Pamphlet

The Reynolds Pamphlet (1797) is an essay by Alexander Hamilton. Written while Hamilton was serving as Secretary of the Treasury, the Pamphlet was intended as a defense against accusations that Hamilton had conspired with James Reynolds to misuse funds meant to cover unpaid wages to Revolutionary War veterans. Admitting to an affair with Maria, Reynolds’ wife, Hamilton claims that the accusation is nothing more than an attempt at blackmail. This revelation not only endangered Hamilton’s career as a public figure, but constituted perhaps the earliest sex scandal in American history. “The bare perusal of the letters from Reynolds and his wife is sufficient to convince my greatest enemy that there is nothing worse in the affair than an irregular and indelicate amour. For this, I bow to the just censure which it merits. I have paid pretty severely for the folly and can never recollect it without disgust and self condemnation. It might seem affectation to say more.” Accused of corruption in his role as Secretary of the Treasury, Alexander Hamilton was forced to confess his adultery, bringing shame to himself as a married man and supposedly honorable public figure, yet saving his political career in the process. Looking back on his affair with Maria Reynolds from a distance of five years, Hamilton expresses regret for his foolishness, yet wholeheartedly denies her husband’s accusation that he had been involved in his scheme to misuse government funds. Perhaps the first sex scandal in American history, the Reynolds affair sent shockwaves throughout the burgeoning republic, leaving many to question the motives and character of their leaders for the first time, though certainly not the last. With a beautifully designed cover and professionally typeset manuscript, this edition of Alexander Hamilton’s Reynolds Pamphlet is a classic of American literature reimagined for modern readers.

This book resulted from a desire to understand the role of pamphlets in the political life of that most curious early modern state, the Dutch Republic. The virtues of abundance and occasional liveliness have made "little blue books," as they were called, a favorite historical source-that is why I came to study them in the first place. I But the more I dug into pamphlets for this fact or that, the more questions I had about their 2 contemporary purpose and role. Who wrote pamphlets and why? For whom were they intended? How and by whom were pamphlets brought to press and distributed, and what does this reveal? Why did their number increase so greatly? Who read them? How were pamphlets different from other media? In short, I began to view pamphlets not as repositories of historical facts but as a historical phenomenon in their own right. 3 I have looked for answers to these questions in governmental and church records, private letters, publishing records and related materials about printers, booksellers, and pamphleteers, and of course in pam phlets themselves. Like so many other students of the early press and its products, I discovered only scattered, incomplete images of actual con ditions, such as the readership or popularity of pamphlets. On the other hand, I found much material which reflected what people believed about "little books.

Pamphlet Architecture was begun in 1977 by William Stout and Steven Holl as an independent vehicle for dialogue among architects, and has become a popular venue for publishing the works and thoughts of a younger generation of architects. Small in scale, low in price, but large in impact, these books present and disseminate new and innovative theories. The modest format of the books in the Pamphlet Architecture Series belies the importance and magnitude of the ideas within.

In this volume, the latest addition to the award-winning Pamphlet Architecture series, the authors examine common architectural forms (chairs, doors, and walls) and programs (a cinema, a health club, a skyscraper) in order to dissect and reconfigure them. In the process they create ten new projects that draw their power from an oscillation between the recognizable and the surreal. Cleverly undermining the conventions and norms of contemporary architectural design, the authors pose a direct challenge to the seemingly endless search for new styles, arguing instead that the greatest potential for architecture in the twenty-first century rests on an imaginative examination of what we take for granted. Designed by authors, Situation Normal... weaves together text, photographs, and drawings. An introductory essay establishes the theoretical and historical position of the book.

Pamphlet Architecture was begun in 1977 by William Stout and Steven Holl as an independent vehicle for dialogue among architects, and has become a popular venue for publishing the works and thoughts of a younger generation of architects. Small in scale, low in price, but large in impact, these books present and disseminate new and innovative theories. The modest format of the books in the Pamphlet Architecture Series belies the importance and magnitude of the ideas within.

Founded in 1978 by architect Steven Holl and bookseller William Stout in an attempt to skirt the editorial control of the reigning architectural magazine culture, Pamphlet Architecture has been disrupting the status-quo ever since. This series of small experimental volumes has introduced important ideas and spurred much-needed debate among students and practitioners alike. Pamphlet Architecture 23 carries on this tradition with a book selected in an open competition. Johanna Saleh Dickson's entry was chosen from over seventy submissions received from architects, academics, and students from across the nation and around the world. Her pamphlet investigates the events of May 13, 1985, when a bomb was dropped by police on a Philadelphia row house in order to evacuate its residents-members of the radical organization MOVE. The fire that ensued killed 11 MOVE members and destroyed an entire city block. Tainted by these traumatic events, the reconstructed house located on the site has stood unoccupied for nearly two decades. Dickson proposes an architectural treatment that might facilitate and promote healing within the affected community. A call for ideas for Pamphlet 24 has already gone out. A winner will be selected in September of this year and the next innovative project will be published in spring of 2003.

Conceived as a set of "Flexible Standards," this new addition to the Pamphlet Architecture series proposes a new way of thinking about roadways in cities. By reexamining the urban expressway as a political, physical, and mythic manifestation of American culture, this compelling pamphlet serves as a design manual for planners, a novel atlas for drivers, and a collection of proposals that reaffirm the role of architecture in urban planning. The thirteen projects take as their subject a site of contested transportation infrastructure -- the Sheridan Expressway. By proposing new typologies for this site, these studies seek to mediate the spaces in the city where local and regional meet. Referencing the introduction of the modern parkway into the Bronx, the grading of the Central Park transverse roads, and other works that have redefined the relationship between parks and roads, author Jonathan Solomon suggests a system by which large projects might again be built in American cities.

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It demonstrates the effectiveness of pamphlets as a medium of propaganda within the context of political life in colonial Bengal.