Planet Claire Suite For Cello And Sad Eyed Lovers

The second installment in Ann Hood’s Gracie Belle imprint challenges the traditional solemnity that characterizes nonfiction books of grief, loss, and sorrow. “Few readers will fail to be gripped by this tragically common story about death and what comes after for those left behind . . . A haunting and thought-provoking consideration of death and ‘how utterly it rips apart our lives.'” —Kirkus Reviews, Starred Review Planet Claire is the story of the untimely death of the author’s wife and his candid account of the following year of madness and grief. As his life unravels, Porter analyzes his sadness with growing interest. He talks to Claire as if to evoke a presence, to mark a space for memory. He reports on his daily walks and shares observations of life’s sadness, while reminiscing about various moments in their life together. Like Orpheus, the author searches for a lost love, and what he finds is not the dog of doom but flashes of an intimate symmetry that brighten the darkest places of sorrow. The second title from Ann Hood’s Gracie Belle imprint, Planet Claire takes readers on a journey of sorrow that recalls memorable works by C.S. Lewis (A Grief Observed), Joan Didion (The Year of Magical Thinking), and Julian Barnes (Levels of Life). Porter’s memoir, however, is also playful, quirky, and self-ironic in a way that challenges the genre’s traditional solemnity. Like the novel Grief Is the Thing with Feathers by Max Porter, this is an unpredictably funny account of heartbreak, as if to say there’s something about the magnitude of loss that troubles even earnestness.

A new installment in best-selling author Ann Hood’s Gracie Belle imprint, actress Marianne Leone’s (The Sopranos, etc.) memoir explores how a bereaved couple and a pack of rescue dogs rediscovered joy IN FIVE-DOG EPIPHANY, MARIANNE LEONE writes about the joy that can be summoned after a great loss, "when you look into the eyes of another damaged creature and know that your happiness is a mirror and an echo and a prayer, and that the little soul reflecting all that energy is happy too, at last." This memoir is a moving and sometimes surprisingly funny exploration of grief and the mutual healing that can occur between rescue dogs and people who have experienced a soul-crushing loss. Leone and her husband, actor Chris Cooper, lost their only child suddenly in 2005. Jesse was seventeen, a straight-A student, and a brilliant poet, who was also quadriplegic and nonverbal except with the assistance of a computer. When six-year-old Jesse miraculously blurted "dog" to Santa, Goody appeared on his bed on Christmas morning. Goody was followed by Lucky, Frenchy, Titi, and Sugar, all rescues adopted after Jesse’s passing. After Jesse’s death, Leone grew a tumor the size of her premature son at birth, her husband disappeared into dark acting roles (Breach, Married Life), and Leone fainted during the filming of a scene in The Sopranos where she is standing in front of her television son’s coffin. This is the story of a bereaved couple and a pack of rescue dogs finding their way to a new life, everyone licking their wounds, both corporal and spiritual, and the rediscovery of joy.

Named a best book of the year by Entertainment Weekly, Time, and The Chicago Tribune, and named a notable book by The New York Times Book Review and The Washington Post “Remarkable . . . With this book [Wolitzer] has surpassed herself.”—The New York Times Book Review "A victory . . . The Interestings secures Wolitzer's place among the best novelists of her generation. . . . She's every bit as literary as Franzen or Eugenides. But the very human moments in her work hit you harder than the big ideas. This isn't women's fiction. It's everyone's."—Entertainment Weekly (A) From Meg Wolitzer, the New York Times–bestselling author of The Female Persuasion, a novel that has been called "genius" (The Chicago Tribune), “wonderful” (Vanity Fair), "ambitious" (San Francisco Chronicle), and a “page-turner” (Cosmopolitan). The summer that Nixon resigns, six teenagers at a summer camp for the arts become inseparable. Decades later the bond remains powerful, but so much else has changed. In The Interestings, Wolitzer follows these characters from the height of youth through middle age, as their talents, fortunes, and degrees of satisfaction diverge. The kind of creativity that is rewarded at age fifteen is not always enough to propel someone through life at age thirty; not everyone can sustain, in adulthood, what seemed so special in adolescence. Jules Jacobson, an aspiring comic actress, eventually resigns herself to a more practical occupation and lifestyle. Her friend Jonah, a gifted musician, stops playing the guitar and becomes an engineer. But Ethan and Ash, Jules’s now-married best friends, become shockingly successful—true to their initial artistic dreams, with the wealth and access that allow those dreams to keep expanding. The friendships endure and even prosper, but also underscore the differences in their fates, in what their talents have become and the shapes their lives have taken. Wide in scope, ambitious, and populated by complex characters who come together and apart in a changing New York City, The Interestings explores the meaning of talent; the nature of envy; the roles of class, art, money, and power; and how all of it can shift and tilt precipitously over the course of a friendship and a life.

