Pensees And Other Writings

For much of his life Pascal (1623-62) worked on a magnum opus which was never published in its intended form. Instead, he left a mass of fragments, some of them meant as notes for the Apologie. These were to become known as the Pensées, and they occupy a crucial place in Western philosophy and religious writing. Pascal's general intention was to confound scepticism about metaphysical questions. Some of the Pensées are fully developed literary reflections on the human condition,, some contradict others, and some remain jottings whose meaning will never be clear. The most important are among the most powerful aphorisms about human experience and behaviour ever written in any language. This translation is the only one based on the Pensées as Pascal left them. It includes the principal dossiers classified by Pascal, as well as the essential portion of the important Writings on Grace. A detailed thematic index gives access to Pascal's areas of concern, while the selection of texts and the introduction help to show why Pascal changed the plan of his projected work before abandoning the book he might have written. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Blaise Pascal, the precociously brilliant contemporary of Descartes, was a gifted mathematician and physicist, but it is his unfinished apologia for the Christian religion upon which his reputation now rests. The Penseés is a collection of philosohical fragments, notes and essays in which Pascal explores the contradictions of human nature in pscyhological, social, metaphysical and - above all - theological terms. Mankind emerges from Pascal's analysis as a wretched and desolate creature within an impersonal universe, but who can be transformed through faith in God's grace. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

"Men despise religion. They hate it and are afraid it may be true," declared Pascal in his Penseés. "The cure for this," he explained, "is first to show that religion is not contrary to reason, but worthy of reverence and respect. Next make it attractive, make good men wish it were true, and then show that it is." Motivated by the 17th-century view of the supremacy of human reason, Pascal (1623–1662) intended to write an ambitious apologia for Christianity, in which he argued the inability of reason to address metaphysical problems. While Pascal's untimely death prevented his completion of the work, these fragments published posthumously in 1670 as Penseés remain a vital part of religious and philosophical literature. Introduction by T. S. Eliot.

Peter Kreeft believes that Blaise Pascal is the first post-medieval apologist. No writer in history, claims Kreeft, is a more effective Christian apologist and evangelist to today's uprooted, confused, secularized pagans (inside and outside the Church) than Pascal. He was a brilliant man--a great scientist who did major work in physics and mathematics, as well as an inventor--whom Kreeft thinks was three centuries ahead of his time. His apologetics found in his Pens褳 are ideal for the modern, sophisticated skeptic. Kreeft has selected the parts of Pascal's Pens褳 which best respond to the needs of modern man, and offers his own comments on applying Pascal's wisdom to today's problems. Addressed to modern skeptics and unbelievers, as well as to modern Christians for apologetics and self-examination, Pascal and Kreeft combine to provide a powerful witness to Christian truth.

DIVThe only dual-language edition available of these works features highlights from Pensées, focusing on their secular aspects and popular epigrams, and Provincial Letters, which showcases the author's satirical wit, righteous indignation, and effervescent style. /div

This book is a study of Blaise Pascal's defence of Christian belief in the Pensées. Michael Moriarty aims to expound—and in places to criticize—what he argues is a coherent and original apologetic strategy. Setting out the basic philosophical and theological presuppositions of Pascal's project, the present volume draws the distinction between convictions attained by reason and those inspired by God-given faith. It also presents Pascal's view of the contradictions within human nature, between the 'wretchedness' (our inability to live the life of reason, to attain secure and durable happiness) and the 'greatness' (the power of thought, manifested in the very awareness of our wretchedness). His mind-body dualism and his mechanistic conception of non-human animals are discussed. Pascal invokes the biblical story of the Fall and the doctrine of original sin as the only credible explanation of these contradictions. His analysis of human occupations as powered by the twin desire to escape from painful thoughts and to gratify one's vanity is subjected to critical examination, as is his conception of the self and self-love. Pascal argues that just as Christianity propounds the only explanation for the human condition, so it offers the only kind of happiness that would satisfy our deepest longings. He thus reasons that we have an interest in investigating its truth-claims as rooted in the Bible and in history. The closing chapters of this book discuss Pascal's view of Christian morality and the famous 'wager' argument for opting in favour of Christian belief.

'Sexual Pensees' reveals the deepest feelings of a young woman in Manhattan, a young man, a Hollywood starlet, a film producer, and icons ranging from Flaubert to Mario Puzo."

Blaise Pascal (1623-1662) is known in the English-speaking world principally for the wager (an argument that it is rational to do what will affect belief in God and irrational not to), and, more generally, for the Pensées, a collection of philosophical and theological fragments of unusual emotional and intellectual intensity collected and published after his death. He thought and wrote, however, about much more than this: mathematics; physics; grace, freedom, and predestination; the nature of the church; the Christian life; what it is to write and read; the order of things; the nature and purpose of human life; and more. He was among the polymaths of the seventeenth century, and among the principal apologists of his time for the Catholic faith, against both its Protestant opponents and its secular critics. Why Read Pascal? engages all the major topics of Pascal's theological and philosophical writing. It provides discussion of Pascal's literary style, his linked understandings of knowledge and of the various orders of things, his anthropology (with special attention to his presentation of affliction, death, and boredom), his politics, and his understanding of the relation between Christianity and Judaism. Pascal emerges as a literary stylist of a high order, a witty and polemical writer (never have the Jesuits been more thoroughly eviscerated), and, perhaps above all else, as someone concerned to show to Christianity's cultured despisers that the fabric of their own lives implies the truth of Christianity if only they can be brought to look at what their lives are like. Why Read Pascal? is the first book in English in a generation to engage all the principal themes in Pascal's theology and philosophy. The book takes Pascal seriously as an interlocutor and as a contributor of continuing relevance to Catholic thought; but it also offers criticisms of some among the positions he takes, showing, in doing so, how lively his writing remains for us now.

This book considers Pascal's modes of writing - whether he is arguing with the strict puritanical modes of Church politics, in the guise of a naive 'provincial' trying to understand the Jesuitical approach (Les Provinciales), or meditating on the ways to present his own thoughts on religion (Apologia) to the world outside Port-Royal, the convent his sister Jacqueline had persuaded him to enter. Pascal's so-called 'worldly period', in which his relation to his libertine friends motivated his celebrated 'wager' about belief, is discussed alongside his Jansenist writings, his meditations on thinking about thinking, and finally his invention of the first means of public transport in Paris, shortly before his untimely death at 39 following a lifetime of illness.