Patterns Of Eternity

Describes the starcut diagram which underlies many significant geometrical patterns and proportions across the world.

• Lavishly illustrated with hundreds of detailed diagrams and technical illustrations exploring the evolution and importance of the starcut diagram • Shows how the starcut diagram underlies the shaman’s dance in China, the Vedic Fire Altar in India, Raphael frescoes, labyrinth designs, the Great Pyramid in Egypt, and the building of ancient cities • Explains how the starcut diagram was used in building and design, how it relates to Pythagoras’s Tetrakys, and how it contains knowledge of the Tree of Life As Malcolm Stewart reveals in this lavishly illustrated study, the simplesquare figure of the Starcut diagram, created only with circles, has extraordinary geometric properties. It allows you to make mathematically exact measurements and build perfectly true level structures without a computer, calculator, slide rule, plumb bob, or laser level. Sharing his extensive research, along with hundreds of detailed diagrams and technical illustrations, the author shows how the Starcut diagram was the key to the building of humanity’s first cities and how it underlies many significant patterns and proportions around the world. Using circles drawn from the vesica piscis, Stewart explains how to create the Starcut diagram and shows how this shape was at the foundation of ancient building and design, illustrating the numerous connections between the diagram and the creation of mandalas and yantras, stained glass windows, architectural ground plans, temples and other sacred buildings, and surveying methods. He also shows how the Starcut diagram reveals ancient geometric knowledge of pi, the Fibonacci sequence, Pythagorean shapes and seals, the golden ratio, the power of 108 and other sacred numbers, and magic squares. Exploring the Starcut diagram’s cosmological and theological implications, Stewart explains how it contains knowledge of the Tree of Life and the Kabbalah. He examines how it relates to the Tetraktys, the key teaching device of Pythagoras, and other cosmograms. Demonstrating the ancient relationships existing between number, geometry, cosmology, and musical harmony, the author shows how the simple shape of the Starcut diagram unifies the many threads of sacred geometry into one beautiful mathematical tapestry.

5,000 years in the future, humankind has spread across thousands of worlds, and more than a dozen different governments exist in an uneasy truce. But human beings have found no signs of other life anywhere approaching human intelligence. This changes when scientists discover a sunless planet they name Danann, travelling the void just beyond the edge of the Galaxy at such a high speed that it cannot be natural. Its continents and oceans have been sculpted and shaped, with but a single megaplex upon it--close to perfectly preserved--with tens of thousands of near-identical metallic-silver-blue towers set along curved canals. Yet Danann has been abandoned for so long that even the atmosphere has frozen solid. Within a few years Danann will approach an area of singularities that will make exploration and investigation impossible. Orbital shuttle pilot Jiendra Chang, artist Chendor Barna, and history professor Liam Fitzhugh are recruited by the Comity government and its Deep Space Service, along with scores of other experts as part of an unprecedented and unique expedition to unravel Danann's secrets. And there are forces that will stop at nothing to prevent them, even if it means interstellar war. Other Series by L.E. Modesitt, Jr. The Saga of Recluce The Imager Portfolio The Corean Chronicles The Spellsong Cycle The Ghost Books The Ecolitan Matter The Forever Hero Timegod's World Other Books The Green Progression Hammer of Darkness The Parafaith War Adiamante Gravity Dreams The Octagonal Raven Archform: Beauty The Ethos Effect Flash The Eternity Artifact The Elysium Commission Viewpoints Critical Haze Empress of Eternity The One-Eyed Man Solar Express At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Written in the form of a revelation from divine beings, the classic guide to expanding consciousness presents texts discussing God, the universe, angels and other beings, the history of the world, the development of civilization, personal spiritual growth, and the life and teachings of Jesus.

