Philip Of Spain

Reassesses King Philip II's reputation as narrow-minded tyrant, describes the major events of his reign, and presents a more rounded depiction of his personality

The Spanish Armada conjures up images of age-old rivalries, bravery and treachery. However the same Spanish monarch who sent the Armada to invade England in 1588 was, just a few years previously, the King of England and husband of Mary Tudor. This important new book sheds new light on Philip II of Spain, England's forgotten sovereign. Previous accounts of Mary's brief reign have focused on the martyrdom of Protestant dissenters, the loss of English territory, as well as Mary's infamous personality, meaning that her husband Philip has remained in the shadows. In this book, Harry Kelsey uncovers Philip's life - from his childhood and education in Spain, to his marriage to Mary and the political manoeuvrings involved in the marriage contract, to the tumultuous aftermath of Mary's death which ultimately led to hostile relations between Queen Elizabeth and Philip, culminating in the Armada. Focusing especially on the period of Philip's marriage to Mary, Kelsey shows that Philip was, in fact, an active King of England and took a keen interest in the rule of his wife's kingdom. Casting fresh light on both Mary and Philip, as well as European history more generally, this book will be essential reading for anyone interested in the Tudor era.

Philip II of Spain was a major patron of the arts, best known for his magnificent palace and royal mausoleum at the Monastery of San Lorenzo of El Escorial. However, neither the king’s monastery nor his collections fully convey the rich artistic landscape of early modern Iberia. In this book, Laura Fernández-González examines Philip’s architectural and artistic projects, placing them within the wider context of Europe and the transoceanic Iberian dominions. Philip II of Spain and the Architecture of Empire investigates ideas of empire and globalization in the art and architecture of the Iberian world during the sixteenth century, a time when the Spanish Empire was one of the largest in the world. Fernández-González illuminates Philip’s use of building regulations to construct an imperial city in Madrid and highlights the importance of his transformation of the Simancas fortress into an archive. She analyzes the refashioning of his imperial image upon his ascension to the Portuguese throne and uses the Hall of Battles in El Escorial as a lens through which to understand visual culture, history writing, and Philip’s kingly image as it was reflected in the funeral commemorations mourning his death across the Iberian world. Positioning Philip’s art and architectural programs within the wider cultural context of politics, legislation, religion, and theoretical trends, Fernández-González shows how design and images traveled across the Iberian world and provides a nuanced assessment of Philip’s role in influencing them. Original and important, this panoramic work will have a lasting impact on Philip II’s artistic legacy. Art historians and scholars of Iberia and sixteenth-century history will especially value Fernández-González’s research.

The co-monarchy of Mary I and Philip II put England at the heart of early modern Europe. This positive reassessment of their joint reign counters a series of parochial, misogynist and anti-Catholic assumptions, correcting the many myths that have grown up around the marriage and explaining the reasons for its persistent marginalisation in the historiography of sixteenth-century England. Using new archival discoveries and original sources, the book argues for Mary as a great Catholic queen, while fleshing out Philip’s important contributions as king of England. It demonstrates the many positive achievements of this dynastic union in everything from culture, music and art to cartography, commerce and exploration. An important corrective for anyone interested in the history of Tudor England and Habsburg Spain.

The essays presented in this volume were delivered as papers by British, Filipino, and Spanish historians at a conference in Manila on December 1-2, 1999.

Impoverished and exhausted after fifty years of incessant warfare, the great Spanish Empire at the turn of the sixteenth century negotiated treaties with its three most powerful enemies: England, France, and the Netherlands. This intriguing book examines the strategies that led King Philip III to extend the laurel branch to his foes. Paul Allen argues that, contrary to widespread belief, the king's gestures of peace were in fact part of a grand strategy to enable Spain to regain military and economic strength while its opponents were falsely lulled away from their military pursuits. From the outset, Allen contends, Philip and his advisers intended the Pax Hispanica to continue only until Spain was able to resume its battles--and defeat its enemies. Drawing on primary sources from the four countries involved, the book begins with a discussion of how Spanish foreign policy was formulated and implemented to achieve political and religious aims. The author investigates the development of Philip's "peace" strategy, the Twelve Years' Truce, and the decision to end the truce and engage in war with the Dutch, and then with the English and French. Renewed warfare was no failure of peace policy, Allen shows, but a conscious decision to pursue a consistent strategy. Nevertheless the negotiation for peace did represent a new diplomatic method with significant implications for both the future of the Spanish Empire and the practices of European diplomacy.

