Platos World

Plato's dialogue the Timaeus-Critias presents two connected accounts, that of the story of Atlantis and its defeat by ancient Athens and that of the creation of the cosmos by a divine craftsman. This book offers a unified reading of the dialogue. It tackles a wide range of interpretative and philosophical issues. Topics discussed include the function of the famous Atlantis story, the notion of cosmology as 'myth' and as 'likely', and the role of God in Platonic cosmology. Other areas commented upon are Plato's concepts of 'necessity' and 'teleology', the nature of the 'receptacle', the relationship between the soul and the body, the use of perception in cosmology, and the work's peculiar monologue form. The unifying theme is teleology: Plato's attempt to show the cosmos to be organised for the good. A central lesson which emerges is that the Timaeus is closer to Aristotle's physics than previously thought.

This lively and accessible introduction to Plato focuses on the philosophy and argument of his writings, drawing the reader into Plato's way of doing philosophy, and the general themes of his thinking. This is not a book to leave the reader standing in the outer court of introduction and background information, but leads directly into Plato's argument. It looks at Plato as a thinker grappling with philosophical problems in a variety of ways, rather than a philosopher with a fully worked-out system. It includes a brief account of Plato's life and the various interpretations that have been drawn from the sparse remains of information. It stresses the importance of the founding of the Academy and the conception of philosophy as a subject. Julia Annas discusses Plato's style of writing: his use of the dialogue form, his use of what we today call fiction, and his philosophical transformation of myths. She also looks at his discussions of love and philosophy, his attitude to women, and to homosexual love, explores Plato's claim that virtue is sufficient for happiness, and touches on his arguments for the immortality of the soul and his ideas about the nature of the universe. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The "theory of forms" usually attributed to Plato is one of the most famous of philosophical theories, yet it has engendered such controversy in the literature on Plato that scholars even debate whether or not such a theory exists in his texts. Plato's Forms: Varieties of Interpretation is an ambitious work that brings together, in a single volume, widely divergent approaches to the topic of the forms in Plato's dialogues. With contributions rooted in both Anglo-American and Continental philosophy, the book illustrates the contentious role the forms have played in Platonic scholarship and suggests new approaches to a central problem of Plato studies.

Joseph Cropsey examines the crucial relationship between Plato's conception of the nature of the universe and his moral and political thought. Cropsey interprets seven of Plato's dialogues - Theaetetus, Sophist, Euthyphro, Statesman, Apology, Crito, and Phaedo - in light of their dramatic consecutiveness and thus as a conceptual and dramatic whole. The cosmos depicted by Plato in these dialogues, Cropsey argues, is affected with unreason, populated by human beings unaided by gods and dealt with equivocally by nature. Masterfully leading the reader through the seven scenes of the drama, Cropsey shows how they are, to an astonishing degree, concerned with the resources available to help us survive in such a world.

The Republic is a Socratic dialogue, written by Plato around 380 BCE, concerning the definition of justice, the order and character of the just city-state and the just man. The dramatic date of the dialogue has been much debated and though it must take place some time during the Peloponnesian War, "there would be jarring anachronisms if any of the candidate specific dates between 432 and 404 were assigned". It is Plato's best-known work and has proven to be one of the most intellectually and historically influential works of philosophy and political theory. In it, Socrates along with various Athenians and foreigners discuss the meaning of justice and examine whether or not the just man is happier than the unjust man by considering a series of different cities coming into existence "in speech", culminating in a city (Kallipolis) ruled by philosopher-kings; and by examining the nature of existing regimes. The participants also discuss the theory of forms, the immortality of the soul, and the roles of the philosopher and of poetry in society.

The Allegory of the Cave, or Plato's Cave, was presented by the Greek philosopher Plato in his work Republic (514a–520a) to compare "the effect of education (παιδεία) and the lack of it on our nature". It is written as a dialogue between Plato's brother Glaucon and his mentor Socrates, narrated by the latter. The allegory is presented after the analogy of the sun (508b–509c) and the analogy of the divided line (509d–511e). All three are characterized in relation to dialectic at the end of Books VII and VIII (531d–534e). Plato has Socrates describe a group of people who have lived chained to the wall of a cave all of their lives, facing a blank wall. The people watch shadows projected on the wall from objects passing in front of a fire behind them, and give names to these shadows. The shadows are the prisoners' reality.

Although a great deal has been written on Plato's ethics, his cosmology has not received so much attention in recent times and its importance for his ethical thought has remained underexplored. By offering accounts of Timaeus, Philebus, Politicus and Laws X, the book reveals a strongly symbiotic relation between the cosmic and human sphere. It is argued that in his late period Plato presents a picture of an organic universe, endowed with structure and intrinsic value, which both urges our respect and calls for our responsible intervention. Humans are thus seen as citizens of a university that can provide a context for their flourishing even in the absence of good political institutions. The book sheds light on many intricate metaphysical issues in late Plato and brings out the close connections between his cosmology and the development of his ethics.

In The World as Idea Charles P. Webel presents an intellectual history of one of the most influential concepts known to humanity—that of "the world." Webel traces the development of "the world" through the past, depicting the history of the world as an intellectual construct from its roots in ancient creation myths of the cosmos, to contemporary speculations about multiverses. He simultaneously offers probing analyses and critiques of "the world as idea" from thinkers ranging from Plato, Aristotle, and St. Augustine in the Greco-Roman period to Kant, Schopenhauer, Nietzsche, Wittgenstein, Merleau-Ponty, and Derrida in modern times. While Webel mainly focuses on Occidental philosophical, theological, and cosmological notions of worldhood and worldliness, he also highlights important non-Western equivalents prominent in Islamic and Asian spiritual traditions. This ensures the book is a unique overview of what we all take for granted in our daily existence, but seldom if ever contemplate—the world as the uniquely meaningful environment for our lives in particular and for life on Earth in general. The World as Idea will be of great interest to those interested in the "world as idea," scholars in fields ranging from philosophy and intellectual history to political and social theory, and students studying philosophy, the history of ideas, and humanities courses, both general and specialized.

This book provides a clear, lively and highly readable introduction to the main themes of Plato's Republic. It covers Plato's social and political thought, his moral philosophy, his epistemology and metaphysics, and his philosophy of art and literature. Plato's theories in all these areas are presented in concise and straightforward terms. They are located in the context of the views of subsequent philosophers and critically assessed in the light of current debates. The contemporary significance of Plato's ideas is emphasized throughout.Lucid and thought-provoking, this book succeeds in making a broad range of fundamental philosophical ideas widely accessible. It provides an ideal introduction to the Republic for students in courses in philosophy, political and social thought, classical studies, religious studies, literary theory, etc., as well as for the general reader.Key features* A clear, concise and highly readable introduction to Plato's Republic which covers all its main themes.* Lively and thought-provoking. Assesses Plato's ideas in the context of the history of philosophy and current debates.* Lucidly written. The ideal guide for students at all levels and for the general reader. * Full advice about further reading and extensive bibliography included.