Picturing The First Castaway

Early Readers are stepping stones from picture books to reading books. A blue Early Reader is perfect for sharing and reading together. A red Early Reader is the next step on your reading journey. Miranda is on a desert island - all by herself! Luckily she has some very clever ideas... A full-colour blue Early Reader edition of this classic story, written and illustrated by James Mayhew.

A storm, a shipwreck, an ongoing ocean, then finally, finally a deserted isle. . . . Safety -- but wait! The fifteen swimmers braving the waves are, after all . . . kitties. They are not into cooperating until, until on this desert isle they must. Here, from the creators of the witty Old Cricket, comes a wily, wise saga of sogginess, a feline fantasy about drying off (elegantly), shaping up (grumpily), getting along (at last), and loving it.

This is a fictional story of a woman growing up in Villefranche, France. She had always been unhappy with her marriage, which was arranged for her. Running away from this marriage, she followed her dream to travel the world, only to fall in love. This story contains deceit, adventure, love and romance.

Picturing the Invisible presents different disciplinary approaches to articulating the invisible, that which is not known or that which is not provable. The challenge that we have seen is how to articulate these concepts, not only to those within a particular academic field but beyond, to other disciplines and society at large. As our understanding of the complexity of the world grows incrementally, so does our realisation that issues and problems can rarely be resolved within neat demarcations. Therefore, the importance of finding means of communicating across disciplines and fields becomes a priority. Whilst acknowledging the essential importance of the specialist academic, the capacity to understand other disciplines, their priorities, methodologies and even the language used can become crucial in being an effective instrument for change. This book brings together insights from leading academics from a wide range of disciplines including Art and Design, Curatorial Practice, Literature, Forensic Science, Medical Science, Psychoanalysis and Psychotherapy, Philosophy, Astrophysics and Architecture with a shared interest in exploring how, in each discipline, we strive to find expression for the invisible or unknown, and to draw out and articulate some of the explicit and tacit ways of communicating those concepts that transcend traditional disciplinary boundaries.

This book includes interviews with Ken Anderson, Les Clark, Larry Clemmons, Jack Cutting, Don Duckwall, Marcellite Garner, Harper Goff, Floyd Gottfredson, Dick Huemer, Wilfred Jackson, Eric Larson, Clarence Nash, Ken O'Connor, Herb Ryman, and Ben Sharpsteen. Walt Disney created or supervised the creation of live-action films, television specials, documentaries, toys, merchandise, comic books, and theme parks. His vision, however, manifested itself first and foremost in his animated shorts and feature-length cartoons, which are loved by millions around the world. Working with Walt: Interviews with Disney Artists collects revealing conversations with animators, voice actors, and designers who worked extensively with Disney during the heyday of his animation studio. The book includes fifteen interviews with artists who directed segments of such classic animated features as Dumbo and Fantasia. Some interviewed were part of Disney’s famed team dubbed “The Nine Old Men of Animation,” and some worked closely with Disney on Steamboat Willie, his first cartoon with sound. Among the subjects the interviewees discuss are the studio’s working environment, the high-water mark of animation during Hollywood's Golden Age, and Disney’s mixture of childlike charm and hard-nosed business drive. Through these voices, Don Peri preserves an account of the Disney magic from those who worked closely with him.

Cast Away began in 1994 when Fox executive Elizabeth Gabler told me that Tom Hanks thought there might be a movie in the story of a modern man stranded on a desert island...which Tom jokingly called 'Chuck of the Jungle'. So begins William Broyles, Jr.'s fascinating introduction, written exclusively for this book, about the process and challenges inherent in writing a screenplay that was not, by design, going to have a lot of dialogue in it, and about his collaboration with two extraordinarily gifted artists, actor Tom Hanks and director Robert Zemeckis. Broyles's introduction shows how a movie and its story evolve, shift, and shape while the creators grapple with all manner of internal and external choices: from developing what was Tom Hanks's idea into a story, and building a narrative structure and thematic threads into a screenplay, to researching the details of the specific - and ironic - situation of a FedEx executive stranded on a desert island.

Now you can enjoy your favorite seagull in a one book collection. This edition includes both SeaGully classics: SeaGully, and the sequel, SeaGully Castaway.

THE SHOCKING STORY OF A DESERT ISLAND DREAM THAT WENT SOUR 'Writer seeks "wife" for a year on tropical island.' The opportunity to escape from it all was irresistible. Lucy Irvine answered the advertisement - and found herself alone on a remote desert island with a 'husband' she hardly knew. Lucy Irvine fell in love with the seductive, if cruel, beauty of that untouched Eden, whose power to enslave and enchant her never slackened throughout the whole of her amazing adventure. Uncompromisingly candid and sometimes shocking, Castaway is her compulsively readable account of a desert island dream which threatened to turn into a nightmare of illness, thirst and personal antipathy. Now a film by Nicholas Roeg starring Amanda Donohoe and Oliver Reed,