Pieces Of Georgia

In journal entries to her mother, a gifted artist who died suddenly, thirteen-year-old Georgia McCoy reveals how her life changes after she receives an anonymous gift membership to a nearby art museum.

Like her mother, Georgia McCoy is an artist, but her dad looks away whenever he sees her with a sketchbook. Sometimes it’s hard to remember what it was like when her mother was still alive . . . when they were a family . . . when they were happy. But then a few days after her 13th birthday, Georgia receives an unexpected gift–a strange, formal letter, all typed up and signed anonymous–granting her free admission to the Brandywine River Museum for a whole year. And things begin to change. An accessible novel in poems, Pieces of Georgia offers an endearing protagonist–an aspiring artist, a grieving daughter, a struggling student, a genuine friend–and the poignant story of a broken family coming together.

Neat Pieces is a detailed, extensively illustrated survey of the major forms and makers of the "plain style" of furniture made and used by Georgians in the 1800s. Simply designed, solidly constructed of local woods, and usually unadorned, such pieces were used daily by their owners for storage, sleeping, eating, and more. Today, this furniture is read by historians, folklorists, and other experts for clues into a past way of life. It is also prized by museums, antiques dealers and auction houses, and furniture appraisers, collectors, and makers. Neat Pieces first appeared as the companion volume to the Atlanta History Center's seminal 1983 exhibit of the same name. The exhibit featured 126 exemplary pieces of furniture, including chairs, tables, huntboards, washstands, and candlestands. Each of them is described and illustrated in this book. Photographs in the original edition of Neat Pieces were black-and-white; here they are color. A new foreword by Deanne Levison looks at related publications and exhibits of the subsequent two decades. The introduction, by William W. Griffin, provides information on furniture forms, nomenclature, and finishes. Also included in the book is a list of more than twelve hundred nineteenth-century Georgia furniture craftsmen, with key details of their lives and work. 126 exemplary pieces of furniture (including chairs, tables, huntboards, washstands, and candlestands) 172 color photographs, 17 black-and-white photographs Information on furniture forms, nomenclature, and finishes Details about more than twelve hundred nineteenth-century Georgia furniture craftsmen

A unique collection of Georgia's contemporary poets and photographers that engages the history and culture of the state, while serving as a document of some of the best and most powerful pieces penned by Georgia poets and images shot by Georgia photographers in recent years.

NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.

The 1899 lynching of Sam Hose in Newnan, Georgia, was one of the earliest and most gruesome events in a tragic chapter of U.S. history. Hose was a black laborer accused of killing Alfred Cranford, a white farmer, and raping his wife. The national media closely followed the manhunt and Hose’s capture. An armed mob intercepted Hose’s Atlanta-bound train and took the prisoner back to Newnan. There, in front of a large gathering on a Sunday afternoon, Hose was mutilated and set on fire. His body was dismembered and pieces of it were kept by souvenir hunters. Born and raised twenty miles from Newnan, Edwin T. Arnold was troubled and fascinated by the fact that this horrific chain of events had been largely shut out of local public memory. In "What Virtue There Is in Fire," Arnold offers the first in-depth examination of the lynching of Sam Hose. Arnold analyzes newspapers, letters, and speeches to understand reactions to this brutal incident, without trying to resolve the still-disputed facts of the crime. Firsthand accounts were often contradictory, and portrayals of Hose differed starkly--from "black beast" to innocent martyr. Arnold traces how different groups interpreted and co-opted the story for their own purposes through the years. Reflecting on recent efforts to remember the lynching of Sam Hose, Arnold offers the portrait of a place still trying to reconcile itself, a century later, to its painful past.

Wally Lamb meets Steel Magnolias in this story of LilyAnn Bronte, the Peachy-Keen Queen, which in Blessings, Georgia, was epitome of success. Those were the best days of her life... "Poor LilyAnn," the local ladies lament. "She sure is stuck in the past." Eleven years ago, LilyAnn Bronte was the Peachy-Keen Queen of Blessings, Georgia—the prettiest, smartest, and most popular girl in town, going steady with the star quarterback, a high school career on the fast track to success. Then Randy Joe was killed in Iraq, and somehow LilyAnn just let herself go to seed. Ruby, Mabel Jean, Vera, and Vesta of the Curl Up and Dye have been itching to give LilyAnn a makeover, but she knows it would make more than a new hairstyle for her to get her life back. Until one fateful day, when a handsome stranger roars into town, and LilyAnn has a revelation. Maybe the best is yet to come... Praise for Color Me Bad: "This is Southern fiction at its absolute best! I, for one, can't wait to visit Blessings, Georgia again!"—Sharon's Garden of Book Reviews Praise for Sharon Sala: "Sharon Sala is one of those gifted writers able to touch your heart."—Night Owl Reviews "Sala [has a] rare ability to bring powerful stories to life."—RT Book Reviews "Ms. Sala's characters are so well created...I could tear myself apart."—Long and Short Reviews

Pieces of the Frame is a gathering of memorable writings by one of the greatest journalists and storytellers of our time. They take the reader from the backwoods roads of Georgia, to the high altitude of Ruidoso Downs in New Mexico; from the social decay of Atlantic City, to Scotland, where a pilgrimage for art's sake leads to a surprising encounter with history on a hilltop with a view of a fifth of the entire country. McPhee's writing is more than informative; these are stories, artful and full of character, that make compelling reading. They play with and against one another, so that Pieces of the Frame is distinguished as much by its unity as by its variety. Subjects familiar to McPhee's readers-sports, Scotland, conservation-are treated here with intimacy and a sense of the writer at work.

"The introductory text of this book traces Georgia's long cultural history from its archaeological beginnings to the present. Twenty-three essays by scholars from all over the world give a vivid portrayal of Georgia's heritage in history, literature and manuscript production, archaeology and art throughout prehistoric, classical and Christian periods up to the Early Modern Era. Over 150 objects are presented and their range is vast: Neolithic ceramics, intricately worked Bronze and Iron Age gold and silver, Greek and Roman jewellery, richly illuminated manuscripts, medieval paintings, cloisonne enamel and gold repousse work, and embroidery are illustrated."--Jacket.

Sometimes we have to face the unimaginable...sometimes life changes direction and we have no choice but to walk away from the familiar and head into the unknown landscape of a different future.Georgia, a mother of three young boys, does just this after she discovers something she cannot live with. A 'coming of age' story in later life, which will keep you gripped, have you laughing and shedding tears, as Georgia starts over with her best friend, Thalia, by her side. But most of all you will be screaming encouragement as she challenges herself, emotionally and intellectually, on her journey to new beginnings.This semi-biographical story, will stay with you for a long time as Georgia mends her broken pieces of tomorrow. With determination and resilience she does everything she can...through tears and thrills to learn to love again...and live again...on her terms. If you like a pacy story with a touch of realism and characters and descriptions that jump off the page, then this book is for you...happy reading.