-dramatic as well as in the dramatic literature is limited to a definite range. As a dramatic figure the devil falls more and more into the background and the Vice is distinct in origin and function from the devil.