Performing Arts In Transition

Artists especially from dance and performance art as well as opera are involved to an increasing degree in the transfer between different media, not only in their productions but also the events, materials, and documents that surround them. At the same time, the focus on that which remains has become central to any discussion of performance. Performing Arts in Transition explores what takes place in the moments of transition from one medium to another, and from the live performance to that which "survives" it. Case studies from a broad range of interdisciplinary scholars address phenomena such as: The dynamics of transfer between the performing and visual arts. The philosophy and terminologies of transitioning between media. Narratives and counternarratives in historical re-creations. The status of chronology and the document in art scholarship. This is an essential contribution to a vibrant, multidisciplinary and international field of research emerging at the intersections of performance, visual arts, and media studies.

The author gives a detailed study of the Gardzienice Theatre Association. Analysing their sung performances, strenuous physical and vocal training, and anthropological fieldwork amongst marginalized European minorities.

Art of Transition offers an unprecedented ethnographic view of the field of art in Russia between two eras of world-historical significance, socialism and global capitalism, and shows how the Russian art world has negotiated its cultural standing in an unequal, globalized present.

"With an abridged translation of the Dictionary of Moscow Conceptualism."

Part of the ongoing series of photobooks published with the Arcus Foundation and Emerson, Wajdowicz Studios on queer communities around the world, a stunning portrait of a community battling homophobia in Serbia In June 2001, Serbia witnessed its first gay pride parade in history in Belgrade's central square. It was a short-lived march, as an ultranationalist mob quickly descended on the participants, chanting homophobic slurs and injuring dozens. For years afterward, fear of violence prevented further marches, and when, in October 2010, the next pride march finally went ahead, it again devolved into violence as anti-gay rioters, firing shots and hurling petrol bombs, fought the police. It was only in 2014 that a pride march was held uninterrupted, albeit under heavy police protection. In Lives in Transition, photographer Slobodan Randjelovic captures the struggles and successes of twenty LGBTQ people living throughout Serbia—a conservative, religious country where, despite semi-progressive LGBTQ protection laws, homophobia fueled by religious authorities and right-wing political parties remains deeply entrenched. In a country where lack of employment opportunity and hostile families frequently drive queer people into poverty and isolation, these individuals have struggled to build a community that will offer solace, protection, and even joy. Lives in Transition portrays remarkable and inspiring resilience in the human struggle against a repressive social environment and demonstrates how friendship and community can help people shape their own futures. Lives in Transition was designed by Emerson, Wajdowicz Studios (EWS).

This beautifully written and well-informed book presents a comprehensive study of Zuni Icosahedron, a Hong Kong avant-garde theatre and dance company, and calls into question the relationship between culture and politics during the last years of British colonial rule. Through both fieldwork and textual analysis, the author explores the double-bind tensions between Chinese and Western aesthetic forms, while examining identity and gender within representation as part of the dramatization of an increasingly uncertain present. Incorporating insights from cultural studies, feminism, anthropology, and queer theory, this imaginative unpacks current debates over Hong Kong identity through the kaleidoscope of avant-garde theatre performances.

To achieve social and environmental sustainability, the performing arts' modes of production are in urgent need of significant transformation, as global crises have dramatically shown. The contributors to this volume challenge the predominant notions of professionalization that have underpinned theatre training practices and discuss the role of producers and arts managers towards changing problematic paradigms of authorship and leadership. They examine how regimes of artistic creation, production and management intersect in the field of theatre, dance and performance - and turn their attention to alternative ways of collective organization.