Pink Samurai

This extraordinary book reveals the exotic realm of the Water Trade--a world of bars and brothels, love hotels, baths and massage parlors, theaters and strip shows--and takes American readers on their first tour of Japan's sexual mores and practices. 8-page insert.

A young ninja wants a snowball fight for Christmas, and he just might get his holiday wish in this picture book with graphic novel–inspired illustrations that celebrate the spirit of giving, Samurai style. It’s snowing on Christmas Eve! Yukio loves snowball fights, but none of the other ninjas will play with him for fear of landing on Santa’s naughty list. Can Yukio chase Santa away from Ninja Village, or will a Samurai Santa thwart Yukio’s plan? An epic snowball fight later, one thing’s for sure: this is going to be Yukio’s best Christmas ever.

Called “remarkable” (The Wall Street Journal) and “an ambitious, colossal debut novel” (Publishers Weekly), Helen DeWitt’s The Last Samurai is back in print at last Helen DeWitt’s 2000 debut, The Last Samurai, was “destined to become a cult classic” (Miramax). The enterprising publisher sold the rights in twenty countries, so “Why not just, ‘destined to become a classic?’” (Garth Risk Hallberg) And why must cultists tell the uninitiated it has nothing to do with Tom Cruise? Sibylla, an American-at-Oxford turned loose on London, finds herself trapped as a single mother after a misguided one-night stand. High-minded principles of child-rearing work disastrously well. J. S. Mill (taught Greek at three) and Yo Yo Ma (Bach at two) claimed the methods would work with any child; when these succeed with the boy Ludo, he causes havoc at school and is home again in a month. (Is he a prodigy, a genius? Readers looking over Ludo’s shoulder find themselves easily reading Greek and more.) Lacking male role models for a fatherless boy, Sibylla turns to endless replays of Kurosawa’s masterpiece Seven Samurai. But Ludo is obsessed with the one thing he wants and doesn’t know: his father’s name. At eleven, inspired by his own take on the classic film, he sets out on a secret quest for the father he never knew. He’ll be punched, sliced, and threatened with retribution. He may not live to see twelve. Or he may find a real samurai and save a mother who thinks boredom a fate worse than death.

Even though he has only one leg, Niya Moto is studying to be a samurai, and his five fellow-students are similarly burdened, but sensei Ki-Yaga, an ancient but legendary warrior, teaches them not only physical skills but mental and spiritual ones as well, so that they are well-equipped to face their most formidable opponents at the annual Samurai Games.

Painstakingly researched, 30 accurate, detailed illustrations depict the samurai and the tools of their trade: koshozan helmets, armor of metal and leather, su-yari spears, a wall-gun, and other weaponry used on horseback, at sea, and in training.

The Themed Space: Locating Culture, Nation, and Self is the first edited collection focused on the significance of the theme space. The first section of the text discusses the ways in which theming acts as a form of authenticity. Included are articles on the theme park Dollywood, the historic Coney Island, the uses of theming in Flagstaff, Arizona, and the Las Vegas Strip. Section two considers theming as a reflection of nation, and its authors focus on Chinese theme parks and shopping malls, the Lost City theme park in South Africa, and the Ain Diab resort district in Casablanca. The third section of the book illustrates how theming often targets the person—whether famous or everyday. The authors look at spaces ranging from the Liverpool John Lennon Airport, love hotels in Japan, and the Houston, Texas theme park AstroWorld. The final section emphasizes theming as a projection of the mind and psychology. The authors focus on behind-the-scenes tourism at Universal Studios and the Ford Rouge Factory Tour, the use of theming in unexpected spaces like Florida themed clinics, theming in virtual reality spaces of video games, and the social controversies related to theming in various parts of the world. The book includes a comprehensive bibliography on theming and a list of key terms. The Themed Space is of great interest to students of all levels and scholars of anthropology, urban studies and sociology.

Few Westerners escape the images, expectations and misperceptions that lead us to see Asia as exotic, sensual, decadent, dangerous, and mysterious. Despite - and because of centuries of East-West interaction, the stereotypes of Western literature, stage, and screen remain pervasive icons: the tea-pouring, submissive, sexually available geisha girl; the steely cold dragon lady dominatrix; as well as the portrayal of the Asian male as effeminate and asexual. These "Oriental" illusions color our relations and relationships in ways even well-respected professional "Asia hands" and scholars don't necessarily see.The Asian Mystique lays out a provocative challenge to see Asia and Asians as they really are, with unclouded, deeroticized eyes. It traces the origins of Western stereotypes in history and in Hollywood, examines the phenomenon of 'yellow fever,' then goes on a reality tour of Asia's go-go bars, middle-class homes, college campuses, business districts, and corridors of power, providing intimate profiles of women's lives and vivid portraits of the human side of an Asia we usually mythologize too well to really understand. It strips away our misconceptions and stereotypes, revealing instead the fully dimensional human beings beyond our usual perceptions. The Asian Mystique is required reading for anyone with interest in or interaction with Asia or Asian-origin people, as well as any serious student or practitioner of East-West relations.

MUSHA-E ("warrior pictures") constitute one of the major and most dynamic sub-genres of ukiyo-e, the populist art of 19th century Japan. From Hokusai to Kyosai, virtually all of ukiyo-e's greatest artists created musha-e, in particular Kuniyoshi and Yoshitoshi. It was Kuniyoshi who, inspired by the likes of Hokusai, Kunisada and Toyokuni, popularized the warrior print with his series 108 Suikoden Heroes in 1827. In his wake came Yoshitora, Yoshikazu, Yoshitsuya, Yoshiiku, Kuniteru, Kunichika, Toyonobu, Nobukazu, and many other classic artists, forming a body of dazzling, often bloody works which span the 19th century. "The Savage Samurai" presents 300 rare and exceptional Japanese warrior prints, presented in full-page format and full colour throughout. These pictures are collected in the same volume for the first time ever, forming a definitive introduction to ukiyo-e's most visually arresting and exciting sub-genre. The Ukiyo-e Master Series: presenting seminal collections of art by the greatest print-designers and painters of Edo-period and Meiji-period Japan.

Fran Lloyd focuses on the resurgence in the imaging of sex and consumerism in contemporary Japanese art and the connections they establish with the wider historical, social and political conditions within Japanese culture.

I am Kozaisho: Fifth daughter, Woman-For-Play, teller of stories, lover, wife and Flower Samurai. In the rich, dazzling, brutal world of twelfth century Japan, one young girl begins her epic journey, from the warmth of family to the Village of Outcasts. Marked out by an auspicious omen, she is trained in the ancient warrior arts of the samurai. But it is through the power of storytelling that she learns to fight her fate, twisting her life onto a path even she could not have imagined...