People Are Seeing Something

In this book, Denver Michaels examines reports of lake monsters in the United States and Canada. Simply put, Michaels' title says it all-people are seeing something-sincere, honest people report seeing strange creatures in the water on a regular basis. The reports are real; moreover, there is much more to the plethora of sightings than just the misidentification of known animals and hoaxes. Michaels also takes the time to examine the bodies of water where cyrptids are said to dwell. Could the nature of the lakes themselves point to some sort of link that could help explain lake monster sightings? Although Michaels believes that uncategorized creatures exist, he approaches the topic with a skeptical eye.

When tragedy strikes, Tess drops out of school and moves in with her funeral director dad, forcing her to examine life, death, and the boy she thought she knew and loved in a brand new light.

In an effort to address her obsession with worrying about people, ten-year-old Trina decides to invent an object she calls the Thing. Whenever Trina starts becoming overly concerned about someone, she opens the top of her magical box, peeks inside, and hopes that everything she sees will make her feel all right. But one night, everything is not all right. While looking in the Thing, Trina sees her older sister involved in a deadly car crash. Suddenly, Trina is left trying to make sense of events that are difficult for her to understand: her sisters death, her alcoholic father, her overworked mother, and her relationship with a God that would let bad things happen to good people. The tragedy that befalls her family teaches Trina how to survive disappointment and loss with humor, love, and a belief in second chances.

Seeing Things Whole presents the essence of the extraordinary legacy that John Wesley Powell has left to the American people, and to people everywhere who strive to reconcile the demands of society with the imperatives of the land.

Seeing Things (1991), as Edward Hirsch wrote in The New York Times Book Review, "is a book of thresholds and crossings, of losses balanced by marvels, of casting and gathering and the hushed, contrary air between water and sky, earth and heaven." Along with translations from the Aeneid and the Inferno, this book offers several poems about Seamus Heaney's late father.

The multiplicity of the self and the inaccessibility of truth are commonplaces of contemporary thought. But in Seeing Things Hidden they become key features of a philosophy of history that reunites emancipatory political theory with the apocalyptic tradition. Apocalyptic is the revelation of things hidden. But what does it mean to be hidden? And why are things hidden in the first place? By gently teasing out the meanings of hiddenness, this book develops a new theory of apocalyptic and explores its relation to the writings of Kant, Hegel, Benjamin and Derrida. Exploiting affinities between the work of Lukács and recent American philosophers like Rorty and Cavell, Bull argues that the central dynamic of late modernity is the coming into hiding of the contradictory identities generated through political and social emancipation. Drawing on analytic and Continental philosophy he articulates the most ambitious philosophy of history since Francis Fukuyama's The End of History, presenting fresh interpretations of such icons of modernity as Hegel's master-slave dialectic, Benjamin's angel of history, Du Bois's concept of double consciousness, and Rawls's veil of ignorance.

Ever wonder what makes a psychic tick? Or what goes on in the mind of someone who can foretell the future? Wonder no more! Read on! This biography of five working psychics will open your eyes, if not your mind, to their esoteric, inexplicable world.

Oliver Postgate is widely regarded as the greatest children's storyteller of the modern era. His work, which included The Clangers, Ivor the Engine, The Pogles, Noggin the Nog and, most famously, Bagpuss, is beloved by generations. In this delicious memoir Oliver Postgate describes how he came to create his stories and characters, developing innovative techniques of animation and puppetry alongside his friend and co-producer Peter Firmin. Amazingly, almost all of Oliver's films were made in a cowshed in Kent on a budget of next to nothing. The story of Oliver Postgate's extraordinary and adventurous life, and the wonderful characters who populated it - both real and imagined - is witty, charming, beautifully remembered and exquisitely told.

Discusses a form of energy that travels in waves and is used for manyof our activities and is called light.

The jovial journalist, philosopher, and theologian G.K. Chesterton felt that the world was almost always in permanent danger of being misjudged or even overlooked, and so the pursuit of understanding, insight, and awareness was his perpetual preoccupation. Being sensitive to the boundaries and possibilities of perception, he believed that it really was possible, albeit in a limited way, to see things as they are. Duncan Reyburn, marrying Chesterton's unique perspective with the discipline of philosophical hermeneutics, aims to outline what Chesterton can teach us about reading, interpreting, and participating in the drama of meaning as it unfolds before us in words and in the world. Chesterton's unique interpretive approach seems to be theimplicit fascination of all Chesterton scholarship to date, and yet this book is the first to comprehensively focus on the issue. By taking Chesterton back to his philosophical roots - via his marginalia, his approach to literary criticism, his Platonist-Thomist metaphysics, and his Roman Catholic theology - Reyburn explicitly and compellingly tackles the philosophical assumptions and goals that underpin his unique posture towards reality.