Pictured Palestine

Winner 'Best Arab Cuisine Book' - Gourmand World Cookbook Awards 2016. Palestinian food is not just found on the streets with the ka'ak (sesame bread) sellers and stalls selling za'atar chicken and mana'eesh (za'atar sesame bread), but in the home too; in the kitchens all across the country, where families cook and eat together every day, in a way that generations before them have always done. Palestine on a Plate is a tribute to family, cooking and home, made with the ingredients that Joudie's mother and grandmother use, and their grandmothers used before them. - old recipes created with love that bring people together in appreciation of the beauty of this rich heritage. Immerse yourself in the stories and culture and experience the wonderful flavours of Palestine through the food in this book.

Uses a comic book format to shed light on the complex and emotionally-charged situation of Palestian Arabs, exploring the lives of Israeli soldiers, Palestian refugees, and children in the Occupied Territories.

In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. Screen Shots studies this phenomenon from the vantage point of the Israeli occupation of Palestinian territories. Here, cameras have proliferated as political tools in the hands of a broad range of actors and institutions, including Palestinian activists, Israeli soldiers, Jewish settlers, and human rights workers. All trained their lens on Israeli state violence, propelled by a shared dream: that advances in digital photography—closer, sharper, faster—would advance their respective political agendas. Most would be let down. Drawing on ethnographic work, Rebecca L. Stein chronicles Palestinian video-activists seeking justice, Israeli soldiers laboring to perfect the military's image, and Zionist conspiracy theorists accusing Palestinians of "playing dead." Writing against techno-optimism, Stein investigates what camera dreams and disillusionment across these political divides reveal about the Israeli and Palestinian colonial present, and the shifting terms of power and struggle in the smartphone age.

First published in 1995, this acclaimed study challenges generally accepted truths of the Israel-Palestine conflict as well as much of the revisionist literature. This new edition critically reexamines dominant popular and scholarly images in the light of the current failures of the peace process.

This stunning book of photographs captures the graffiti and art that have transformed Israel's wall into a living canvas of resistance and solidarity. Featuring the work of artists Banksy, Ron English, Blu, and others, as well as Palestinian artists and activists, these photographs express outrage, compassion, and touching humor. They illustrate the wall's toll on lives and livelihoods, showing the hardship it has brought to tens of thousands of people, preventing their access to work, education, and vital medical care. Mixed with the images are portraits and vignettes, offering a heartfelt and inspiring account of a people determined to uphold their dignity in the face of profound injustice.

An unforgettable photographic journal of the "shadows" of the Arab world--at turns invisible, unknown, and threatening to some--this work gathers images of the Palestinians during the first few months of 1988 when the intifada was beginning to gain momentum. We have come to visually associate the terms "intifada" and "Palestinian" solely with images of young men wrapped in kafiyyehs hurling rocks at Israeli soldiers. The photos gathered here are different. They grant us the rare opportunity to see facets of the Palestinians not portrayed in the popular media: the beauty of the land, the life of the sheepherders, the joy of the children, the quiet defiance of the elders, the dignity they all salvage. From 1981 to 1987 George Azar chronicled the Israeli invasion of Lebanon, the destruction of the U.S. Marine compound, the civil insurrection in West Beirut, the Iran-Iraq War and the interfactional war among the Palestinians in North Lebanon. He saw gun battles and deaths so numerous that his memory of them has become a blur. Leaving the horror of Beirut, Damour, and Tripoli behind, he resisted the thought of going back. But in early January 1988, news reports showed the people of the refugee camps, the villages, and the towns in the West Bank and the Gaza Strip taking to the streets. He returned to the occupied territories later that month and began taking these pictures. This book bears witness to Palestinian lives and by doing so gives the Other a human face. The texts that accompany the photographs are taken from eyewitness testimonies, open letters, news clippings, interviews, and Arabic poetry. An introductory essay by Ann M. Lesch describes the genesis of the intifada movement and its interactions with the Israeli government. Despite death, deportation, and the destruction of their homes, the Palestinians remain steadfast, convinced that one day the horror of military occupation will end and they will be able to live once again. This work is a testament to that conviction.