Paint My Name In Black And Gold

Leeds, 1980. Amid the violence and decay, the city was home to an extraordinarily vibrant post-punk scene. Out of that swamp crawled the Sisters of Mercy. Over the next five years, they would rise from local heroes to leading alternative band, before blowing apart on the verge of major rock stardom. Their path was strewn with brilliant singles, astonishing EPs, exceptional album tracks and legendary live shows. Two classic line-ups were created and destroyed: Andrew Eldritch on vocals, Craig Adams on bass, Gary Marx and Ben Gunn – later replaced by Wayne Hussey – on guitars, and a drum machine called Doktor Avalanche. Hussey and Adams styled themselves as the Evil Children and played hard both on and off the stage; neither Gunn nor Marx were natural rock 'n' roll animals, but the latter performed with such abandon that it was hard to believe he also wrote the Sisters' most delicate and beautiful music. Eldritch was the most peculiar and compelling of them all, a singular and mesmerising amalgam of T. S. Eliot and David Bowie who staked a powerful claim to be the greatest rock star of his generation. Drawing on dozens of interviews with band members and key figures in the Sisters' journey, Paint My Name in Black and Gold is the most complete account yet of how – against the odds and all reasonable expectation – these young men came to make transcendent and life-changing music.

"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one A William C. Morris Debut Award Finalist 2018 National Book Award Longlist Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint. She chose paint. By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost. He will not consume my every thought. I am a painter. I will paint. Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence. I will show you what a woman can do. ★"A captivating and impressive."—Booklist, starred review ★"Belongs on every YA shelf."—SLJ, starred review ★"Haunting."—Publishers Weekly, starred review ★"Luminous."—Shelf Awareness, starred review

A dazzling hybrid of personal memoir and criticism, considering the work of Black visual artists as a means to explore loss, legacy, and the reclamation of life through art. At the age of twenty-one, Erica Cardwell finds herself in New York City, reeling from the loss of her mother and numb to the world around her. She turns inward instead, reading books and composing poetry, eventually falling into the work of artists such as Blondell Cummings, Lorna Simpson, Lorraine O’Grady, and Kara Walker. Through them, she communes with her mother’s spirit and legacy, and finds new ways to interrogate her writing and identity. Wrong Is Not My Name weaves together autobiography, criticism, and theory, and considers how Black women create alternative, queer, and “hysterical” lives through visual culture and performance. In poetic, interdisciplinary essays—combining analytical and lyrical stream-of-consciousness—Cardwell examines archetypes such as the lascivious Jezebel, the caretaking Mammy, and the elusive Sapphire to formulate new and inventive ways to write about art. Pioneering and inquisitive, Wrong Is Not My Name celebrates Black womanhood, and illuminates the ways in which art and storytelling reside at the core of being human.

** ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK ** Winner of the Nobel Prize for Literature Winner of the International IMPAC Dublin Award 'Wonderful' The Spectator 'Magnificent' Observer 'Sumptuous' New Yorker 'Unforgettable' Guardian My Name is Red is an unforgettable murder mystery, set amid the splendour of sixteenth century Istanbul, from the Nobel prizewinning author In the late 1590s, the Sultan secretly commissions a great book: a celebration of his life and his empire, to be illuminated by the best artists of the day - in the European manner. At a time of violent fundamentalism, however, this is a dangerous proposition. Even the illustrious circle of artists are not allowed to know for whom they are working. But when one of the miniaturists is murdered, their Master has to seek outside help. Did the dead painter fall victim to professional rivalry, romantic jealousy or religious terror? With the Sultan demanding an answer within three days, perhaps the clue lies somewhere in the half-finished pictures . . . Orhan Pamuk is one of the world's leading contemporary novelists and in My Name is Red, he fashioned an unforgettable tale of suspense, and an artful meditation on love and deception.

The thrash of Motörhead. The mechanized anxiety of Suicide. The poignancy of Leonard Cohen. The arrogance of Bowie. The Sisters Of Mercy combined it all to create an unforgettable noise. From 1980 to 1985 lead singer and master strategist Andrew Eldritch maneuvered The Sisters Of Mercy from the grimy pubs and student unions of Northern England to London's storied Royal Albert Hall. Then the whole thing fell apart.Based on original research and a thorough reading and synthesis of hundreds of interviews, articles and reviews, Waiting For Another War is a chronicle of The Sisters Of Mercy's brilliant and tumultuous years from 'The Damage Done' to First And Last And Always.

In the early 1980s two bands dominated the independent charts: the Smiths and the Sisters of Mercy. They have proved to be equally influential. In every city in the world you will find people dressed like they have just walked offstage from playing a gig with the Sisters of Mercy in 1983. Paint My Name in Black and Gold tells the story of their rise - how against the odds and all reasonable expectation they came to make transcendent and life-changing music. It is also about the glorious stupidity of being in a Leeds rock band in the early 80s. There's a lot of dry ice, blood, vomit, speed and sex in the toilets. There are tales involving a milk float, a VHS cassette of a Michael Caine film, a hibernating snake, a wardrobe in a tree, an amyl nitrate-soaked effects pedal and the inopportune consumption of Dutch hash cake. The Sisters began in 1980, meandered through two years of intermittent gigging, iffy recordings and sundry line-up changes without much attention being paid to them before finding their two classic line-ups: Eldritch on vocals, Adams on bass, Gary Marx and Ben Gunn - and later Wayne Hussey - on guitars, and a drum machine called Doktor Avalanche. By force of will and their own peculiar talents - and with the support of friends and the kindness of strangers - these young men achieved greatness. Hussey and Adams - The Evil Children, as they termed themselves - were hard living road dogs with fascinating musical back-stories. Neither Gunn nor Marx were natural rock'n'roll animals, but the latter performed with such abandon - often in such lurid shirts - that it was hard to believe he also wrote The Sisters' most delicate and beautiful music. Lead singer Andrew Eldritch was the most peculiar and compelling of them all, a singular and mesmerising amalgam of T. S. Eliot and David Bowie. In the five years covered in this book, Eldritch staked a powerful claim to be the greatest rock star of his generation. Paint My Name in Black and Gold covers the band's rise until the release of their iconic first album.

PDF - This could be the most useful watercolour reference book you will ever find. This book has been designed for use by anyone with an interest in watercolour, whether beginner or very experienced artist. It contains hand-painted mixing charts created using a palette of only fifteen carefully chosen colours. Every possible 2-colour mix is shown, along with the most useful 3-colour mixes. The charts have been professionally photographed and colour-matched to be as true to life as possible. Each page is rich with notes about the various colour mixes and their suggested uses in paintings. This is a private PDF listing. Please do not share.