Phantastes

Phantastes: A Faerie Romance for Men and Women is a fantasy novel written by George MacDonald. The story centers on the character Anodos and takes its inspiration from German Romanticism, particularly Novalis. It concerns a young man who is pulled into a dreamlike world and over there he hunts for his ideal of female beauty, embodied by the "Marble Lady". Anodos lives through many adventures and temptations while in the other world, until he is finally ready to give up his ideals. George MacDonald (1824-1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. His writings have been cited as a major literary influence by many notable authors including W. H. Auden, C. S. Lewis, J. R. R. Tolkien, Walter de la Mare, E. Nesbit and Madeleine L'Engle. G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence".

Follow the young man Anodos on his adventures in fairyland---a quest that requires the surrender of the self and reveals the struggles of the human condition. Written with whimsy yet soulful yearning, MacDonald's classic fantasy greatly influenced writers such as C.S. Lewis and J.R.R. Tolkien. Includes color renditions of Arthur Hughes's original illustrations.

Phantastes was published in 1858. It tells the story of Anodos, who, on coming of age, is examining the effects of his deceased father. To his astonishment, in doing so he sees an apparition of a fairy woman, who tells him that he has some fairy blood and conveys him to Fairy Land. In Fairy Land Anodos undergoes a long series of strange adventures and spiritual experiences. He is frequently under threat, at first from malevolent trees, and later from his own evil Shadow. At one point he discovers Pygmalion’s cave and sees the form of a beautiful woman enclosed in transparent alabaster. He falls instantly in love with this woman and contrives to free her from the stone, but she flees from him. Later, he encounters the Arthurian knight Sir Percivale, who has just come off the worst of an encounter with the evil Maid of the Alder-Tree. Eventually, after many trials and hazards, Anodos encounters Sir Percivale again and becomes his squire. Together they carry out deeds of chivalry before Anodos eventually returns to the mundane world. Phantastes is now regarded as a classic of the fantasy genre and has been an important influence on later generations of fantasy writers, including such names as C. S. Lewis. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

George MacDonald (1824-1905) was born in Aberdeen shire, Scotland. Briefly a clergyman, then a professor of English literature at Bedford and King's College in London, he was a popular lecturer and published poetry, stories, novels, and fairy tales. In this collection selected by C.S. Lewis, we are offered 365 selections from MacDonald's inspiring and useful writings, ranging from "Inexorable Love" to "The Torment Of Death." These wise words will instruct, uplift, and provide indispensable help toward the very acceptance of Christian faith.

George MacDonald wrote fairy tales for both children and adults to demonstrate the essential role of the imagination in apprehending spiritual truths. He explained: ". . . undefined, yet vivid visions of something beyond, something which eye has not seen nor ear heard, have far more influence than any logical sequences whereby the same things may be demonstrated to the intellect." Rolland Hein undertakes to show how MacDonald's tales contain such visions, helping readers to experience for themselves glimpses of "something beyond" and catch exciting insights into eternal truths.

Two volumes in one. A fantasy novel for adults, Lilith is the story of the aptly named Mr. Vane, his magical house, and the journeys into another world into which it leads him. Encountering one mystery after another, he explores the mystery of humanity's fall from grace--and of their redemption. Instructed into the ways of seeing the deeper realities of this world--seeing, in a sense, by the light of the spirit--the reader senses that MacDonald writes from his own deep experience of radiance, from a bliss so profound that death's darkness itself is utterly eclipsed in its light. "I was dead, and right content," the narrator says in the penultimate chapter of Phantastes. C.S. Lewis said that upon reading this astonishing 19th-century fairy tale he "had crossed a great frontier," and numerous others both before and since have felt similarly. In MacDonald's fairy tales, both those for children and (like this one) those for adults, the "fairy land" clearly represents the spiritual world, or our own world revealed in all of its depth and meaning. At times almost forthrightly allegorical, at other times richly dreamlike (and indeed having a close connection to the symbolic world of dreams), this story of a young man who finds himself on a long journey through a land of fantasy is more truly the story of the spiritual quest that is at the core of his life's work, a quest that must end with the ultimate surrender of the self. The glory of MacDonald's work is that this surrender is both hard won (or lost!) and yet rippling with joy when at last experienced. As the narrator says of a heavenly woman in this tale, "She knew something too good to be told." One senses the same of the author himself. Both Lilith and Phantastes, meant to be read together, are included in this comprehensive volume.