THE NEW YORK TIMES BESTSELLING SERIES! DC Icons continues with the first-ever YA origin story of superhero Black Canary, from the internationally bestselling author Alexandra Monir. In this thrilling novel, Dinah Lance's voice is her weapon. And in a near-future world where women have no rights, she won't hesitate to use everything she has--including her song--to fight back. Dinah Lance was eight years old when she overheard the impossible: the sound of a girl singing. It was something she was never meant to hear--not in her lifetime and not in Gotham City, taken over by the vicious, patriarchal Court of Owls. The sinister organization rules Gotham City as a dictatorship and has stripped women of everything--their right to work, to make music, to learn, to be free. Now seventeen, Dinah can't forget that haunting sound, and she's beginning to discover that her own voice is just as powerful. But singing is forbidden--a one-way route to a certain death sentence. Fighting to balance her father's desire to keep her safe, a blossoming romance with mysterious new student Oliver Queen, and her own need to help other women and girls rise up, Dinah wonders if her song will finally be heard. And will her voice be powerful enough to destroy the Court of Owls once and for all?

Revolutionary flames ignite around Annie, Lee, and a brand new character in the follow-up to Fireborne--now in paperback! After fleeing the revolution and settling into the craggy cliffs of New Pythos, the dragonlords are eager to punish their usurpers and reclaim their city. Their first order of business was destroying the Callipolan food supply. Now they're coming for the dragonriders. Annie is Callipolis's new Firstrider, charged with leading the war against New Pythos. But with unrest at home, enforcing the government's rationing program risks turning her into public enemy number one. Lee struggles to find his place after killing kin for a leader who betrayed him. He can support Annie and the other Guardians . . . or join the rebels who look to topple the new regime. Griff, a lowborn dragonrider who serves New Pythos, knows he has no future. And now that Julia Stormscourge is no longer there to protect him, he is called on to sacrifice everything for the lords that oppress his people--or to forge a new path with the Callipolan Firstrider seeking his help. With famine tearing Callipolis apart and the Pythians determined to take back what they lost, it will be up to Annie, Lee, and Griff to decide who--and what--to fight for.

A sumptuously illustrated adaptation casts the powerful imagery of F. Scott Fitzgerald’s great American novel in a vivid new format. From the green light across the bay to the billboard with spectacled eyes, F. Scott Fitzgerald’s 1925 American masterpiece roars to life in K. Woodman-Maynard’s exquisite graphic novel—among the first adaptations of the book in this genre. Painted in lush watercolors, the inventive interpretation emphasizes both the extravagance and mystery of the characters, as well as the fluidity of Nick Carraway’s unreliable narration. Excerpts from the original text wend through the illustrations, and imagery and metaphors are taken to literal, and often whimsical, extremes, such as when a beautiful partygoer blooms into an orchid and Daisy Buchanan pushes Gatsby across the sky on a cloud. This faithful yet modern adaptation will appeal to fans with deep knowledge of the classic, while the graphic novel format makes it an ideal teaching tool to engage students. With its timeless critique of class, power, and obsession, The Great Gatsby Graphic Novel captures the energy of an era and the enduring resonance of one of the world’s most beloved books.

