Petra Arnold

The Fischer Family of Circus Artists: A Photographic Long-term Observation For more than a decade, the photographer Petra Arnold has shadowed the Zirkus Starlight troupe and the Fischers, a family of performers, taking analog photographs, mostly black-and-white, of their life behind the scenes. When she began the project, the Fischers were a large family, with thirty grandchildren. Over time, the company has had to downsize - the business environment is difficult, and few people can make a living as circus artists these days. Arnold's photographs peek behind the curtain for a study of an existence between circus family and family circus - mostly outside the limelight. The portraits and unstaged scenes are documents of contemporary history and draw attention to the steady decline of circus culture.

A theologian and pastor offers a comprehensive, easy-to-use guide to biblicalprophecy.

Cloning is some of the most exciting science and one of the most keenly fought moral debates of our time. Perfect Copy is a uniquely accessible exploration this most vexed and pressing issue. In 1997 Ian Wilmut and his team announced that they had done what many thought to be impossible. They had cloned a mammal from an adult cell. This breakthrough prompted immediate calls for the new technology of mammalian cloning to be used on humans. Italian fertility specialist Severino Antinori hopes to use cloning 'within two years' to give 200 infertile couples the opportunity to at last become parents. Cloning may also solve, once and for all, the problem of rejection that bedevils transplant surgery. Perhaps it even holds the promise of eternal life. But plans to clone humans have triggered a storm of protest. Scientists including Wilmut, politicians from left and right, and theologians from almost all religions find the idea abhorrent. We cannot possibly decide who is right in this debate unless we have a good understanding of what a human clone is and how one would be created. Nicholas Agar unravels the science - and the ethics - of cloning and begins to show how we should approach this fantastically problematic area.

The rapid developments in technologies -- especially computing and the advent of many 'smart' devices, as well as rapid and perpetual communication via the Internet -- has led to a frequently voiced view which Nicholas Agar describes as 'radical optimism'. Radical optimists claim that accelerating technical progress will soon end poverty, disease, and ignorance, and improve our happiness and well-being. Agar disputes the claim that technological progress will automatically produce great improvements in subjective well-being. He argues that radical optimism 'assigns to technological progress an undeserved pre-eminence among all the goals pursued by our civilization'. Instead, Agar uses the most recent psychological studies about human perceptions of well-being to create a realistic model of the impact technology will have. Although he accepts that technological advance does produce benefits, he insists that these are significantly less than those proposed by the radical optimists, and aspects of such progress can also pose a threat to values such as social justice and our relationship with nature, while problems such as poverty cannot be understood in technological terms. He concludes by arguing that a more realistic assessment of the benefits that technological advance can bring will allow us to better manage its risks in future.

Thomas Pynchon's writing has been widely regarded as an exemplary form of postmodern fiction. It is characterized as genre-defying and enigmatic, as a series of complex and esoteric language games. This study attempts to demonstrate, however, that an oblique yet compelling sense of the "political" Pynchon disappears all too easily under the mantle of postmodernity. Innovative and unsettling discussions of freedom, war, labour, poverty, community, democracy, and totalitarianism are passed over in favour of constrictive scientific metaphors and theoretical play. Against this current, this study analyses Pynchon's fiction in terms of its radical dimension, showing how it points to new directions in the relationship between the political and the aesthetic.

The end times have seen a great amount of interest within the last two decades, but there hasn’t been a comprehensive overview of biblical prophecy and eschatology for more than five decades. Mark Hitchcock’s book is that comprehensive resource for the twenty-first century The End will do for eschatology what Randy Alcorn’s Heaven did for people’s understanding of heaven. It will provide a solid biblical foundation for Christians to explore the essential truths around this topic—the end of the world.

