Permission To Shoot

Extrajudicial executions have blighted parts of the world for generations, but criminological coverage has been superficial and selective, in that it has concentrated on South America giving the impression that this is a problem specific to that part of the world and associated with military rule, dictatorial regimes and colonial heritage. Permission to Shoot?: Police Use of Deadly Force in Democracies brings a new dimension to the problem of police abuse of deadly force by concentrating on India and the United States, both large democracies and vibrant superpowers. In the book, the research is based on primary sources—interviews with police officers of varying ranks: those who are involved in the killings; those who facilitate such operations; and those who are mute spectators. The book deals with universal, fundamental themes such as: what makes ordinary, decent human beings do horrible things? What motivational techniques and justifications are used to override social norms governing moral conduct, centring on the sector of society mandated to use deadly force against civilians? Why in a democratic country the abuse of police powers appears to be overtly and tacitly encouraged? Permission to Shoot? seeks to provide broad guidelines and recommendations for reforms in policing policy and practice in developing countries. The research peels back the lies and deceit that surround this issue, but more than that it shows how those lies and deceit act to support the practice itself.

Producing and Distributing Special Interest Videos is a step-by-step, do-it-yourself guide for successfully producing, selling and marketing videos without a huge financial investment for anyone who has an idea or expertise that they want to showcase in video. Learn how to successfully create and market videos for carefully researched niche markets, for long-term residual income.

Write to Shoot teaches budding screenwriters and screenwriting filmmakers how to write a short script with production in mind. Beker instructs them how to showcase their strengths, tailor projects to shoestring budgets, resources, and practical production parameters without sacrificing the quality and punch of their screenplays, whether they're creating a sizzle short for an unproduced feature script, an independent creative work, or a soapbox to promote a cause. Write to Shoot: Writing Short Films for Production is a must-have guide for anyone who wants to be sure there will be no surprises on set that come from a script that's not ready for production.

You have a strong vision for how your movie should look, but how do you find the perfect spot to shoot and how do you organize the complex logistics of such a shoot once you find that perfect location? In this comprehensive guide, industry veteran Kathy M. McCurdy provides everything you need to know to get out on location-from how to break down the script, public relations tips for successful location scouting, negotiating with property owners, permitting on public property, how to handle complaints, and even where to put the very unattractive port-a-potties. It also includes samples of all the different forms and contracts you'll need and breaks down everything from where to park the trucks to when you need police on the set. Filled with real-life examples and actual filming situations, Shoot on Location provides everything you need to know from scouting through the wrap. Delivers the universal step-by-step process for managing location shoots using industry standard guidelines and real-life examples from actual filming situations. Includes samples of all of the legal forms and contract necessary for shooting off the lot and covers everything from script breakdown, negotiation with property owners, and even where to put the porta-potties. Loaded with real tips and how-to's for every level of scouting, shooting, and wrapping-up.

Screenplay of 1960 French film with analysis. The film shocked and delighted critics and audiences with its sudden shifts of tone and mood, its willful play with grenre stereotypes, and its hilarious in-jokes. Along with Godard's Breathless, the two films heralded the arrival of the so-called New Wave of low-budget, shooting location and cinema as the personal statement of an author. Truffaut was one of the directors who paved the way for a postmodern aesthetic.

With millions of viewers looking to the Web as their source of entertainment and news, high-quality Web video is in demand like never before. Whether you’re an expert in video production or are just getting started, you need to know how to produce the best video possible for the Web and then make sure it gets seen by a wide audience. Here to guide you on everything about planning and shooting, editing, choosing a distributor, marketing your video, and making a profit, author and producer Jennie Bourne takes you through the steps to getting your video from concept to prominence on the Web. Web Video gives you practical, step-by-step instruction and advice from top experts in the field, with hands-on projects and footage available for download at the author’s Web site, www.webvideobook.tv. You’ll learn everything you need to know to create great video, get it noticed, and make it pay off, including: Web video production techniques for a variety of genres, including events, interviews, how-tos, video blogs, and news and dramatic shows What it takes to make your video a viral hit on the Web How to shoot high-quality video that stands out, with real-world tips from Web video professionals Editing techniques that draw in viewers and hold their attention Compression and formatting tips to make your video look great Advice on creating a distribution plan that fits your needs How to profit from advertising or selling your video

Doorhof takes you behind the scenes to reveal every step of his model-photography workflow. From finding models and locations and working with a team to indepth explanations of lighting setups, he shows you exactly how it's done, so you can recreate these same looks yourself.

The term "friendly fire" was coined in the 1970s but the theme appears in literature from ancient times to the present. It begins the narrative in Aeschylus's Persians and Larry Heinemann's Paco's Story. It marks the turning point in Homer's Iliad, Virgil's Aeneid, the Chanson de Roland, Stephen Crane's The Red Badge of Courage and Tim O'Brien's Going After Cacciato. It is the subject of transformative disclosure in Jaan Kross's Czar's Madman, Ron Kovic's Born on the Fourth of July, O'Brien's In the Lake of the Woods and A.B. Yehoshua's Friendly Fire. In some stories, events propel the characters into a friendly-fire catastrophe, as in Thomas Taylor's A Piece of this Country and Oliver Stone's 1986 film Platoon. This study examines friendly fire in a broad range of literary contexts.

To what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking professionals? The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. By focusing on the pivotal year of 2012, and by considering the input of every single contributor to the process, this book illuminates how this period of analogue to digital transition is impacting upon working practices, cultures, opportunities and structures in the industry, and examines the various causative forces behind their adoptions and resistances. With an in-depth case study of Sally Potter's 2012 film 'Ginger & Rosa', and drawing upon interviews with international film industry practitioners, 'From Film Practice to Data Process' is a groundbreaking examination of film production in its totality, in a moment of profound change.