Eternity is a unique kind of existence that is supposed to belong to the most real being or beings. It is an existence that is not shaken by the common wear and tear of time. Over the two and half millennia history of Western philosophy we find various conceptions of eternity, yet one sharp distinction between two notions of eternity seems to run throughout this long history: eternity as timeless existence, as opposed to eternity as existence in all times. Both kinds of existence stand in sharp contrast to the coming in and out of existence of ordinary beings, like hippos, humans, and toothbrushes: were these eternally-timeless, for example, a hippo could not eat, a human could not think or laugh, and a toothbrush would be of no use. Were a hippo an eternal-everlasting creature, it would not have to bother itself with nutrition in order to extend its existence. Everlasting human beings might appear similar to us, but their mental life and patterns of behavior would most likely be very different from ours. The distinction between eternity as timelessness and eternity as everlastingness goes back to ancient philosophy, to the works of Plato and Aristotle, and even to the fragments of Parmenides' philosophical poem. In the twentieth century, it seemed to go out of favor, though one could consider as eternalists those proponents of realism in philosophy of mathematics, and those of timeless propositions in philosophy of language (i.e., propositions that are said to exist independently of the uttered sentences that convey their thought-content). However, recent developments in contemporary physics and its philosophy have provided an impetus to revive notions of eternity due to the view that time and duration might have no place in the most fundamental ontology. The importance of eternity is not limited to strictly philosophical discussions. It is a notion that also has an important role in traditional Biblical interpretation. The Tetragrammaton, the Hebrew name of God considered to be most sacred, is derived from the Hebrew verb for being, and as a result has been traditionally interpreted as denoting eternal existence (in either one of the two senses of eternity). Hence, Calvin translates the Tetragrammaton as 'l'Eternel', and Mendelssohn as 'das ewige Wesen' or 'der Ewige'. Eternity also plays a central role in contemporary South American fiction, especially in the works of J.L. Borges. The representation of eternity poses a major challenge to both literature and arts (just think about the difficulty of representing eternity in music, a thoroughly temporal art). The current volume aims at providing a history of the philosophy of eternity surrounded by a series of short essays, or reflections, on the role of eternity and its representation in literature, religion, language, liturgy, science, and music. Thus, our aim is to provide a history of philosophy as a discipline that is in constant commerce with various other domains of human inquisition and exploration.

Schumacher College is dedicated to studying all aspects of sustainable living. This book is the realization of Brian Goodwins vision to publish a collection of essays on sustainable solutions to todays global crisis. Themes include the importance of education, science, economics, energy sources, business, and design, all in the context of philosophy, spirituality, and mythology. Contributors include Satish Kumar, Jules Cashford, Fritjof Capra, Rupert Sheldrake, James Lovelock, Peter Reason, Gideon Kossoff, Craig Holdrege, Helena Norbert-Hodge, Colin Tudge, Nigel Topping and many others.

Nine Lives to Eternity is a true chronicle of cheating death time and again. This inspirational and faith-driven human triumph details the aftermath of my many harrowing experiences and mishaps, any of which should have resulted in certain death. Each time, I was somehow incessantly saved by guardian angels. The numerous near-death experiences accounted for twenty-six fractured bones and rendered me unconscious on five separate occasions, yet somehow I lived to tell my compelling story of survival and triumph over death. By the release date of this book, the good Lord has allowed me to somehow, someway survive up until and beyond the celebration of my fifty-fifth birthday. Trust me when I reiterate that my life hasnt been a painless journey while defeating death on a habitual basis. Beginning as a mere infant at the age of nine months old and then continuing through fifty-five years, Ive cheated death again and again. During my lifes journey, Ive survived an unfathomable twenty-seven encounters with death. Ive escaped death through seven different machinery and equipment mishaps. Ive avoided horse or mule death challenges no fewer than five times. Although one of my lifes greatest pleasures has always been motorcycling, Ive paid a price by suffering through five singular accidents that should have terminated my life. Few in life could survive even one automobile crash, yet Ive lived to describe three separate vehicular collisions. In addition, Ive escaped death from toxic fumes twice and twice averted death threats while working within dangerous third world countries. Ive even fallen from a rooftop, nearly crashed in an airplane, and lived through a poisoning, yet by the grace of God, Ive failed to become a fatality statistic. Ive often joked that for every day in which I dont read my own name within a newspaper obituary column that becomes a really good day for me. To survive so many brushes with death is difficult to absorb. My goal-driven ambitions have unfortunately brought me to the threshold of death numerous times. Ive driven myself to limits that few would attempt. Early in life, I set a goal for myself to try and fit three lifetimes of experiences into my short time on this planet. As a youth, I never believed that I would survive beyond an age of forty years. Most certainly, my high-risk behaviors reduced my odds for a lengthy existence. As my life unfolded, the numerous encounters with death became staggering. Between the ages of nine months up until nine years, I faced death three times. From the ages of ten years through my nineteenth birthday, death crossed my pathway four more times. During my tumultuous twenties from the ages of twenty years through twenty-nine years, I survived eight separate death encounters. Between the ages of thirty years through thirty-nine years, my chances of death slowed down to two. By the ages of forty years through forty-nine years, the Grim Reaper visited me on three separate occasions. As I reached midlife, I discovered that the pace of my death engagements was increasing. From the ages of fifty years through fifty-five years, Id already amassed five singular close encounters with death. Perhaps that assertion should come as no surprise. Since reaching my fifties, Id done little to slow down or reduce my zest for life and risk-taking determination. Few adults when faced with their own midlife crisis will attempt such outlandish feats as mountain climbing to the summit of Devils Tower in Wyoming or riding a motorcycle nonstop for ten thousand miles or consulting in the midst of a war within the country of Afghanistan. Im thankful for each and every day that Im allowed the privilege of living. I try to give thanks and praise to my Lord every day for granting me the tenacity to overcome even the worst of survival odds. Through my strong faith and spirituality, and by never accepting defeat, Ive been able to constantly repel the onset of death.