Thomas Pynchon helped pioneer the postmodern aesthetic. His formidable body of work challenges readers to think and perceive in ways that anticipate--with humor, insight, and cogency--much that has emerged in the field of literary theory over the past few decades. For David Cowart, Pynchon's most profound teachings are about history--history as myth, as rhetorical construct, as false consciousness, as prologue, as mirror, and as seedbed of national and literary identities. In one encyclopedic novel after another, Pynchon has reconceptualized historical periods that he sees as culturally definitive. Examining Pynchon's entire body of work, Cowart offers an engaging, metahistorical reading of V.; an exhaustive analysis of the influence of German culture in Pynchon's early work, with particular emphasis on Gravity's Rainbow; and a critical spectroscopy of those dark stars, Mason & Dixon and Against the Day. He defends the California fictions The Crying of Lot 49, Vineland, and Inherent Vice as roman fleuve chronicling the decade in which the American tapestry began to unravel. Cowart ends his study by considering Pynchon's place in literary history. Cowart argues that Pynchon has always understood the facticity of historical narrative and the historicity of storytelling--not to mention the relations of both story and history to myth. Thomas Pynchon and the Dark Passages of History offers a deft analysis of the problems of history as engaged by our greatest living novelist and argues for the continuity of Pynchon's historical vision.

Dream Tonight of Peacock Tails marks the first in-depth examination of Pynchon’s debut novel, which was immediately recognized as a breakthrough masterpiece. The eight essays collected in the volume provide both scholars and avid readers with new and original insights into a too-often underestimated work that, probably even more than Gravity’s Rainbow, established Pynchon as one of the great masters of twentieth-century American literature. This book deliberately privileges a multidisciplinary and transnational approach, encompassing collaborations from a particularly international and diverse academic context. As such, this volume offers a multifaceted pattern of expanding investigation that tackles the novel’s apparently chaotic but meticulously organized structure by rereading it in the light of recent US and European history and economics, as well as by exploring its many real and imagined locations. Not only are the essays brought together here revelatory of Pynchon’s way of working, but they also tell us something about our own ways of approaching his fiction.

The Routledge Handbook of Francophone Africa brings together a multidisciplinary team of international experts to reflect on the history, politics, societies, and cultures of French-speaking parts of Africa. Consisting of approximately 35% of Africa’s territory, Francophone Africa is a shifting concept, with its roots in French and Belgian colonial rule. This handbook develops and problematizes the term, with thematic sections covering: Colonial and post-colonial ties between France and sub-Saharan Africa Belgium, Belgian colonialism and Africa The Maghreb African Francophones in France Francophone African literature and film ‘Francophone’ and ‘Anglophone’ Africa Beyond national boundaries and ‘colonial partners’ The chapters demonstrate the evolution of "Francophone Africa" into a multi-dimensional construct, with both a material and an imagined reality. Materially, it defines a regional territorial space that coexists with other conceptualisations of African space and borders. Conceptually, Francophone Africa constitutes a shared linguistic and cultural space within which collective memories are shared, not least through their connection to the French imperial imagination. Overall, the Handbook demonstrates that as global power structures and relations evolve, African agency is increasingly assertive in shaping French-African relations. Bringing this important debate together into a single volume, this Handbook will be an essential resource for students and scholars interested in Francophone Africa.

The west coast region of Vancouver Island encompasses mountainous terrain, rainforest, mudflats, and ragged coastlines that bear the brunt of storms spawned by an immense ocean. Remote and inaccessible to birders until well into the twentieth century, the rugged beauty of this “wild west coast,” attracts visitors from far and wide. And it also boasts a distinctive avian population that has made it one of Canada’s premier bird-watching destinations. The Birds of Vancouver Island’s West Coast is the essential guide to the region’s birds. It presents accounts of all of the species thus far recorded as occurring there – 360 in total – and updates the 231 species recorded up to 1978. Each account includes a brief introduction to the species and an overview of its total range. Key to the book’s detailed and authoritative accounts are first-hand observations and anecdotes recorded by the author over more than forty years. By far the most detailed and up-to-date account of the birds of this region, this book will inform, delight, and surprise amateur and professional birders alike.