Piece

Graffiti goes global in this third volume of never-before-published blackbook drawings from writers around the world. Like the hugely successful volumes it follows, this latest collection mimics that most valuable of graffiti gear--the blackbook. Nearly 150 private drawings by top artists from every corner of the globe are featured in this volume. Mirroring the revolutionary format of their previous books Piecebook and Piecebook Reloaded, Jenkins's and Villorente's World Piecebook presents rare and personal illustrations straight from the collections of artists such as Atome, Demote, and Casino from Australia; Kas and Resm from Belgium; Swet, Bates, and Rens from Denmark; Virus, Zek, and Bacon from Canada; Lunar and Dock from Croatia; Oker, Drax, and Zombie from England; Lemon and Angel from Serbia; Os Gemeos, Nami, and Rio from Brazil; Dare and Ders from Switzerland; Shiro, Sniper, and Nezm from Japan; Rek, Ske, and Blend from Puerto Rico, and more. With an introduction by Sacha Jenkins, World Piecebook will be a must-have book for graffiti writers and their fans around the globe.

"A woman receives an unexpected call from a former classmate asking for help deciphering a puzzling interaction, and from there, Smith spins out a broader story about loneliness, refuge and freedom.” —The New York Times Book Review “Lyrical and timely…Smith’s novel will push readers to consider what it means to let people into your life, even when you don’t want to.” —TIME A story is never an answer. A story is always a question. A day spent locked in a room by border officials without any explanation as to why. A riddle that seemingly has no answer: curlew or curfew, you choose. A phone call from a college friend who hasn't been in touch in years. And all of it is somehow inextricably linked to the life of a young blacksmith hounded from her trade and branded a vagrant nearly 500 years ago. Award-winning author Ali Smith shines a guiding light through the nightmarish now with a provocative novel that intertwines our atomized present and the uncannily parallel era of the Black Plague. In the hope that our medieval past may unlock the answers we seek to understand our hazy future, Companion Piece is a kaleidoscope of human history and experience, and a stunning addition to Smith's gorgeous canon.

Adventure on the high seas with the wackiest band of pirates around! Nobody believes Monkey D. Luffy when he says he's going to be King of the Pirates. For starters, he doesn't even have a boat. Or a crew! And his first choice for a crewmember is Rorona Zolo, a pirate hunter and a prisoner in the hands of the navy. Even if Luffy can make it onto the navy base and past the guards, he'll still be face-to-face with Zolo-the most famous pirate hunter in history. Is Luffy as foolish as everyone thinks? Or does he have some unexpected tricks up his sleeve?

"You will find my story is a lot like pie, a strawberry-rhubarb pie. It's bitter. It's messy. It's got some sweetness, too. Sometimes the ingredients get added in the wrong order, but it has substance, it will warm your insides, and even though it isn't perfect, it still turns out okay in the end." When journalist Beth M. Howard's young husband dies suddenly, she packs up the RV he left behind and hits the American highways. At every stop along the way—whether filming a documentary or handing out free slices on the streets of Los Angeles—Beth uses pie as a way to find purpose. Howard eventually returns to her Iowa roots and creates the perfect synergy between two of America's greatest icons—pie and the American Gothic House, the little farmhouse immortalized in Grant Wood's famous painting, where she now lives and runs the Pitchfork Pie Stand. Making Piece powerfully shows how one courageous woman triumphs over tragedy. This beautifully written memoir is, ultimately, about hope. It's about the journey of healing and recovery, of facing fears, finding meaning in life again, and moving forward with purpose and, eventually, joy. It's about the nourishment of the heart and soul that comes from the simple act of giving to others, like baking a homemade pie and sharing it with someone whose pain is even greater than your own. And it tells of the role of fate, second chances and the strength found in community.

It was missing a piece. And it was not happy. So it set off in search of its missing piece. And as it rolled it sang this song -Oh I'm lookin' for my missin' piece I'm lookin' for my missin' piece Hi-dee-ho, here I go, Lookin' for my missin' piece. What it finds on its search for the missing piece is simply and touchingly told in this fable that gently probes the nature of quest and fulfillment.

A powerful and thought-provoking look at "reunions" of all kinds as roads to remembering and re-membering ourselves. "Reunions with people, places, things, and ourselves happen every day around us and within us. Whether to participate or not will always be your choice." --from the Introduction Explore humankind's timeless, universal and deeply spiritual desire to reunite for the sake of healing and wholeness. Whether we wander far from home or reminisce from our favorite armchair, people of all faiths or none whatsoever undertake journeys to remember, restore and re-member the missing pieces of our stories, psyches and souls: Do you occasionally Google a person from your past in hopes of "catching up"? Do you leaf through old address books to try to call someone for the first time in decades? When you visit gravesites or memorials, can you pinpoint what drew you there? Have you felt an urge to revisit your birthplace or travel to your ancestors' homelands? Do you feel compelled to attend an upcoming high school, family or other reunion? If not, why not? Delve deeply into ways that your body, mind and spirit answer the Spirit of Re-union's calls to reconnect with people, places, things and self.

This title explores the shadowy world of the short, pornographic cut-piece clips that appear in some films in Bangladesh and examines their place in South Asian film culture. It provides a portrait of the production, consumption and cinematic pleasures of stray celluloid and shines a light on Bangladesh's state-owned film industry and popular practices of the obscene. The book also reframes conceptual approaches to South Asian cinema and film culture, drawing on media anthropology to decode the cultural contradictions of Bangladesh since the 1990s.