Plantations Historic Homes Of New Orleans

Hurricane Katrina ravaged much of New Orleans in 2005, but thankfully the city’s most treasured historic homes survived. Plantations & Historic Homes of New Orleans is a poignant tribute of these storied mansions, whose architectural beauty brings a unique flair to the Big Easy’s most famous neighborhoods. From the French Quarter and Garden District to Uptown, Marigny, and Bayou St. John, many of New Orleans’ grandest old homes and nearby plantations are featured in this book, showcasing the massive brick columns, intricate cast-iron balconies, wide verandas, sumptuous parlors, and humble servants quarters that give this area its charm. Open these pages and you’ll travel to Destrehan, the oldest plantation house in the Mississippi Valley, originally built of hand-hewn bald cypress timber using briquette entre’pateaux, mud (clay, river sand, and Spanish moss) between post; the homes artist Edgar Degas and author William Faulkner lived in during their New Orleans’ stays; and the 1850 House located in the Lower Pontalba building on Jackson Square. Learn about the building’s namesake, a baroness with a tumultuous family life who managed to escape murder and was also responsible for building the American embassy in Paris. With lavish photographs of exteriors and rooms of special interest, gardens and curiosities, and detailed information about New Orleans’ diverse architecture and history, this book is both a perfect guide for visitors and natives alike and an enchanting visual tour of one of the greatest cities in the United States.

Hurricane Katrina ravaged much of New Orleans in 2005, but thankfully the city’s most treasured historic homes survived. Plantations & Historic Homes of New Orleans is a poignant tribute of these storied mansions, whose architectural beauty brings a unique flair to the Big Easy’s most famous neighborhoods. From the French Quarter and Garden District to Uptown, Marigny, and Bayou St. John, many of New Orleans’ grandest old homes and nearby plantations are featured in this book, showcasing the massive brick columns, intricate cast-iron balconies, wide verandas, sumptuous parlors, and humble servants quarters that give this area its charm. Open these pages and you’ll travel to Destrehan, the oldest plantation house in the Mississippi Valley, originally built of hand-hewn bald cypress timber using briquette entre’pateaux, mud (clay, river sand, and Spanish moss) between post; the homes artist Edgar Degas and author William Faulkner lived in during their New Orleans’ stays; and the 1850 House located in the Lower Pontalba building on Jackson Square. Learn about the building’s namesake, a baroness with a tumultuous family life who managed to escape murder and was also responsible for building the American embassy in Paris. With lavish photographs of exteriors and rooms of special interest, gardens and curiosities, and detailed information about New Orleans’ diverse architecture and history, this book is both a perfect guide for visitors and natives alike and an enchanting visual tour of one of the greatest cities in the United States.

This is a comprehensive pictorial album of the fine colonial homes and plantation residences of Louisiana that were built in the flush financial times before the Civil War. This authoritative book is the result of three decades of photographing and dedicated research by Professor Overdyke and his wife.

History of homes that once stood on the battlefield. This guide examines the nine plantation homes present on the battlefield during the British campaign of 1814-15, the last major conflict of the War of 1812. Descriptions of each property include a history of ownership, firsthand narratives, period photographs, and illustrations.

The plantation homes of Louisiana were built by wealthy cotton and sugar planters, who vied with one another to create the most splendid residences in the years before the Civil War. This edition of the guide features descriptions of more than 250 significant houses in Louisiana, many dating from the days of French and Spanish rule. Seventy-one photographs highlight the finest structures.