The fourth book in the beloved Poppy series by Newbery Medal–winning author Avi, with illustrations from Caldecott Medal–winning artist Brian Floca, is available as an ebook for the first time! Erethizon Dorsatum—better known as Ereth, the self-centered, foul-tempered old porcupine—is having a birthday. And he fully expects his best friend Poppy, a deer mouse, to help him celebrate in a grand manner. But Poppy has gone off somewhere with her husband, Rye, and it appears she has forgotten all about it. "Belching Beavers," says Ereth, "I am not angry!" (Though, perhaps he is—and more than just a little.) Ereth knows his special occasion deserves a special treat—even if he has to get it for himself. And what treat could be more special than tasty salt? But the nearest salt is located deep in the forest, in a cabin occupied by fur hunters, who have set out traps to capture the Dimwood Forest animals. In one of the traps, Ereth finds Leaper the Fox—who, with her dying breath, begs the prickly porcupine to take care of her three boisterous young kits, Tumble, Nimble, and Flip. "Jellied walrus warts!" Ereth exclaims, but reluctantly agrees. Certainly this day is not going as he planned—and it's only just the beginning! Not only does Ereth suddenly have a rambunctious new family to take care of, but he's being stalked by Marty the Fisher, the one creature in Dimwood Forest who can do him harm. And Bounder, the father of the three little foxes, remembers all too well the nose full of quills he got a while back from the grumpy old animal who now fancies himself the leader of the den. He too sets out to show Ereth who's boss. Throw in an unexpected snowstorm, and all in all, it adds up to one birthday Ereth the porcupine is never going to forget, not even if he lives to be a hundred and twenty-two!

'Part-detective story, part-cultural snapshot . . . all bound by Gibson's pin-sharp prose' Arena -------------- THE FIRST NOVEL IN THE BLUE ANT TRILIOGY - READ ZERO HISTORY AND SPOOK COUNTRY FOR MORE Cayce Pollard has a new job. She's been offered a special project: track down the makers of an addictive online film that's lighting up the internet. Hunting the source will take her to Tokyo and Moscow and put her in the sights of Japanese hackers and Russian Mafia. She's up against those who want to control the film, to own it - who figure breaking the law is just another business strategy. The kind of people who relish turning the hunter into the hunted . . . A gripping spy thriller by William Gibson, bestselling author of Neuromancer. Part prophesy, part satire, Pattern Recognition skewers the absurdity of modern life with the lightest and most engaging of touches. Readers of Neal Stephenson, Ray Bradbury and Iain M. Banks won't be able to put this book down. -------------- 'Fast, witty and cleverly politicized' Guardian 'A big novel, full of bold ideas . . . races along like an expert thriller' GQ 'Dangerously hip. Its dialogue and characterization will amaze you. A wonderfully detailed, reckless journey of espionage and lies' USA Today 'A compelling, humane story with a sympathetic heroine searching for meaning and consolation in a post-everything world' Daily Telegraph 'Electric, profound. Gibson's descriptions of Tokyo, Russia and London are surreally spot-on' Financial Times

From Archibald MacLeish to David Sedaris, radio storytelling has long borrowed from the world of literature, yet the narrative radio work of well-known writers and others is a story that has not been told before. And when the literary aspects of specific programs such as The War of the Worlds or Sorry, Wrong Number were considered, scrutiny was superficial. In Lost Sound, Jeff Porter examines the vital interplay between acoustic techniques and modernist practices in the growth of radio. Concentrating on the 1930s through the 1970s, but also speaking to the rising popularity of today's narrative broadcasts such as This American Life, Radiolab, Serial, and The Organist, Porter's close readings of key radio programs show how writers adapted literary techniques to an acoustic medium with great effect. Addressing avant-garde sound poetry and experimental literature on the air, alongside industry policy and network economics, Porter identifies the ways radio challenged the conventional distinctions between highbrow and lowbrow cultural content to produce a dynamic popular culture.

“Rarely do memoirs of grief combine anguish, love, and fury with such elegance.” —Entertainment Weekly A moving and remarkable memoir about the sudden death of a daughter, surviving grief, and learning to love again.