The Spanish Armada conjures up images of age-old rivalries, bravery and treachery. However the same Spanish monarch who sent the Armada to invade England in 1588 was, just a few years previously, the King of England and husband of Mary Tudor. This important new book sheds new light on Philip II of Spain, England's forgotten sovereign. Previous accounts of Mary's brief reign have focused on the martyrdom of Protestant dissenters, the loss of English territory, as well as Mary's infamous personality, meaning that her husband Philip has remained in the shadows. In this book, Harry Kelsey uncovers Philip's life - from his childhood and education in Spain, to his marriage to Mary and the political manoeuvrings involved in the marriage contract, to the tumultuous aftermath of Mary's death which ultimately led to hostile relations between Queen Elizabeth and Philip, culminating in the Armada. Focusing especially on the period of Philip's marriage to Mary, Kelsey shows that Philip was, in fact, an active King of England and took a keen interest in the rule of his wife's kingdom. Casting fresh light on both Mary and Philip, as well as European history more generally, this book will be essential reading for anyone interested in the Tudor era.

This book concentrates on the political history of the reign of Philip IV, and the role of the king within it. Philip is kept near the forefront, and issues and events are often seen - if sometimes critically - from his viewpoint. It is, therefore, a work of revision and rehabilitation, representing an attempt (against all other extant accounts) to establish Philip IV as a positive figure, with an autonomous character and political identity. A secondary, supportive, intention is to demonstrate that after the fall of Olivares, the king ruled and governed without a favourite (valido). This is the central theme in the most detailed treatment of the second half of the reign available in any language. Reference is made throughout to Philip's own words and actions. At the same time, the Olivares period itself is approached from a new perspective, some issues being examined with the use of new material. Although not intended as a conventional biography, the book retains several characteristics of the form, in that it is a 'career-study', part thematic, part chronological. Philip IV is examined also in relation to the political writing of the age, and to his court and capital in Madrid.

Following Rivers of Gold and The Golden Empire and building on five centuries of scholarship, World Without End is the epic conclusion of an unprecedented three-volume history of the Spanish Empire from “one of the most productive and wide-ranging historians of modern times” (The New York Times Book Review). The legacy of imperial Spain was shaped by many hands. But the dramatic human story of the extraordinary projection of Spanish might in the second half of the sixteenth century has never been fully told—until now. In World Without End, Hugh Thomas chronicles the lives, loves, conflicts, and conquests of the complex men and women who carved up the Americas for the glory of Spain. Chief among them is the towering figure of King Philip II, the cultivated Spanish monarch whom a contemporary once called “the arbiter of the world.” Cheerful and pious, he inherited vast authority from his father, Emperor Charles V, but nevertheless felt himself unworthy to wield it. His forty-two-year reign changed the face of the globe forever. Alongside Philip we find the entitled descendants of New Spain’s original explorers—men who, like their king, came into possession of land they never conquered and wielded supremacy they never sought. Here too are the Roman Catholic religious leaders of the Americas, whose internecine struggles created possibilities that the emerging Jesuit order was well-positioned to fill. With the sublime stories of arms and armadas, kings and conquistadors come tales of the ridiculous: the opulent parties of New Spain’s wealthy hedonists and the unexpected movement to encourage Philip II to conquer China. Finally, Hugh Thomas unearths the first indictments of imperial Spain’s labor rights abuses in the Americas—and the early attempts by its more enlightened rulers and planters to address them. Written in the brisk, flowing narrative style that has come to define Hugh Thomas’s work, the final volume of this acclaimed trilogy stands alone as a history of an empire making the transition from conquest to inheritance—a history that Thomas reveals through the fascinating lives of the people who made it. Praise for World Without End “Readers will not find a more reliable guide to the maturing Spanish Empire. . . . World Without End reminds us that the far-flung Spanish Empire was the work of many minds and hands, and by the end their myriad stories carry a cumulative charge.”—The New York Times Book Review “A sweeping, encyclopedic history of the arrogance, ambition, and ideology that fueled the quest for empire.”—Kirkus Reviews “Literary power is a vital part of a great historian’s armoury. As in his earlier books, Thomas demonstrates here that he has this in abundance.”—Financial Times “A vivid climax to Hugh Thomas’s three-volume history of imperial Spain.”—The Telegraph “Thomas clearly excels in the Spanish history of religion, politics, and culture, [and] successfully shows that Spain’s global ambition knew no bounds.”—Publishers Weekly