From the Greek Revival grandeur of Belle Helene, to the Moorish fantasy of Longwood, to the simplicity of Rosella, the plantation homes of Louisiana and the Natchez area powerfully recall the brief flowering of the unique civilization of the Old South. In their noble façades, sculptured interiors, and scattered outbuildings can be seen the feudal splandor of the great cotton and sugar planters, and the doomed glory of the Confederate war effort. In these 120 resonant full-color photographs, David King Gleason fully captures the aura of Louisiana's plantation homes -- some beautiful in the morning light, some shaded by trees and hanging moss, some crumbling in decay and neglect. Taking each house on its own terms, Gleason's photographs present the buildings and their environs sharply and without deception. Accompanying the photographs are captions that give a brief architectural evaluation of each house and provide notes on its construction, history, and present condition. Gleason has organized his book as a journey along the waterways that were the lifeline of Louisiana's plantations, their link to New Orleans and to the markets and factories of the North. Beginning in the vicinity of New Orleans and the lower Mississippi, Gleason presents such houses as Evergreen, with its columns and twin circular staircases; the exuberant San Francisco; and Oak Alley, set at the end of a spectacular avenue of 28 oak trees. Continuing along the bayous that lead into the western part of the state, he shows us the palatial Madewoood, constructed from seasoned timbers and 60,000 slave-made bricks; the meticulously restored Shadows-on-the-Teche; the ramshackle Darby House; and Bubenzer, which served as a Union army headquarters during the Civil War.From Cane River country and north Louisiana, the photographs portray Magnolia, burned by Union troops and then rebuilt to its original specifications; Melrose, built in the early 1830s by a freed slave; and Oakland, the location for the Civil War movie The Horse Soldiers. Moving overland towards Natchez; the elaborate, octagonal Longwood; Rosemont, the boyhood home of Jefferson Davis; Oakley, where John James Audubon was once engaged as a tutor; and Rosedown, with its elaborate gardens.Continuing south of Baton Rouge along the River Road, Gleason closes his tour with homes including Mount Hope, built in the eighteenth century; Nottoway, the largest plantation home in the South, completed on the eve of the Civil War; Indian Camp, a leprosarium for most of its existence; and the pillared galleries of Belle Helene. The plantation homes of Louisiana were highly personal expressions of pride and faith in the future. Yet the building of these spectacular monuments was a brief phenomenon. In the wake of the Civil War, the South's economy was devoted to survival, not luxury. A tribute to the plantation home, David King Gleason's photographs reveal the beauty, grandeur, and poignance of these monuments.

This is the story of the rise, fall, and eventual resurrection of one of America's finest extant examples of West Indian Creole architecture and of the entire neighborhood of which it is an anchor. Through meticulous study of archives and archeology, the author presents fascinating insights on how residents of this working plantation actually lived. With concrete evidence, the author covers everything from cooking and cuisine to laundering and gardening. It is a story about buildings but also about people. Because pre-Civil War U.S. censuses never listed more than five enslaved persons, all of whom worked in the house, the plantation appears to have depended mainly on hired labor, both African American and Irish. Eventually these groups came to populate the new neighborhood, along with immigrants from Germany, and then by new migrants from the countryside.

You may think you know the South for its food, its people, its past, and its stories, but if there’s one thing that’s certain, it’s that the region tells far more than one tale. It is ever-evolving, open to interpretation, steeped in history and tradition, yet defined differently based on who you ask. This Is My South inspires the reader to explore the Southern States––Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Virginia––like never before. No other guide pulls together these states into one book in quite this way with a fresh perspective on can’t-miss landmarks, off the beaten path gems, tours for every interest, unique places to sleep, and classic restaurants. So come see for yourself and create your own experiences along the way!

"A celebration of the antebellum South, this beautiful book features more than one hundred full-color photographs of restored plantation homes. The collection is complete with updated information to reflect the status of these historic buildings in light of the damage from Hurricane Katrina in 2005. Gorgeous photography and informative text highlights the history and outstanding architectural features of each home."--Publisher description.

Described in an 1835 bill of sale as une belle maison, the Lombard plantation house is a rare survivor. Built in the early nineteenth century as a West Indian-style residence, it was the focal point of a large plantation that stretched deep into the cypress swamps of what is now New Orleans's Bywater neighborhood. Featuring the best Norman trussing in North America, it was one of many plantations homes and grand residences that lined the Mississippi downriver from the French Quarter. A working farm until the 1800s, its lands were eventually absorbed into the expanding city. After years of prosperity, the entire area of the Ninth Ward, now known as Bywater, sank into poverty and neglect. This is the story of the rise, fall, and eventual resurrection of one of America's finest extant examples of West Indian Creole architecture and of the entire neighborhood of which it is an anchor. Through meticulous study of archives and archeology, the author presents fascinating insights on how residents of this working plantation actually lived. With concrete evidence, the author covers everything from cooking and cuisine to laundering and gardening. It is a story about buildings but also about people. Because pre-Civil War US censuses never listed more than five enslaved persons, all of whom worked in the house, the plantation appears to have depended mainly on hired labor, both African American and Irish. Eventually these groups came to populate the new neighborhood, along with immigrants from Germany, and then by new migrants from the countryside. This book brings together artist John James Audubon; architect of the U.S. capital, Benjamin Henry Latrobe; Lee Harvey Oswald; and Fats Domino in an engrossing story, linking these and other colorful figures to the history of a beautiful, historic home in New Orleans. Profusely illustrated with heretofore unidentified historic photographs and plans, and with color images by master architectural photographer Robert S. Brantley, this book will equally interest inquisitive tourists and long-term residents of the Gulf South, historic preservationists, and urbanists in search of insights on successful redevelopment, architecture and history buffs, and enthusiasts of one of America's most beloved and storied cities.