An illustrated guide to harmonics--the sacred geometry principles that underlie the natural world--and its practical applications • Demonstrates how the vesica piscis is a matrix from which ideas and forms emanate, connecting cosmic time cycles, measures of space, and musical tones • Provides harmonic analyses of ancient sculpture, architecture, the solar system, the Earth-Moon relationship, and the structure of water and waves • Explains how to apply sacred geometry to create building floor plans, pottery figures, gardens, and sacred ceremonial spaces We are in the midst of a revival of an ancient way of looking at the world--an approach that enabled great civilizations of the past to bring forth inventions of great beauty and power. This school of thought--harmonics--envisioned the natural world and the solar system as an interlocking matrix of harmonious numbers, perfectly woven into the creative fabric of life and the surrounding universe. Exploring the art and science of harmonics, John Oscar Lieben shows how to create harmonious forms using the ancient tools of number, geometry, and musical tone--an approach that resonates with nature’s own ways of creation. He demonstrates many practical applications that result from the study of harmonics, providing analyses of ancient sculpture and architecture, as well as original examples of building floor plans, pottery figures based on planetary proportions, gardens based on harmonic principles, and ceremonial spaces that honor cosmic harmonies and sacred geometric relationships. Showing how harmonics can also be applied to the mysteries of time and space, the author demonstrates how the vesica piscis and many other variations of the vesica shape reveal numerical synchronicities and correspondences that connect cosmic time cycles, measures of space, and musical tones. The author applies harmonics and the “vesica construction” matrix to illustrate many of nature’s wonders, including the Earth-Moon relationship, the interactions of the Golden Number and the musical scale, and how the Flower of Life symbol connects the universal field with the pattern of raindrops falling on a pond. Offering an approach to sacred geometry that pairs the mystical with the practical, the cosmic with the earthly, the author reveals how the art and science of harmonics should be required study for both the artist and the seeker of eternal truths as well as the scientist who seeks an entrance into the sacred foundations of nature.

There is one fundamental thing that has changed in our societies since 1950: life has got longer. Over the last few generations, 20 or 30 years have been added to the duration of our lives. But after the age of 50, human beings experience a kind of suspension: no longer young, not really old, they are, as it were, weightless. It is a reprieve that leaves life open like a swinging door. The increase in life expectancy is a tremendous step forward that upsets everything: relations between generations, patterns of family life, the very meaning of our identity and our destiny. This reprieve is both exciting and frightening. The deadlines are getting shorter, the possibilities are shrinking, but there are still discoveries, surprises and upsetting love affairs. Time has become a paradoxical ally: instead of killing us, it carries us forward. What to do with this ambiguous gift? Is it only a question of living longer or living more intensely? To continue along the same path or to branch out and start again? What about remarriage, a new career? How to avoid the weariness of living, the melancholy of the twilight years, how to get through great joys and great pains? Nourished by both reflections and statistics, drawing on the sources of literature, the arts and history, this book proposes a philosophy of longevity based not on resignation but on resolution. In short, an art of living this life to the full. Is there not a profound joy in being alive at the age when our ancestors already had one foot in the grave? This book is dedicated to all those who dream of a new spring in the autumn of life, and want to put off winter as long as they can.

Seeking to escape the shadow of Annette Bond's success, Captain Morgan Casimir has taken a posting on the far side of the A!Tol Imperium. Here she hopes to begin a legend for herself that stands apart from her stepmother, the Duchess.