Piano Concerto No 20 In D Minor K 466

A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.

(Faber Piano Adventures ). The 2nd Edition Primer Theory Book provides important reinforcement and creative application of basic theory concepts. Students will enjoy note-naming with StoryRhymes, exploring improvisation, and engage with eye-training and ear-training activities all within a fun-filled context tied thematically to the Primer Lesson Book pieces.

Mozart wrote his Piano Concerto in D minor, K466, for his subscription concerts held during the Lenten season of 1785. According to the entry in his own autograph catalogue of works, it was completed on 10 February 1785 and given its premiere one day later. Leopold Mozart, then visiting in Vienna, mentioned the piece in a letter of 14 February to his daughter: An excellent new piano concerto by Wolfgang was being written out by the copyist when we arrived, and your brother had not even had time to play through the Rondo as he had to supervise the work of copying. This Urtext edition of the concerto (with orchestral accompaniment arranged for second piano - 2 copies required for performance) has been edited by world-renowned musicologist Christoph Wolff together with pianist Christian Zacharias. Contains the cadenzas (WoO58) by Beethoven, who gave the first public performance of the concerto in Vienna, in appendix.

Expertly arranged piano solo for any early intermediate piano student.

Considered two of Mozart's most important, far-reaching, and richly inventive piano concertos, the D minor, K466, and the C major, K467, represent the composer at his creative peak. Never before had Mozart so intensely explored the concerto form with its inherent struggle of one individual voice against many. And yet the two works are very different the D minor, tragic and intense; the C major, majestic and grand. Both are published here in full score with bar-numbered movements. Ideal for study in the classroom, at home, or in the concert hall, this affordable, high-quality, conveniently sized volume will be the edition of choice for music students and music lovers alike."

Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!