Pamphlet Architecture 15 War And Architecture

War and Architecture is a timely and moving response by architect Lebbeus Woods to the bombing of Sarajevo. With text in both English and Croatian, accompanied by the author's exquisitely drawn, hauntingly beautiful proposals, the book is both dedicated and addressed to the citizens of this ravaged city. Lebbeus Woods has long been fascinated by the intimate ties between architecture and violence. He identifies the two predominant patterns for rebuilding cities following catastrophic destruction: restoring the city exactly to its previous, "historical" state; or "erasing" the remains of the city to construct a new utopia. These, he argues, are twin forms of denial. Woods draws an analogy to the process of biological and emotional healing, presenting architectural forms that act as "injections," "scabs," "scars," and "new tissue," within the complex organism of a city. "Only by facing the insanity of willful destruction," he argues, "can reason begin to believe again in itself."

This newest addition to the Pamphlet Architecture series, long admired for its willingness to propose architectural solutions to challenging problems addresses the issue of rising sea levels with an interrogation of the concept of floating cities, a field of inquiry gaining increasing relevance and urgency with the impending reality of climate change. The authors explore notions of buoyancy and the amphibious through a typology based on human response and adaptation, to one of the hosting pressing issues of our day.

Everyday Architecture of the Mid-Atlantic gives proof to the insights architecture offers into who we are culturally as a community, a region, and a nation.

Study of Woods' visionary architecture which is concerned with the cultural regeneration of society.

This book approaches the problematic question of reading the architectural desensualization of space-as a result of current architectural movements and cultural trends (modernism, postmodernism, post-postmodernism)-through an interpretation of architecture as a rather dynamic entity enhancing sympathy with the self/subject. Therefore, architecture is analyzed as objectively (relating simultaneously to objects and objectivity) acting in space and time upon the subject and thus favoring them with sympathy. In a discipline boasting a multitude of discourses that could be employed in support of this argument (such as neuroscience and Husserlian phenomenology), this book favors the Object-Oriented Ontology (OOO), a theoretical framework that is able to propose a method where time and space can be emitted from architecture as object-oriented. In other words, architectural time and space are examined as possessing the agency to shape the subject, and consequently their perception, cognition and sympathy. Through a case study of war ruins from the Lebanese civil war and neighboring countries, this book makes an important contribution to our understanding of the interplay between space and time through object-oriented wartime architecture, on the one hand, and the self/subject on the other hand. The study aims to provide architects with a potential discourse through which design can be reconsidered. This discourse is formulated around an evaluation of three dimensions-architectural time, architectural space and architectural matter-in addition to a review of architectural strategies and the relationship between subject and object. In so doing, space is presented as that which acts upon the subject, space that is no longer desensualized, space that instead becomes a verb.

"This is a book about the things that inspire all of us, from the sacred to the profane, from everyday objects like a marble or a rubber stamp, to the more surprising such as a dirt pile or a turtle tail. Artists, writers, designers, among many others, contribute their objects and ruminations that encourage, motivate, and energize their own creativity."--Provided by publisher.

Ambiguous Spaces, the newest installment in the Pamphlet Architecture series and a return to Pamphlet's own progressive roots, features the architectural fictions "The Pregnant Island" and "Nuclear Breeding." These two projects develop alternative urban concepts that address the challenges presented by the specific situations and social dynamicsdescribed in controversial locations such as the Brazilian Tucurui Dam, the Three Gorges Dam in China, and former English nuclear test sites. Using narrative techniques, fictional programs, ambiguous spaces, and building devices, AmbiguousSpaces explores people, communities, and even entire cities oppressed by a lack of freedom.

The Galveston Architecture Guidebook will be invaluable to all those who visit Galveston. Historic preservationists, scholars of nineteenth-century material culture, architects, and historians will be fascinated by the broad range of buildings and urban conditions it documents. Finally, anyone interested in Galveston or the Gulf Coast will find in this book a wealth of information.

Aldo Rossi was a practicing architect and leader of the Italian architectural movement La Tendenza and one of the most influential theorists of the twentieth century. The Architecture of the City is his major work of architectural and urban theory. In part a protest against functionalism and the Modern Movement, in part an attempt to restore the craft of architecture to its position as the only valid object of architectural study, and in part an analysis of the rules and forms of the city's construction, the book has become immensely popular among architects and design students.