The Christian Goddess: Archetype and Theology in the Fantasies of George MacDonald, examines this British Victorian writer's employment of female figures to represent Deity. Such symbolism is extremely unusual for a Christian author of this period and anticipates the efforts of many modern theologians to develop an image of God as Mother. Bonnie Gaarden reads the goddess-figures in MacDonald's fantasies as both archetypes of the collective unconscious and as emblems articulating MacDonald's unique Christian theology, which is Trinitarian, Neo-Platonic, mystical and universalist. The goddesses become the central figures around which the author develops her interpretations of MacDonald's adult fantasy-novels, his children's books and some of his fairy tales. These readings discover MacDonald's ideas about God and the nature of good and evil, models of spiritual and psychological development that foreshadow the theories of Carl Jung and Eric Neumann, and acerbic commentary on the values and customs of Victorian society and religion. According to The Christian Goddess, MacDonald's Romantic belief in God's self-revelation in Nature led him to create Nature-mothers (such as the Green Lady in 'The Golden Key' and Lilith's Eve) which evoke both the Great Mother archetype described by Eric Neumann, and the modern neopagan Great Mother as developed in the works of James Frazer, Robert Graves, and Marija Gimutas. MacDonald dramatized his view of evil and its cure in the title character of Lilith, a Terrible Mother archetype historically embodied in the Hindu goddess Kali. MacDonald's notion of the world as Keat's 'vale of Soulmaking,' also elaborated by religious philosopher John Hick, is conveyed by Magic Cauldron archetypes in The Wise Woman, 'The Gray Wolf,' and Lilith. Muse-figures in Phantastes and At the Back of the North Wind express MacDonald's conviction that a 'right imagination' is the voice of God, while Divine Children in The Wise Woman and 'The Golden Key' communicate his belief that 'true childhood' is the Divine nature. The great-grandmother in the Princess books, a personification of the multi-dimensional activity of Divine Wisdom, springs from the Judeo-Christian Sophia and the classical Athena, while Kore figures in The Princess and the Goblin, Lilith, and Phantastes re-present the transforming descents of Persephone and Christ. This book shows MacDonald's fantasies as a chronological bridge, anchored in the traditions of the Hebrew Bible and the New Testament, incorporating the teachings of Christian mysticism and theistic Romanticism, and linking to the contemporary concerns in Western society that have given birth to the New Age. The Christian goddess portrayed in these fantasies may strike the reader as a Deity whose time has come.

Crossing a Great Frontier collects twenty-one hard-to-find scholarly essays about Phantastes into one convenient volume. In his comprehensive introduction, editor John Pennington describes the essays as reflecting four main perspectives about Phantastes as a religious work, a structurally coherent work, an insightful psychological work, and within its cultural/literary context. The book's title is derived from C.S. Lewis who wrote that after reading Phantastes, he knew he had "crossed a great frontier. Lewis's praise for MacDonald influenced more people to read MacDonald. His comments, however, diminished MacDonald's reputation as a skilled writer. Crossing a Great Frontier presents indisputable proof that Lewis underestimated the skill of his 19th century mentor. Readers will discover a multitude of insights into a book and author whose genius continues to be revealed. John Pennington, professor of English at St. Norbert College, specializes in Victorian fairy tales and is the editor of North Wind: The Journal of George MacDonald Studies.

A Faerie Romance for Men and Women is a fantasy novel written by George MacDonald, first published in London in 1858. Its importance was recognized in its later revival in paperback by Ballantine Books as the fourteenth volume of the celebrated Ballantine Adult Fantasy series in April 1970.This was the first prose work published by MacDonald. Because of its limited financial success, MacDonald saw himself forced to turn to writing realistic novels. Phantastes, however, exerted a strong influence on fantasy authors of later generations: for example, C. S. Lewis in his book Suprised by Joy claimed that his imagination had been "baptized" by reading it.The story centers on the character Anodos ("pathless" or "ascent" in Greek) and takes its inspiration from German Romanticism, particularly Novalis. The story concerns a young man who is pulled into a dreamlike world and there hunts for his ideal of female beauty, embodied by the "Marble Lady". Anodos lives through many adventures and temptations while in the other world, until he is finally ready to give up his ideals. In its themes and overall storyline, Phantastes is a kind of dry run for MacDonald's later novel Lilith.