Over Stone Waters

Poetry cast in mind things learned, remembered or instructional experiences. Sometimes poetry is developed by a product of necessity. This is where I am at, “I have to write”. A developed analytical mind assists the muse of perceptions to grasp those witty lines fleeting through the mind. Moving verse poetry draws on exposure to many stories, “…therefore, creating accurate, yet whimsical imagery anchored in memory and nearby conversations made public” (COT 28/06/2023). It is a great responsibility to have a way with words. So, we have to ask ourselves: “Where are my words leading people to; and Who do I want following me”. I give God the glory.

"Evocative and hopeful," says Newbery Honor-Winner Rita Williams-Garcia of this intense survival story set during the Armenian genocide of 1915. It is 1914, and the Ottoman Empire is crumbling into violence. Beyond Anatolia, in the Armenian Highlands, Shahen Donabedian dreams of going to New York. Sosi, his twin sister, never wants to leave her home, especially now that she is in love. At first, only Papa, who counts Turks and Kurds among his closest friends, stands in Shahen's way. But when the Ottoman pashas set in motion their plans to eliminate all Armenians, neither twin has a choice. After a horrifying attack leaves them orphaned, they flee into the mountains, carrying their little sister, Mariam. But the children are not alone. An eagle watches over them as they run at night and hide each day, making their way across mountain ridges and rivers red with blood. A YALSA Best Fiction Nomination A Notable Books for a Global Society Award Winner A CBC Notable Social Studies Trade Book of the Year A Bank Street College of Education Best Book of the Year with Outstanding Merit “I have walked through the remnants of the Armenian civilization in Palu and Chunkush, I have stood on the banks of the Euphrates. And still I was unprepared for how deeply moved I would be by Dana Walrath’s poignant, unflinching evocation of the Armenian Genocide. Her beautiful poetry and deft storytelling stayed with me long after I had finished this powerful novel in verse.” —Chris Bohjalian, author of The Sandcastle Girls and Close Your Eyes, Hold Hands “A heartbreaking tale of familial love, blind trust, and the crushing of innocence. A fine and haunting work.” —Karen Hesse, Newbery Medal–winning author of Out of the Dust “This eloquent verse novel brings one of history’s great tragedies to life.” —Margarita Engle, Newbery Honor–winning author of The Surrender Tree *"This beautiful, yet at times brutally vivid, historical verse novel will bring this horrifying, tragic period to life for astute, mature readers." —School Library Journal, Starred "A powerful tale balancing the graphic reality of genocide with a shining spirit of hope and bravery in young refugees coming to terms with their world."—Booklist “The emotional impact these events had on individuals will certainly resonate.”—Kirkus Reviews

Bernardo Atxaga's Water over Stones follows a group of interconnected people in a small village in the Basque Country. It opens with the story of a young boy who has returned from his French boarding school to his uncle's bakery, where his family hopes he will speak again. He's been silent since an incident in which he threw a stone at a teacher for reasons unknown. With the assistance of twin brothers who take him to a river in the forest, he'll recover his speech. As the years pass, those twins, now adults, will be part of a mining strike in the Ugarte region, and so take up the mantle of the narrative, just as others will after them.

*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).

Fifteen-year-old Grant confronts the difficult decision of whether or not to cooperate with his grandfather's wish that he not be placed on life-support systems.

Water Over Stone takes the reader right to the depths of the rainforests and seas, guiding them through a fantastical journey of vivid and detailed description.

Award-winning author Jeffrey Greene provides a portrait, by turns lyrical and provocative, of J. David Bamberger's unlikely transformation from first, a vacuum cleaner salesman, then to co-founder and CEO of Church's Fried Chicken, to an internationally recognized conservationist. In fact, Greene tells two integrally related stories: the evolution of one man's business sense, applying profit incentives to land restoration and nature conservancy; and the creation of a Texas Hill Country preserve where he effectively demonstrates his own principles. Growing up in rural Ohio during the Great Depression and World War II, Bamberger learned at an early age to shun waste, grow food productively, and admire the Amish for living in harmony with the land. His mother taught him to love the natural world and gave him a book that would set the course for his life: Pleasant Valley, by Louis Bromfield, a visionary American advocate for land restoration. Inspired by his new role model, Bamberger would say, "If I ever make money, I want to do what Bromfield did." After finding that financial success, Bamberger bought what he describes as "the sorriest piece of land in Blanco County" and entered upon his decades-long effort to restore the ecological balance of 5,500 acres that had been virtually destroyed by more than a century of misuse. Naming his preserve Selah--from the Old Testament term meaning "pause and reflect"--Bamberger dedicates himself and his resources to protecting species and educating school children, conservation groups, government officials, and everyone else who will listen to his central message, delivered with evangelical zeal: We must take care of the earth, and anyone can help. Today, David and his wife, Margaret, have received many awards, and he has been featured in The New Yorker, in Audubon, and on CNN and network news. But until now, no one has fully told the story of how a man with vision transformed a place--and in doing so, transformed himself.

I looked and saw water rushing in from Galveston Bay on one side and from the gulf on the other. The two seas met in the middle of Broadway, swirling over the wooden paving blocks, and I couldn't help but shudder at the sight. All of Galveston appeared to be under water. Galveston, Texas, may be the booming city of the brand-new twentieth century, but to Seth, it is the end of a dream. He longs to be a carpenter like his father, but his family has moved to Galveston so he can go to a good school. Still, the last few weeks of summer might not be so bad. Seth has a real job as a builder and the beach is within walking distance. Things seem to be looking up, until a storm warning is raised one sweltering afternoon. No one could have imagined anything like this. Giant walls of water crash in from the sea. Shingles and bricks are deadly missiles flying through the air. People not hit by flying debris are swept away by rushing water. Forget the future, Seth and his family will be lucky to survive the next twenty-four hours. Dark Water Rising is a 2007 Bank Street - Best Children's Book of the Year.

Marion and Shiva Stone are twin brothers born of a secret union between a beautiful Indian nun and a brash British surgeon. Orphaned by their mother’s death and their father’s disappearance and bound together by a preternatural connection and a shared fascination with medicine, the twins come of age as Ethiopia hovers on the brink of revolution. Moving from Addis Ababa to New York City and back again, Cutting for Stone is an unforgettable story of love and betrayal, medicine and ordinary miracles—and two brothers whose fates are forever intertwined.

When Scotland Yard superintendent Duncan Kincaid takes Gemma, Kit, and Toby for a holiday visit to his family in Cheshire, Gemma is soon entranced with Nantwich's pretty buildings and the historic winding canal, and young Kit is instantly smitten with his cousin Lally. But their visit is marred by family tensions exacerbated by the unraveling of Duncan's sister Juliet's marriage. And tensions are brought to the breaking point on Christmas Eve with Juliet's discovery of a mummified infant's body interred in the wall of an old dairy barn—a tragedy hauntingly echoed by the recent drowning of Peter Llewellyn, a schoolmate of Lally's. Meanwhile, on her narrowboat, former social worker Annie Lebow is living a life of self-imposed isolation and preparing for a lonely Christmas, made more troubling by her meeting earlier in the day with the Wains, a traditional boating family whose case precipitated Annie's leaving her job. As the police make their inquiries into the infant's death, Kincaid discovers that life in the lovely market town of his childhood is far from idyllic and that the dreaming reaches of the Shropshire Union Canal hold dark and deadly secrets . . . secrets that may threaten everything and everyone he holds most dear.